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6 of 6 people found the following review helpful:
5.0 out of 5 stars
a reader from Washington, September 3, 2002
By A Customer
This review is from: 110 Stories: New York Writes after September 11 (Hardcover)
In the flood of publications about 9/11, there is not much that will not be covered by television specials. And of those topics, many will be too painful to revisit again after 9/11 -- for the survivors and families of victims, of course, the pain will not go away even if we try to move on. 110 Stories: New York Writes After September stands out from the many books for several reasons. It offers the voices of extremely sensitive, articulate and exciting New York-based authors to give expression to the terrible events of that day, to render the experience more humanly accessible, and to allow us to approach that day in ways that will not numb our senses. In fact, literature here serves as a way to make the process of mourning and remembrance possible. I applaud the writers in this collection for taking the risks necessary to produce powerful writing. The poem by Edwidge Danticat made me cry, and the short story by Carolyn Ferrell about one of the many victims in the tower allowed me a glimpse into a lost life without ever turning maudlin or exploitative. Others might like to hear how Darren Aronofsky (one of our best film directors: check out Requiem for a Dream!) remembers the World Trade Center, or how playwright Richard Foreman tackles an event that defies the imagination. If you care about New York and if you want to read how literature can testify to the horrors of 9/11 without sensationalizing them, 110 Stories is an amazing choice.
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19 of 26 people found the following review helpful:
1.0 out of 5 stars
Good idea POORLY executed., August 7, 2002
By A Customer
This review is from: 110 Stories: New York Writes after September 11 (Hardcover)
...I purchased this book impulsively, in part because the idea of New York writers addressing 9-11 (110 stories for the 110 floors in the WTC) struck me as a fine idea, and because several of the contributors -- Paul Auster, Tony Hiss, Jonathan Ames, and others -- are people whose work I admire. Sadly, few pieces here are worth the time or money. I was most taken by a contribution by Roberta Allen, from which one can derive the mayhem, the confusion, the disbelief, the fear, that New Yorkers experienced on that day. ...Many of the pieces are not expressly about 9-11, but instead mention in passing the World Trade Center, a character in a piece that takes place in New York. I was, perhaps, most disappointed by the Jonathan Ames contribution. Ames has made a reputation for chronicling his sexual escapades and is frequently quite funny. His piece has no business in this collection. It entails his being a writer-in-residence at an all girls college outside New York, and deals with his lecherous desire to steel glimpses of young girls...as they play tennis. What this has to do with 9-11, I've NO idea. Many of the pieces seem rushed, as if they were taken from a first draft. Tony Hiss's piece interestingly recounts the history of the so-called Lower Westside, and the coming of age of the Trade Center. He concludes the essay with a comment on the buildings and that day. "Then they fell," he writes, "and the city had lost too many, too much, too quickly." That would have been a fine conclusion. But then he adds, "The smile of the skyline had missing teeth." Huh? For me, at least, that last line, which should have been vetted, ruined the entire piece. Since 9-11, I've read so much, so many people trying to put it into perspective, adding their 'insight.' But they have none to share. Words are too feeble to express what I am, and likely most people are, thinking. If you're looking for comfort, understanding, if you're looking for insight, perspective,or anything close to it, this book is likely the LAST thing you should read. It's a cut-and-paste job put out by people who have no great understanding of what happened that day or, for that matter, no true understanding of how they themselves feel or how what they experienced will ultimately change them.
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9 of 12 people found the following review helpful:
5.0 out of 5 stars
110 different perspectives, August 16, 2002
By A Customer
This review is from: 110 Stories: New York Writes after September 11 (Hardcover)
As a reader from Berlin, Germany, I find "110 stories" an interesting approach to understanding what the events of 9/11 meant to the people of New York. Having read many articles by correspondents, journalists, political analysts, who have mostly flown into the city to cover the story, hearing the voices of people who talk about their own lives in their home city offers an insight I did not have before. I am surprised that one reader from New York finds it disturbing to find so many different views in the collection; some of the criticism expressed in his review point to things which make the book special and valuable to me: For instance, pieces which were written before Sept 11, and are included in "110 stories", are a very important part of remembering. How can we remember what we have lost if we forget what it was like before? Who would not remember his or her visits to the "Windows of the World", or the photograph of the towers one took on a first visit to New York, when trying to understand what happened on 9/11? And, writers, or poets, do not have to limit their work to what might be suitable for a newspaper report. What they write in order to express what they see, hear, and feel, thinking about the tragedy of the twin towers, has to be different from what I expect to hear on "60 minutes" or read in "Newsweek". The good thing about "110 stories" is that it features such a wide range of views, of literary techniques, of backgrounds and opinions. Nobody will agree with, or love, every single of the pieces included in the collection, as nobody will grasp the whole meaning of what happened one year ago in New York. New York, to a reader from Europe, is an international, a multi-faceted city, with millions of different people and ideas and views. I expect from a book entitled "New York writes after Sept 11" precisely the diversity of form and perspective that the book delivers.
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