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Product Details
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| Disc: 1 |
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| 1. Pimpf [Live] |
| 2. Behind The Wheel [Live] |
| 3. Strangelove [Live] |
| 4. Sacred (Pasedena Rose Bowl Version) |
| 5. Something To Do [Live] |
| 6. Blasphemous Rumours [Live] |
| 7. Stripped [Live] |
| 8. Somebody [Live] |
| 9. The Things You Said [Live] |
| Disc: 2 |
| 1. Black Celebration [Live] |
| 2. Shake The Disease (Pasadena Rose Bowl Version) |
| 3. Nothing (Live Pasadena Rose Bowl Version) |
| 4. People Are People (Pasadena Rose Bowl Version) |
| 5. A Question Of Time (Pasadena Rose Bowl Version) |
| 6. Never Let Me Down Again (Pasadena Rose Bowl Version) |
| 7. A Question Of Lust (Pasadena Rose Bowl Version) |
| 8. Master And Servant (Pasadena Rose Bowl Version) |
| 9. Just Can't Get Enough (Pasadena Rose Bowl Version) |
| 10. Everything Counts (Pasadena Rose Bowl Version) |
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When I was about 15 I came to develop a bias in favor of guitar-based music and against electronic music, so DM fell out of favor in my pantheon for quite some time, but rediscovering them now is quite a trip. Listening to Alan Wilder's beautiful orchestrations and countermelodies ("Shake The Disease", "Blasphemous Rumours", etc.) really makes me realize the possibilities inherent in keyboard-based music, which I never noticed way back in the day. The music is great, no doubts there. The 101 film (out of print), which I recently found on e-bay, is terrific too, although I'm a bit preoccupied with the fact that Andy Fletcher doesn't DO ANYTHING! Dave Gahan's stage act ("Alright! Hey! Ohhhhh!! I wanna hear everybody sing it!") seems somewhat overwrought to those of us into introverted indie-rock these days, so it seems funny now. Martin Gore's (who DM fans revere as a "poet") lyrics tend to be strikingly honest and direct, with a distinct touch of that certain adolescent, vaguely petty angst. What teenager entangled in the social web of his peers wouldn't relate to a song like "The Things You Said"? Depeche Mode's songs have a knack of being irresistibly melodic, true-to-life, and tenderly vulnerable. Put all these together, and you can begin to understand the rabid fanaticism which they inspired in so many people during this heyday in their career. It's documented on every second of this live album, and it's fun to share in it vicariously.
As the opening track PIMPF plays, the crowd begins to lose control and as soon as Behind The Wheel starts up, they've completely lost it. Dave, Martin, Andy, & Alan are all in top form, playing and performing with an intensity unmatched by any other.
Most bands never sound half as good live as they do in the studio. Depeche Mode make it look easy. With the live version of Stripped, DM take an already fantastic single and make it ten times better. Utilizing a mix of Stripped called the Highland Mix, the boys take the opening notes, and instead of cutting them off short as they had originally done, they hold them the full length, which changes the whole diameter of the piece, giving it this truly epic feel. The crowd noise only enhances the experience, giving you this feeling as if the entire world is there screaming and cheering. After Dave sings the first verse and chorus, he cries out defiantly, "Yeeeaaaaaaaggggghhhhh!!!!!!!" igniting the crowd and it is such a powerful moment to behold. I have heard Stripped performed many times, but never with the same strength, passion and veracity that was shown here. I only wish this live version had been released as a single because it truly deserves the status. It is a classic performance all its own.
Martin Gore, our loving curly blonde songwriter, performs three very memorable songs for this concert: Somebody, The Things You Said, and A Question of Lust. Somebody is a love song so honest, pure and forthright in its intentions that one is overcome by its emotional resonance. The live version gives this very intimate song a public feel as the crowd watches and cheers for Martin. As he sings "ten..der..lyyyyy", you know there isn't a dry eye on any teenage girl's face. It's quite interesting that Martin follows up Somebody with The Things You Said, a very melancholy song about betrayal and disappointment which is a complete contrast to Somebody. Later on, A Question of Lust is performed, which is another passionate piece by Martin that's as deep and tender as it is inordinately honest and sweet. All very beautifully performed by Mr. Gore.
"A Brief..Period..Of Rejoicing". The words spoken by Mute Records own Daniel Miller. The song: Black Celebration. A song so darkly gothic and pure, that one becomes lost in it's beautiful tranquility (and never wants to be found). This song speaks to us all, and when performed live, Dave is singing to the choir as it were. This live version from 101 is loved also for speeding up the pace of the song, giving it this added extra urgency. It's hard to believe that this piece never became a single.
Another standout moment from 101 is Never Let Me Down Again, a song written on the grand scale with much debate over it's subject matter (Drugs? Homosexuality? Or just Martin's experience at taking a plane trip with a friend?) 101 director D.A. Pennebaker assumes it's about drugs, but is he right? The band of course never comment. The 101 live version of Never Let Me Down Again is best remembered for Dave getting the crowd to wave their hands back and forth in the air during the instrumental sequence of the song, as if they were fields of wheat blowing in the wind.
Everything Counts, the final song performed, is the icing on the cake. This is one of the best pieces of music that Depeche Mode have ever used to close a concert. It's perfect because not only is it a tremendously powerful song all its own, but it involves the audience at the end. : "The grabbing hands, grab all they can! Everything Counts in large amounts!" over and over again in unison. A very bonding experience for both the band and the audience. After such a breathtaking performance of all these songs, it's hard to believe that the band had thought they had played badly when they left the stage. Very humbling. But it couldn't be further from the truth. 101 is truly a defining moment for Depeche Mode.
Now finally, all these years later since this epic event, 101 the concert has been digitally remastered as a Super Audio CD (SACD) in 5.1 Surround Sound & 2.0. The original 2.0 Stereo version is also included on this 2 disc set. You must have a SACD Player in order to listen to the concert in 5.1, otherwise it will just play in 2.0 Stereo. According to different sources there are errors on tracks 3, 4 and 5. The multi-channel playback does not work on these tracks. Still, a small price to pay to have this remastered 2CD in my opinion.
As a special bonus, the entire opening of PIMPF is included on Disc 2. A few minutes after Everything Counts ends, PIMPF begins. A wonderful treat. This SACD is the perfect companion to the 101 DVD and a nice addition to any Depeche Mode collection.
Keep Moding!
LCDStumm101 / 0724359470726