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1001 Movies You Must See Before You Die [Hardcover]

Steven Jay Schneider (Editor)
4.1 out of 5 stars  See all reviews (75 customer reviews)


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Hardcover $18.71  
Hardcover, November 8, 2005 --  
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There is a newer edition of this item:
1001 Movies You Must See Before You Die: 5th Anniversary Edition 1001 Movies You Must See Before You Die: 5th Anniversary Edition 4.1 out of 5 stars (75)
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Book Description

November 8, 2005
"You played it for her, Sam. Now, play it for me." Everybody loves a good movie, and Casablanca is just one of the classics described in this, the ultimate book about movies! This volume's expert team of authors spans a full century of production, concisely describing 1001 of the best films from around the world. The listings are dramatically augmented with memorable photos, both in color and black and white. The book is a chrono-logical survey covering the best cinematic dramas, comedies, westerns, musicals, suspense and horror films, gangster classics, films noir, sci-fi epics, documentaries, and adaptations of novels and stage plays. Starting in 1902 with the French production, Le voyage dans la lune (A Trip to the Moon) and the famous 1903 American short, The Great Train Robbery, this immensely enjoyable read moves forward chronologically. Film fans review the 1920s silent classics of D. W. Griffith and the comedies of Chaplin and Keaton, then go on to the era of sound films, beginning in 1927 with Al Jolson in The Jazz Singer. Soon to follow were von Sternberg's 1931 classic with Marlene Dietrich, Der Blaue Engel (The Blue Angel), the Bela Lugosi portrayal of Dracula, and the inimitable King Kong. Other highlights from the 1930s include screwball comedies like It Happened One Night and Bringing Up Baby, the elegant song-and-dance fests that paired Astaire and Rogers, the crazy antics of the Marx Brothers, and the classic Warner Brothers gangster films where James Cagney, George Raft, and Edward G. Robinson were brought to justice in the final reel. In the 1940s, The Maltese Falconand Casablanca made Humphrey Bogart a household name--and spanning nearly a half-century, from the 1930s to the '80s, Alfred Hitchcock's suspense classics thrilled millions. Also well represented are the post-World War II European New Wave directors, including Pasolini, Fellini, and Antonioni from Italy, Resnais and Truffaut from France, and many others. Here too in words and photos are the classic westerns, from epics starring John Wayne and Gary Cooper to those in which Clint Eastwood shot it out with the bad and the ugly. --And certainly not to be overlooked are the great musicals, from Singin' in the Rain to Chicago.Readers who open this book to any page will find a major film described with a complete list of credits, an essay summarizing its story line and screen-history, and still shots of some of the film's memorable scenes. At the back of the book, both an alpha-betical index and a genre index will help readers find any film they're looking for in a hurry. Collectors of DVDs and video tapes will find this volume a must for their bookshelf, but even casual moviegoers will enjoy browsing through this big, entertaining reference book. For students of cinema, for discerning film buffs, for general moviegoers, and for readers who enjoy reminiscing over unforgettable lines of dialogue, here's the best place to start.


Editorial Reviews

From Booklist

Film lovers seeking critical guidance more discerning than daily newspaper reviews but less daunting than scholarly journal articles depend on a handful of critics who write about rarefied films for a general audience. 1001 Movies You Must See before You Die puts a user-friendly mask on the serious thought animating its effort to create a roster of indispensable films and rather belies the erudition of its well-qualified contributors. The chosen 1,001 are chronologically listed, from the surreal sf short A Trip to the Moon (1902) to Russian Ark and chicago (both 2002). This list has been compiled with an eye to historical importance and popular acclaim, which explains the presence of such critically suspect crowd-pleasers as Saturday Night Fever, Top Gun, and E.T. Since Chantal Akerman's nearly four-hour Jeanne Dielman and the Czech psychedelic farce Sedmikrasky (Daisies) also appear, it can't, however, be accused of pandering to popular taste. Attractive design, incorporating stills from most chosen titles, makes the volume a browser's delight as well as a useful guide for casual viewers and film buffs alike. Gordon Flagg
Copyright © American Library Association. All rights reserved

Review

"1001 Movies You Must See Before You Die is one heavy, fat tome, but it's a great motivating guide to cinema. After reading one of its engaging, often profound entries on a missed film, you want to run out to Premiere Video and rent it. Best of all, it includes international, silent, animated and recent films such as City of God. And yes, Richard Linklater's Slacker is here."


Dallas Morning News, April 29, 2004





"Instead of simply summarizing the plot, Schneider and his team of experts briefly explain why each film is a must see. … Schneider's choices are irrefutable. Highly recommended for all film, general public, and academic reference collections."


Library Journal, April 15, 2004





"An excellent new film anthology from Barron's Publishing… 1001 Movies will serve as one of your ultimate movie guides. It presents everything you need to know about the must-see films… For students of cinema, for discerning film buffs, for enthusiastic fans, and for readers who enjoy thumbing through reminiscing over unforgettable screen memories, here's the place to start reading."


