21 of 22 people found the following review helpful:
5.0 out of 5 stars
Another leap into the spiritual world for Moby, May 20, 2002
This review is from: 18 (Audio CD)
Another 18 tracks -thus the name of the album- put together by pop-superstar Moby in this, his newest production, give the listener plenty of material to choose from. It might be questioned how original he has been this time around, when the norm of his previous works has almost always been innovation: at least I confess I had a hard time getting over my initial impression of "Oh, my God! This totally sounds like 'Play'." But after a few listens, it starts to pick up speed and take on a totally different meaning inside of you.
With '18' Moby has taken a two-fold approach: a good half of the album picks up where 'Play' and its B-Sides left and the other half brings a handful of new elements. Lots of gospel vocals and spiritual lyrics can be found in songs such as "In This World," "In My Heart" and "One Of These Mornings," all of which could easily have been produced back in 1999. "Another Woman," though not as gospel in tone, does have that R&B flavor to it, and "I'm Not Worried At All" reminds a lot of "Natural Blues" both due to the lead vocals and to the overall spirit of the song and the lyrics. The New Wave-y opening track, "We Are All Made of Stars" and "Extreme Ways" both have that super-hit flavor for '18' that "Porcelain" and "Why Does My Heart Feel So Bad" brought to 'Play' but it mixes some elements which are somewhat alien to Moby's music (except for the "element" of eclecticism). On the other hand, "Great Escape," "Sunday (The Day Before My Birthday)" (consider his b-day is 9/11) and "Harbour" all have one thing in common: beautiful female vocals (surprise tip: "Harbour" has Sinead O'Connor on vocals).
Finally, tracks such as "Signs of Love," "Fireworks," "18," "Sleep Alone" and "Look Back" bring into the mix that exquisite ambient sound that tunes such as "Down Slow," "Everloving" and "The Sky Is Broken" were so special for. The tracks I could easily live without: "Jam For The Ladies," "At Least We Tried," "The Rafters," so, as far as I'm concerned, the album could be called '15.' Overall, obviously the album doesn't break much new ground, as 'Play' did, but it stands out as a very good work by NY's finest DJ.
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29 of 34 people found the following review helpful:
5.0 out of 5 stars
Worth the 18 dollars, May 29, 2002
After the dynamite Play, Moby continues the sound of Play in some areas except that this follow-up is a bit lighter and has more Gospel samples giving the album somewhat a bit of a 60s or 70s feel to it. Play was great, 18 is just as great.
1)We're All Made Of Stars_Excellent lead off single. Very similar to South Side. Excellent nighttime travel music.
2) In This World- This song is a mix of jazz/pop with ol school hip hop beats and a Gospel vocal in the background. Kind of a bit 60s sounding.
3)In My Heart- Anyone remember Rushing off Play? This song has a similar piano crescendo loop only this song is not quite as eerie and more upbeat.
4)Great Escape- A very simple song with a cello and a female vocal. Not too bad but not that memorable
5)Signs Of Love- A very beautiful song. Reminiscent of Porcelain.
6)One OF These Mornings- This song also uses a Gospel sample voice. A very nice song.
7)Another Woman- One of my favorites. AW has a kind of an early 90s old school R&B sound and a strange organ playing. Sort of like linking the sounds on 1990 and 2002 together.
8)Fireworks- Music with atmosphere. This song is captivatingly beautiful. Makes me think of standing out on a field on a cloudy afternoon.
9)Extreme Ways-An upbeat R&Bish song with a weird orchestra sound in the background. Kind of 70s sounding.
10)Jam For The Ladies-Moby dives into the old school hip-hop realm. This song is absolutely great. Satisfies my desire for hip-hop is fun.
11)Sunday- Another atmospheric track with a wierd vocal sample.
12)18- An ambient slow track with echoing pianos. This song can be kind of depressing sometimes.
13)Sleep Alone- One of the highlight songs on 18. It starts off as a mellow jazzy song and then builds up into an ambient almost New Agey song.
14)At Least We Tried- A dreamy track that samples a drum loop from Marvin Gayes 1982 hit Sexual Healing. While nowhere near as great this song is kind of like a slowed down version but much simpler.
15)Harbour-WOW! Most of the other songs are enjoyable but Harbour beats the rest of 18 and is one of the best songs I,ve ever heard from Moby. It's a mellow, dreamy song with a guest vocal appearance from Sinead O'Connor.
16)Look Back In-This song has a weird echoing beat to it. While this song isn't bad it doesnt strike achord with me.
17)Rafters- Well I'll be damned. I kind of feel like being taken back to the 70s. The vocals alone give this song a 70s feel. Definately one of the oddest tracks on this CD.
18)I,m Not Worried At All-A nice closer to this CD. This song has a darker more atmospheric sound like the sun setting for the day.
On an overall scale I would say 18 is an excellent CD for the music lover. While not as groundbreaking as Play 18 is a worthy album of checking out.
Definately one of the best CDs of 2002!
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10 of 10 people found the following review helpful:
5.0 out of 5 stars
Sad but Beautiful, March 5, 2006
This review is from: 18 (Audio CD)
With the exception of the uplifting 9/11 inspired opening We Are All Made of Stars and the bouncy Jam for the Ladies tossed into the middle this has to be one of the saddest albums ever made.From Track 2 In this World(Lordy don't you leave me all by myself)to One of These Mornings(One of these mornings won't be very long I'll be gone)to At Least We Tried this cd is filled with anguish and loneliness.Having said that nobody handles melancholy material better than Moby.Using different vocalists from Jennifer Price to Sinead O'Connor and beautiful atmospheric music to back the songs 18 has plenty of variety and breaks your heart more than once along the way.Moby took a big chance and probably lost some fans he gained with the more upbeat Play.Fortunately though his gamble pays off with some of the bleakest but most gorgously haunting music you'll ever hear.
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