I'm not going to beat around the bush here, Ian Buxton's "101 World Whiskies To Try Before You Die" is utterly indispensable for both serious whisky enthusiast and the casual malt sipper alike. There is essential information on the explosion of new whiskies transforming the universe of malt that you will not find anywhere else - certainly not presented in such a cheerful, accessible, non-threatening fashion. Furthermore, in a subtle and not immediately obvious way that I will discuss later in this review it is an important whisky book - perhaps the most important in years. You need to own this book.
101 World Whiskies is, initially it seems, very like the extremely well regarded tome Ian Buxton wrote a few years prior,
101 Whiskies to Try Before You Die, which did so very much to fan the flames of Scotch appreciation in its current renaissance of popularity. Ian Buxton is a distinguished writer of many books, articles, and columns in top whisky magazines such as Whisky Advocate. He's the kind of guy who knows absolutely everybody and is one of the folks who gets invited to taste and describe those $20,000 bottles that mortals like us never taste. As for the "101 Whiskies" books, these are both excellent works that, paradoxically, move me alternately to flights of delighted appreciation and spitting fits of wrath and rage as will become readily apparent. Both of these books are more collection of profiles and brief tasting notes than conventional 'whisky books'. By that, I mean that many common features of whisky books are absent. There are no ponderous chapters on whisky philosophy, production details and methodology, or history, and only a brief one paragraph on "how to drink" with no instructions on deciphering your own palate such as maps of the tongue. All this stuff is almost inexcusably omitted (or refreshingly so, depending on your perspective). Also missing are detailed history chapters that explain the roots of an industry, or even very detailed histories of various distilleries. You also will not find extensive and carefully written tasting notes. Buxton, indeed, sometimes omits tasting notes altogether; sometimes for the most important distilleries listed. An example is Highland Park, where Buxton not only fails to give us any tasting notes at all - he also cannot be pinned down to a recommended expression either - otherwise a firm rule throughout the book(s). I mean, if it's 101 whiskies you HAVE to taste before you shuffle off this mortal coil you should have 101 of them. Instead Buxton suggests, in the case of Highland Park, that we just have "all of them" - a suggestion he acknowledges as patently absurd even within that very chapter given the explosion of limited collector's releases and the fact that the 50 year old expression he depicts on that chapter's front retails for Ł10,000. This last part is particularly galling given that he assured us in the introduction that he would give us a tour of whiskies for drinking and that absurdly priced drams Ł1,000 and up flatly wouldn't be considered. Tasting notes, when actually provided, are often inexcusably brief - although I'll readily grant that what little is there is usually spot on. Furthermore, you don't get any scoring or rankings at all. Each chapter is illustrated with frontally nude bottle shots and nothing else - no illustrations of distilleries or images of the faces of the personalities mentioned. Images of lovely barley fields, castles, and malting floors are totally MIA.
But this isn't what really burns me up. What really gets me mad and confused and toss the book to the floor in a rage periodically are the facts that Buxton 1) doesn't like peat - but appears guilty enough of this that he includes a number of peat monsters ***in case YOU do***. 2) Sometimes includes whiskies he hasn't even tried or that don't even exist yet! 3) includes items that aren't even properly (ie legally) whisky. 4) Seems to evangelize major blends that I'm busy ignoring because I'm a whisky snob and look down my nose at major manufacturer blends in favor of rare single malts and interesting craft whiskies. To give you a taste of what I'm talking about let's look at # 1: Bakery Hill Cask Strength Peated Malt from Australia. Fascinating stuff. However, as Buxton readily admits, he hasn't actually tasted it. He provides us some tasting notes from the cut sheet. **Bam** - sound of book (Kindle, actually) hitting floor in a rage. How about # 78: Buffalo Trace, White Dog - Mash #1. Wow, a fascinating unaged new make that doesn't qualify as a Bourbon because it's new. It's technically whiskey - in the old sense of our colonial forebears. Well, if Ian Buxton is putting this in the 101 Whiskies you MUST try before you DIE he probably thinks it's pretty damn well good, right? Not so fast. I'm going to actually quote Mr. Buxton on this one:
"Apart from the curiousity value, though, what do you actually use this stuff for? Well, enterprising cocktail experts have been mixing it into some innovative and truly unusual cocktails where the very high strength has some value and, er, that's about it."
