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100 Poems from the Japanese
 
 
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100 Poems from the Japanese [Paperback]

Kenneth Rexroth (Translator)
4.7 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

June 17, 1955

It is remarkable that any Westerner—even so fine a poet as Kenneth Rexroth—could have captured in translation so much of the subtle essence of classic Japanese poetry: the depth of controlled passion, the austere elegance of style, the compressed richness of imagery.

The poems are drawn chiefly from the traditional Manyoshu, Kokinshu and Hyakunin Isshu collections, but there are also examplaes of haiku and other later forms. The sound of the Japanese texts i reproduced in Romaji script and the names of the poets in the calligraphy of Ukai Uchiyama. The translator's introduction gives us basic background on the history and nature of Japanese poetry, which is supplemented by notes on the individual poets and an extensive bibliography.

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Editorial Reviews

About the Author

Poet-essayist Kenneth Rexroth (1905-1982) was a high-school dropout, disillusioned ex-Communist, pacifist, anarchist, rock-climber, critic and translator, mentor, Catholic-Buddhist spiritualist and a prominent figure of San Francisco's Beat scene. He is regarded as a central figure of the San Francisco Renaissance and is among the first American poets to explore traditional Japanese forms such as the haiku.

Product Details

  • Paperback: 140 pages
  • Publisher: New Directions; First Edition edition (June 17, 1955)
  • Language: English
  • ISBN-10: 0811201813
  • ISBN-13: 978-0811201810
  • Product Dimensions: 8 x 5.2 x 0.4 inches
  • Shipping Weight: 5.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #470,693 in Books (See Top 100 in Books)

 

Customer Reviews

7 Reviews
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 (5)
4 star:
 (2)
3 star:    (0)
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Average Customer Review
4.7 out of 5 stars (7 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

21 of 22 people found the following review helpful:
5.0 out of 5 stars FIRST RATE INITIATION TO JAPANESE POETRY, June 18, 2002
By 
Luciano Lupini (Caracas Venezuela) - See all my reviews
(REAL NAME)   
This review is from: 100 Poems from the Japanese (Paperback)
This is one of the greatest "small" books I have ever read. Rexroth conveys a good bird's eye view of classical japanese poetry, with poems selected and translated by him, mostly from the Manyoshu (A.D. 759) and Kokinshu (A.D. 905)compilations.
You will be surprised by the intensity and sensibility that these short poems reflect. Also you will be delighted to read the different depictions of states of mind and heart in this poetry which will eerely convey the atemporal dimension of sorrow, pain, joy and appeasement to the contemporary human being.
An example of what to expect:
The flowers whirl away
In the wind like snow.
The thing that falls away
Is myself.....(Prime Minister Kintsune)
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19 of 21 people found the following review helpful:
5.0 out of 5 stars Wonderful collection of quiet intensity, June 23, 1999
By A Customer
This review is from: 100 Poems from the Japanese (Paperback)
He has gathered a wonderful collection of quiet often powerful poems. I used to always keep a copy at my desk at work when I needed a break from programming. I think everyone who loves poetry should have a copy.
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13 of 16 people found the following review helpful:
5.0 out of 5 stars And Now For Something Completely Different, August 4, 2008
By 
Karen Shaub "Nickname: Queen B" (the inner reaches of the outer limits) - See all my reviews
(VINE VOICE)   
This review is from: 100 Poems from the Japanese (Paperback)
Many decades ago as I was standing in a seemingly endless line at the college bookstore waiting to pay for my texts, I happened to pick up a copy of Kenneth Rexroth's 100 POEMS FROM THE JAPANESE and started thumbing through it in order to kill some time while I waited...and waited...and waited for my turn at the register. By the time I finally made it up there I couldn't have cared less, I was totally engrossed in the small volume that had been meant merely to keep me from thoughts of violence as I continued to wait...and wait...and wait. I knew that I had to have this book, I had fallen in love with Japanese poetry. Since that day I've had 3 copies of the book in all. The first was stolen by a "friend", the second died from over-work, and the third is sitting in front of me as I try to cobble together this review.

I had long hated poetry since its writers tended to exhume every archaic word they knew and went on for as long as they possibly could until they had finally beaten what ever sentiment, or thought they had tried to express into into a gelatinous pulp and left it and the reader whimpering on the floor in helpless submision. Writers of Western and European poetry that is. For when I openned Rexroth's book I learned there was an alternative to the pompous florid verbosity of Western poets and it could be found in the powerful, exquisitely crafted yet extremely economical poetry of Japan.

There are several different poetic forms and a great many shadings and other things to be concerned with, as in the works of all poets, and Rexroth deals with these things both in his introduction as well as in individual notes in the back of the book. He explains everything you need to know in order to understand these poems if you're interested in going beneath their surface beauty. Each poem is presented in romanized Japanese as well as English, which is a nice bonus, and each poet has his own little section. Every poet's name is presented in calligraphy down the side of each page.

This is an extraordinary collection of poems translated by a man who himself is an extraordinary poet. Perhaps the best way to convice you might be to offer one or two of my favorites and let you see for yourself what treasures this book has to offer.

A strange old man
Stops me,
Looking out of my deep mirror. HITOMARO

Although I hide it
My love shows in my face
So plainly that he asks me,
"Are you thinking of something?" TAIRA NO KANEMORI


l
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Inside This Book (learn more)
First Sentence:
I passed by the beach At Tago and saw The snow falling, pure white, High on the peak of Fuji. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
naga uta, pillow word
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Kokin Shú
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