Product Details

• Actors: Robert Duvall, Donald Pleasence, Don Pedro Colley, Maggie McOmie, Ian Wolfe
• Directors: George Lucas
• Writers: George Lucas, Walter Murch
• Producers: Lawrence Sturhahn, Francis Ford Coppola
• Format: AC-3, Anamorphic, Closed-captioned, Color, Dolby, Dubbed, NTSC, Original recording remastered, Special Edition, Subtitled, Widescreen, Director's Cut, Surround Sound, Collector's Edition, THX
• Language: English (Dolby Digital 5.1), French (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
• Subtitles: English, Spanish, French
• Dubbed: French, Spanish
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 2.40:1
• Number of discs: 2
• Rated: R (Restricted)
• Studio: Warner Home Video
• DVD Release Date: September 14, 2004
• Run Time: 88 minutes
• Average Customer Review: 3.7 out of 5 stars  See all reviews (273 customer reviews)
• ASIN: B0002CHIKG
• Amazon Best Sellers Rank: #52,015 in Movies & TV (See Top 100 in Movies & TV)
• Learn more about "THX 1138 (Two-Disc Director's Cut Special Edition)" on IMDb

Editorial Reviews

Amazon.com

George Lucas's enigmatic feature film debut expands on a student film he made at USC. Created under the wing of producer Francis Ford Coppola, this movie is a bleak vision of a world in which technology, not man, is the ultimate dictator. Efficiency overrides every other aspect of human life, as people are reduced to code names and their lives are contained, monitored, and manipulated for the sake of the system. Featuring unsettling performances by Robert Duvall, Donald Pleasance, and Maggie McOmie, THX 1138 does not attempt to explain how things became this way; rather, it utilizes the alienation of its characters, the stifling white-on-white imagery of its sterilized society, and the claustrophobic, droning sound design to emphasize the dangers of a world reliant on soulless technology. Even though this is not a film one will want to take in repeatedly, THX 1138 merits attention because it is that rare film that uses images and sounds--rather than relying heavily on dialogue--to communicate its dark prophecy. --Bryan Reesman

Product Description

Two-Disc Special Edition:
* Digitally remastered with THX certified sound
* Commentary by George Lucas and co-writer/sound effects editor Walter Murch
* Theatre of Noise sound-effects track with branching segments to 13 master sessions with Walter Murch
* 2 New documentaries: "A Legacy of Filmmakers: The Early Years of American Zoetrope" and "Artifacts from the Future: The Making of THX 1138"
* George Lucas's original student film "THX-11384EB"
* "Bald": 1971 production featurette
* Five new trailers from the 2004 theatrical release
* Original theatrical trailer

See all Editorial Reviews

Most Helpful Customer Reviews

64 of 70 people found the following review helpful

5.0 out of 5 stars Old School Lucas June 22, 2001

By Darren Aronofsky

Format:VHS Tape

George Lucas's debut Based on his award-winning student short, feature cerebrally celebrates the possibility for individual freedom against all odds. In a 1984-esque white-washed future underground dystopia where sexuality is banned, all humans sport shaved heads and the same shapeless outfits as they go about their work in a mandated state of sedation, listening to exhortations to "Buy and Be Happy." Black-clad robot cops chant a mantra to their victims that "everything will be all right" and automated confessional booths emit soothing therapeutic bromides. But unbeknownst to THX 1138 (Robert Duvall), his roommate LUH 3417 (Maggie McOmie) has been reducing their meds, resulting in their mutual discovery of love and THX's subsequent imprisonment for drug evasion and sexual misconduct. Determined to find the pregnant LUH, THX breaks out of prison with the help of his cellmate SEN 5241 (Donald Pleasence) and an escaped TV hologram (Don Pedro Colley). With fugitive pursuits strictly budgeted, THX only has to evade the robocops until the funds run out, but surveillance is omnipresent and THX's vehicle keeps overheating. Making the only film produced through the first incarnation of Francis Ford Coppola's independent studio American Zoetrope, Lucas and his small crew, including co-writer and sound editor Walter Murch, shot THX 1138 in northern California with no interference from distributor Warner Bros. When Warners saw the austere result, however, they recut the film before its release. Neither the studio's nor Lucas's cut was a popular success, but THX 1138's coolly minimalist style and story-telling gained fans on the college screening circuit, just as Stanley Kubrick's poetic 2001: A Space Odyssey had attracted a large youth audience in 1968. When Lucas returned to sci-fi after American Graffiti, he traded restraint for nostalgic fun in the film that guaranteed his creative freedom!

