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1921: The Great Novel of the Irish Civil War (Irish Century)
 
 
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1921: The Great Novel of the Irish Civil War (Irish Century) [Mass Market Paperback]

Morgan Llywelyn (Author)
4.5 out of 5 stars  See all reviews (22 customer reviews)


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Book Description

Irish Century March 15, 2002
The Irish fight for independence is one of the most captivating tales of the twentieth century. Morgan Llywelyn, the acclaimed historical writer of books like Lion of Ireland, Bard and The Horse Goddess, is the writer born to bring this epic battle to life. Having created an entire body of work chronicling the Celts and Ireland, she now turns to recent Irish history to create a multivolume saga: The Irish Century.

1921 tells the story of the Irish War of Independence and the heartbreaking civil war that followed. Henry Mooney, a reporter for theClare Champion and the Irish Bulletin, is a self-described "moderate nationalist" who struggles to see the truth in the news of the day, and to report it fairly. Lacking more radical Republican beliefs of his dear friends Ned Halloran and Sile Duffy, Henry reports the political--and later, bloody--actions of his fellow Irishman from the ashes of the failed 1916 Rising to the creation of the Irish Free State to the tragic and wide-ranging battles of the Irish Civil War.

Meanwhile, Henry feels the impact of these history-changing events in his own personal life. His friendship with Ned falters when their political beliefs diverge, and an unexpected tragedy leaves them further apart than ever. Henry struggles with his passion for a well-bred Protestant Anglo-Irish woman, Ella Rutledge, and as he dutifully reports the events in the political battle for independence, he comes to realize that the Irish struggle for freedom wil leave no life untouched--and no Irish citizen with a dry eye or an untroubled heart.


Editorial Reviews

From Publishers Weekly

Llywelyn's second novel in the series she inaugurated with 1916 (1998) furthers her investigation of Irish history by focusing on Ireland's struggle for freedom from Britain. This volume begins in 1917 in the aftermath of the Easter Rising and carries through to the civil war and the establishment of the Republic of Ireland. That Llywelyn knows her Irish history, culture, language and ambience is unquestionable. Unfortunately, in her attempt to amalgamate her encyclopedic knowledge of Ireland with the fictional adventures of Henry Mooney, a journalist torn between the traditional demands of family and personal ambition and his commitment to his country, she produces a story that is as dense as an Irish bog and nearly as confusing to navigate. Henry, a supporter of the Republican cause but a political moderate and neutral observer by nature, moves with alacrity among the various factions, apparently enjoying journalistic immunity as he uses his pen to further the Irish cause and attack the British. As the situation in the country deteriorates, Henry's personal life becomes more complex. Smitten with passionate S¡le Halloran, but unable to possess her since she is the wife of his best friend and Easter veteran Ned (protagonist of 1916), Henry falls in love with beautiful Anglo-Irish siren Ella Rutledge, further dividing his loyalties. Often sliding into essayistic prose, with footnotes supplementing the text, the novel depicts events and political developments in exhaustive detail. Though the account of the civil war is thorough and nuanced, readers of 1916 and other popular books by Llywelyn (Lion of Ireland; Bard, etc.) may be taken aback by the historical heft of this offering. (Mar.)Forecasts: Llywelyn is a popular writer and this book won't hurt her sales record, boosted as it will be by an excerpt in the mass market edition of The Last Prince of Ireland (due out March 1), an eight-city author tour, national ad/promo and the availability of a reading group guide (the book is caboosed by 17 pages of source notes and bibliography).

Copyright 2001 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.

From Booklist

Llywelyn continues her magnificent multivolume saga chronicling the twentieth-century struggle for Irish independence. As in 1916 (1998), she masterfully interweaves historical figures and events with fictional ones, providing both a panoramic and an intimate view of the Irish Civil War. Incessantly haunted by the rather passive role he played in the doomed Easter Rebellion, Henry Mooney, a journalist struggling for objectivity in the midst of controversy and mayhem, reevaluates his own convictions and commitment to the cause of a free Ireland. When Henry falls in love with an Anglo-Irish woman, simmering tensions wrought by centuries of domination and repression are reflected in a microcosm of passion and agony. The lucid narrative and the compelling subject matter will enthrall both Irish history buffs and fans of sweeping historical fiction. Margaret Flanagan
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Mass Market Paperback: 560 pages
  • Publisher: Forge Books; 1st edition (March 15, 2002)
  • Language: English
  • ISBN-10: 0812570790
  • ISBN-13: 978-0812570793
  • Product Dimensions: 6.9 x 4.6 x 1.4 inches
  • Shipping Weight: 8.8 ounces
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (22 customer reviews)
  • Amazon Best Sellers Rank: #968,692 in Books (See Top 100 in Books)

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Customer Reviews

22 Reviews
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Average Customer Review
4.5 out of 5 stars (22 customer reviews)
 
 
 
 
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20 of 20 people found the following review helpful:
5.0 out of 5 stars HISTORY TELLS WHAT HAPPENED, FICTION TELLS HOW IT FELT, August 12, 2001
In this sequel to her powerful novel, 1916, