Well, sort of, at least.
My last post was on the recent crisis in world-building I had been having with my current main work-in-progress, Dreadship Omnipotence. Since that post, the crisis has spiralled out of control, to becoming a plot-construction crisis, and then finally a character crisis.
It turned out I was telling the wrong story.
The moment of epiphany came shortly after my reworking of the plot and its central elements, and I turned to thinking about how
As always, I’m horrible at updating this blog, and similarly horrible at updating my wordcount, on which I have fallen miserably short this month. The good news is I actually have written some things, so now the wordcount bar has a little bit of blue in it! The bad news is that total it’s only about 600 words, and it was in my secondary WIP, the steampunk short story collection currently titled Darke, about a gunmage named Fineas Darke.
This woefully low amount of words, and no w
On the heels of finishing SyFy’s Childhood’s End, I also managed to get through a novel: Lois McMaster Bujold’s latest Vorkosigan book, Gentleman Jole and the Red Queen. I absolutely love Bujold’s Vorkosigan Saga; I think it is one of the greatest works of science fiction, up there with Herbert’s Dune, Simmons’ Hyperion Cantos, and Brin’s Uplift Saga. However, it is a very different type of story from those other series above; while the above stories are all abou
I just had the unique pleasure of watching SyFy’s adaptation of Arthur C. Clarke’s novel Childhood’s End into a three-part miniseries, and in what little free time I had, I wanted to share a few thoughts I had on it. Childhood’s End is one of my favorite novels (despite its drawbacks including clunky writing and potentially colonial apologetics), but SyFy has an unimpressive adaptation track record, and so I had high hopes but low expectations for Childhood’s End. As such, I wa
Happy new year everybody! I know I’m a bit late, but January has been a little bit of a hectic month, and I’ve had very little time to myself all month! The hecticness is finally mostly over (though a new semester is coming up!), so I can finally get back on a semi-normal schedule.
In light of this, I have some writing New Year’s resolutions! I have added, on the sidebar to the right, a small word-count widget under “Monthly Wordcount.” I will update it as I write, with the goal of wr
Hi everyone! It’s been quite a while since I posted here (and I have failed to write anything about Ghost in the Shell as promised yet), and I am still incredibly busy with academic and teaching work (as my spotty Eldritch Wastes updates can attest to), but in the midst of all of that I still managed to find time for my favorite annual writing drive: that, of course, being National Novel Writing Month!
Usually I put up a blog post about NaNoWriMo before it happens, but this
Hey everyone! Sorry it’s been a while, but the last couple of months have been rather busy and often hellish. I tried (and spectacularly failed) at Camp Nanowrimo this summer, but I’ve continued outlining and planning the plot for Dreadship Omnipotence, and I think the final product is going to be much better with this planning! I’ve also started trying to consistently set aside writing time (with limited success thus far), but we’ll see how that goes. After a three-week hiatus for
I read Joe Haldeman’s most famous novel, The Forever War, in only a little more than twenty-four hours. That alone speaks volumes about the work, which isn’t a long novel, but it isn’t short either.
I read this book right after having read Neuromancer (which I had some problems with, as this review shows), and so The Forever War was like a breath of fresh air. Like Neuromancer, it was extremely fast paced, but in an entirely different way. The chapters were very short (
On June 29th, I Tweeted my (very brief) thoughts about my current reading project, Neuromancer, and mentioned that it hadn’t been what I had been expecting, and got seven retweets. For someone who is lucky to get a single retweet, I was surprised at the (relatively high) response to this one Tweet with almost no content. Clearly (in my psuedo-scientific analysis of one Tweet), #Neuromancer is important to the denizens of the Internet, and discussion about it catches peoples’ attention. T
I emerge once more from the void to regale you all, my dear readers (however few you may be!), with tales of my latest literary conquests! Or, in this case, literary conquest (it turns out it’s hard to find time to read fiction when you’re studying for a preliminary exam for your PhD program at the end of the summer and are working on papers for two conferences at the end of August… eep!).
The aforementioned literary conquest is none other than Ursula K. LeGuin’s The Left Hand of