157 of 180 people found the following review helpful

5.0 out of 5 stars Truly one of a kind ... or, 1138 of a kind, or ... whatever. July 22, 2004

By Funky Kikuchiyo

Format:DVD

The world seems to be divided between two kinds of people. The people who think George Lucas is a talented legitimate artist, and those who think he's a business man unbothered by aethetics. For those who feel Lucas has (or had) talent, THX-1138 is a testament to it that. The use of color (or lack thereof), sound and editing in this film is truly unique. Lucas is often accused of lacking in writing skills, but THX-1138 doesn't rely on complex character backstories, or inspiring dialogue. In fact, THX, SEN, and LUH are rather one-dimensional characters. (Just to settle a common argument about the film, I do not believe SEN is intended to be homosexual, as beings in this world aside from THX and LUH are asexual because of their sedations) While images and sounds typically supplement dialogue as the force that progresses a story, it seems to be backwards at times in THX-1138. The title "visual storyteller" has been applied to every director at one point or another it seems, but for this work Lucas truly earns it. The sound effects of Star Wars have been copied so many times we all are numb to how good they really were, but watching this movie gives us a fresh idea of how incredible sound can be. These days most movies just use digital catalogs for all of their sound effects - Lucas had people go out with tape recorders and find things. While the sound is crude by today's standards, it is richer and warmer.

If I had any complaints about the film, it would be that there are moments where its quite obvious that its being made by an amateur director fresh out of film school who is used to making short features. Although these aspects also supplement the film as a whole, it does detract from the watchability (and rewatchability) of this film for some people.

This was one of the first art films I ever watched as a young man, and this had a huge impact on me. To know what was happening, I had to pay attention to everything - not just words.

Without having seen this movie, I wouldn't have learned to appreciate so many other films in the way I do. Every so often we viewers have to have our artistic perspectives broadened, and this film continues to do that. I would recommend this film to anyone - Star Wars fans (be warned... it is different), young film students, anyone.

Personally, I consider it a real shame that he burned out after directing the first Star Wars (those familiar with Lucasology know that he only directed the first feature and the newer prequels), since he obviously was capable of so much. I'm not dumping on Star Wars here, but the while the world doesn't end with the Star Wars movies, unfortunately Lucas's directing career did.

164 of 189 people found the following review helpful

3.0 out of 5 stars Director's cut has major problems September 11, 2004

By Geoffrey James

Format:DVD

THX 1138 has been one of my favorite movies for years. I have been awaiting a DVD copy anxiously, because the VCR version was poorly done. I just saw the Director's Cut in the theatre last night. What a disappointment. The added special effects and reedited scenes weakened the movie in every case. The computer graphics were fakey, making an obvious contrast to the gritty, ultra-realistic feel of the rest of the movie. The added distance shots destroyed the compressed, claustrophobic feel that gives the movie its character. The "edited" animals were straight out of Ewok-land. The ending scene where THX is attacked by the shell dwellers was turned from something really eerie into an outtake from Planet of the Apes. This created a major consistency problem because the shell dwellers in this scene were entirely different from the shell dweller in the prison scene. In short: Lucas has made a total mess of his best work. He took a seminal SciFi film that was way ahead of its time and stuck in a bunch of stupid, unrealistic, irrelevant special effects. What a shame.