"Rather than buy a whole bottle yourself (even allowing for the fact that it comes in a half-bottle size), you might want to consider buying this with friends and using it to kick off a tasting session. Nothing will more clearly demonstrate the role of barrel aging and the impact of good wood on whisky. After which you can quickly move on to the proper stuff!"
**BAM** (sound of kindle hitting the floor in a rage... again... poor little e-book reader). There are so many amazing whiskies, and Buxton is having me buy something that's maybe good for cocktails (like gin or vodka) but isn't so fine on its own (as new make) so I should plan on splitting it with friends rather than own a whole bottle. Is this just me or is this august gentleman looking for a kick in the shins?
Now, where was I? Oh yes, you absolutely must read 101 World Whiskies. Why? because it is a superb profile of where the world's malt whisky distilling scene is headed at the current moment. Interesting and worthy new malt whiskies are coming out of crazy places such as Holland, Germany, France, South Africa, the USA, Australia, England, Spain, Belgium, Canada, Ireland, Japan, Wales, and even (this may shock you) Scotland. Buxton describes scores of distilleries and expressions I've never even heard of - and I follow this stuff somewhat avidly. Buxton does more than list these revelations, he describes their context and why, exactly, you want to taste them. Why you need to, in fact. He does so with merciful brevity, an infectious good cheer, and a friendly aspect often missing from enthusiast's narratives. This is one part of the magic of "101 Whiskies To Try Before You Die". He makes you fall in love with a new whisky on virtually every page. He very quietly fills you with a passion for the malt and its people and its houses both great and small. He attacks your biases, (seemingly no matter what they are) yet he evangelizes the whisky topics I, personally find most vital: whisky tastes better bottled at higher strength, for example, and the less messed with the better.
But 101 World Whiskies isn't simply a catalog of obscure and weird drams. It's far too varied. Rather it's a catalog of what you should want to try - and why. And, yes, there are tons of weird obscure drams you've never heard of - but there are also tons of mainstream blends you may have been too snooty to desire lustfully (I certainly was). Buxton fixes that. There are some non-whisky items here too, a liqueur and a whisky fruit/spice infusion. Buxton leaves you lusting hard for those too. Indeed, it's this quality if inciting interest and lust, all without hyperbole or rants or volume of any kind that is on the whole, rather remarkable.
Did I mention that each short chapter is exactly the right length to enjoy while "using the facilities"? This "bite size" aspect makes reading Buxton feel a lot like feeding from your favorite bag of chips ("crisps" if you come from one of the countries where people drive on the wrong side of the road - like Ian Buxton). 'Once you pop', so to speak, 'you can't stop'. And you emerge revitalized and incredibly aware of a whole brave new world, with such wondrous drams in it. There is a special talent in being able to convey a great deal of information in a very small number of words. Buxton is a master at it. His brief profiles tell you a tremendous amount, almost without you realizing it. He has an ability to pack a dense amount of information into few words but have it feel breezy, conversational, and, above all, friendly.
Recently Steve Urey (Sku) wrote about the end of whisky's 'Golden Age' on top American whisky blog "Sku's Recent Eats". His point was that the explosion of popularity of whisky has resulted in prices shooting through the roof, and hard to find expressions becoming unobtainable. There's also the question about the loss of complexity in the flavor profiles of whiskies over the past few decades because of mechanization (or perhaps deliberate choice) - such as one I frequently wrestle with on my blog at "cooperedtot(dot)com" as described in the "dramming(dot)com article "Has Whisky Become Better, Worse, Or Just Different?" These discussions can lead to a sense of loss. The implications of these narratives is that the epicurean opportunities of the Whisky world are becoming diminished. 101 World Whiskies is an antidote to these feelings. Reading Buxton fills me with a contrary "sense of gain". There is a huge world of new whiskies, and new expressions, and even new flavor profiles and some of them are really good.
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