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¡DOS! [Explicit]

November 13, 2012 | Format: MP3

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Product Details

  • Original Release Date: November 6, 2012
  • Release Date: November 13, 2012
  • Label: Reprise
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 39:22
  • Genres:
  • Format: Explicit Lyrics
  • ASIN: B00A12VW86
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (179 customer reviews)
  • Amazon Best Sellers Rank: #19,847 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

Most Helpful Customer Reviews

28 of 36 people found the following review helpful By Juz Man on November 13, 2012
Format: Audio CD
Here we are at album two and this one is an album of two halves - one good, one not quite as inspired. The first half of Dos is excellent while the last half is not as consistant but contains some nice tracks. Like Uno, is fails to hold up in the second half, but it's a much better album than it's predecessor. Sadly though, it will no doubt sell less copies and not receive the wide-spread praise it deserves.
Similarly to Uno, it's a very Nimrod-ish sounding album but without the variety that Nimrod had - which in itself was good and bad.
The major difference between Dos and Uno though is that I like Dos.
I've listened to this album more in the past week than I have for the past two months with Uno. Though this album has made me revisit Uno and I'm giving it more listens.
After a week or so I found Uno to be boring and haven't really listened to any of it for the past month. The longevity of this one should be a bit better as it has a handful of instant classics. It's good songs are better than Uno's gooduns and there are more of them, however it has a couple of sub-par ones. There was nothing overly bad on Uno, it was pretty consistent, with limited filler. Dos has Nightlife to drag it down and is an album of more extremes - ie more highs and bigger lows. Versus Uno, Dos certainly has more songs that would make it onto one great album.
Lots of songs here have a familiar ring to them.

B- -See You Tonight is a nice opener. Kind of Song of the Century-ish. I like my one minute acoustics.
B -F$%& Time is a fun track though maybe a tad childish for aging rockers
B+ -Stop When The Red Lights Flash is a highlight
A- -Lazy Bones is another highlight and the best track on offer.
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6 of 6 people found the following review helpful By hockmasm on December 26, 2012
Format: Audio CD
When I first previewed Dos on Amazon, after buying Uno, I was slightly disappointed. I felt like these songs might have been the B tracks of the triology that they put on one disc. Then, I previewed Tre, and was blown away by those songs, and bought. Feeling as if it would in complete to not own the full Triology, I bought Dos.

I'm so glad I did! The songs on Dos completely make sense when listened to in between Uno and Tre! Alone, Dos felt like as if I was reading the middle chapters of a book. After hearing Uno, then listening to Dos, and then Tre, it fits perfect musically.

Give it a try, download it, and give it a few listens and you'll hopefully agree :)
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5 of 5 people found the following review helpful By Layne on December 15, 2012
Format: Audio CD Verified Purchase
Listening to Dos! as I write this.
Even though Uno! had already exceeded my expectations, Dos! was even better.
Just to start with the packaging--beautiful. Cover goes perfectly with the other albums in the trilogy, great pictures of the band on the insert, the lyrics are displayed both neatly and creatively and overall, it looks very nice.
The music (sorry if I get too in depth here):

See you tonight -- is catchy sweet, heartfelt. I think its the perfect intro to the harder album of the three, even though this is a soft song.
F*** Time-- I personally find it impossible to listen to this song without laughing. It's a crazy, absurd (in a good way) song
Stop When The Red Lights Flash -- fast paced, great guitar work (yay Jason White and Billie Joe), very garage-rocky feel
Lazy Bones -- The lyrics of this song are so twistedly beautiful. If you buy the album for one reason, let it be this song.
Wild One -- One of those romantic-swaying-to songs for me. Great bass line, too
Makeout Party -- for fans of the Green Day side project Foxboro Hottubs. This is such a retro garage-rock sound, you can't help but think of "The Pedestrian" or "Stop Drop and Roll"
Stray Heart -- Awesome song, but after listening to Tre!, I see why it was originally supposed to be on there and not Dos! Doesn't fit perfectly in the lineup, but still a masterpiece. (the music vid is great too, you should check it out, if you haven't)
Ashley -- Perfect for after a bad break up. full of that classic angst of Green Day.
Baby Eyes -- Classic rock n' roll, always the best lyrics (Billie Joe Armstrong is a lyrical genius)
Lady Cobra -- Another Foxboro Hottubs sounding one.
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1 of 1 people found the following review helpful By Michael Brent Faulkner, Jr. VINE VOICE on December 14, 2012
Format: Audio CD Verified Purchase
Better late than never right? I slept on the second Green Day of the album of the year Dos, despite purchasing it when it materialized in November. Regardless, ¡Dos! is consistent with Uno if not more enjoyable and innovative in some respects. Every cut grooves, even "Nightlife," a cut in particular that is slower than the multitude. A contrast to the first album, there seem to be more risks on Dos, which should be apparent to both fans and casual listeners. Unfortunately for Dos, its sells have been even less spectacular than that of Uno - about half to be exact of Uno's debut. A shame, given Dos may offer more triumphs.

"See You Tonight" is a surprising start, lasting all of 1:06 serving as a prelude or intro. There is strummed rhythmic guitar and a brief vocal performance. The introductory cut definitely gives off an air of mysteriousness and unpredictability. The real affair begins with the grooving "F*** Time," which is completely different from anything on Uno. Instead of delivering an ultra quick, punk-savvy tempo, the band opts for a bluesier mid-tempo cut, borrowing its harmonic sensibilities on the chorus directly from the blues idiom. Keeping its punk appeal alive, none needs to look any further than the title to see the sensibility of the band's revivalist style.

"Stop When The Red Lights Flash" is consistent, opening within pummeling drums and keeping the guitars heavy, dirty, and driving. It may not quite reach the compelling appeal of the opener, but it's both succinct and enjoyable, something that bodes well in Green Day's favor on Dos.
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