The Wave Channel Guide, February 14, 2004





"…the book is a pretty good one, Schneider's sources are solid… the book is much more reliable that the New York Times book of '1,000 Movies Ever Made.' … illustrations often opt for choice rarities rather than ordinary iconography."


Buffalo News, February 22, 2004





"The critical essays that I've sampled are concise and intelligent.


Style: *** 3 Stars


Usefulness:*** 3 Stars"


—Charles Matthews, Mercury News, February 29, 2004





"If you're constantly wondering what to pop into the VCR or DVD player, get this book!"


The Star, March 8, 2004





"A mammoth-size, newspaper-weight coffee table book celebrating the twentieth century celluloid canon…"


Gotham, April 2004





"Every essay demonstrates Rosenbaum's fervent dedication to the cinema and more important that he has the knowledge and insight to support his impassioned opinions. … compiled with an eye to historical importance and popular acclaim. … a useful guide for casual viewers and film buffs alike."


—Gordon Flagg, Booklist, April 1, 2004



"Packed with color photos throughout, this is eye candy at its best."


Booklist, June 2004


Product Details

  • Hardcover: 960 pages
  • Publisher: Barron's Educational Series (November 8, 2005)
  • Language: English
  • ISBN-10: 0764157019
  • ISBN-13: 978-0764157011
  • Product Dimensions: 8.5 x 6.5 x 2.4 inches
  • Shipping Weight: 4.5 pounds
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (75 customer reviews)
  • Amazon Best Sellers Rank: #587,305 in Books (See Top 100 in Books)

More About the Author

Steven Jay Schneider is a film critic, scholar, and producer with M.A. degrees in Philosophy from Harvard University and in Cinema Studies from New York University. He is the author and editor of numerous books on world cinema, most notably in the horror genre. They include Eurohorror, The Cinema of Wes Craven: An Auteur on Elm Street, Designing Fear: An Aesthetics of Cinematic Horror, Killing in Style: Artistic Murder in the Movies, Understanding Film Genres, and Traditions in World Cinema. He is also a consultant for film, television, and home video/DVD production companies, a curator for world horror film programs, and a staff member in development for Paramount Pictures. Among his recent titles are 501 Movie Stars and 501 Movie Directors, both available in North America from Barron's. Two additional titles from Barron's are scheduled for publication in Spring 09. They are 101 Horror Movies You Must See Before You Die and 101 Sci-Fi Movies You Must See Before You Die.

 

Customer Reviews

75 Reviews
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2 star:
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Average Customer Review
4.1 out of 5 stars (75 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

103 of 105 people found the following review helpful:
4.0 out of 5 stars Caution, February 22, 2005
This review is from: 1001 Movies You Must See Before You Die (Hardcover)
Although this book provided an acceptably organized compilation of movie classics, I was bugged by the fact that reviews/thoughts included spoilers, or revelations of the movies' endings.

I purchased this book in order to discover movies I knew not of previously or had heard of and was interested in seeing. The occasional spoilers are given without warning and made me read with caution to those movies that I did not yet know the outcome of, which was quite tedious.

Overall, the reviews were convincing and thoughtful when not completely blatant, but do proceed with caution.
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126 of 138 people found the following review helpful:
2.0 out of 5 stars Beware the spoilers!, March 22, 2006
By 
Blindfish (Lawn Guyland, NY) - See all my reviews
1001 Movies You Must See Before You Die could be a great film guide. It is loaded with both well-known and obscure films, many of which I have sought out and enjoyed after reading about them in the book. I've really started to enjoy noir films because of this book's recommendations.

The fatal flaw in 1001 Movies is that they frequently give away the endings! For example, they often tell you when an important character dies at the end of the movie -- what is the point of that? Look for a different guide that doesn't spoil the endings.
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65 of 69 people found the following review helpful:
4.0 out of 5 stars Great source but a few errors...., January 12, 2005
By 
M. DALTON (Brisbane, Queensland Australia) - See all my reviews
(REAL NAME)   
This review is from: 1001 Movies You Must See Before You Die (Hardcover)
As soon as I saw this book on the shelf I knew it was for my ever-expanding collection of cinema sources & the selection contained herein did not disappoint. Except maybe for the alarming number of errors I found. ALL THE PRESIDENT'S MEN did not win best picture in 1976; as the next page testifies, ROCKY did. THE ROCKY HORROR PICTURE SHOW was not narrated by Dr. Everett Scott; it was narrated by The Narrator(Charles Gray). DANGEROUS LIAISONS did not win Best Picture in 1988; a few pages later it states,correctly,that RAINMAN did. In the piece on Charles Chaplin's brilliant MONSIEUR VERDOUX, the end result of his work & the sentiments expressed in his film made him the target of the political right which led to his permanent departure from the United States in 1952. He returned in 1971 & was presented with a lifetime achievement award at The Academy Awards.
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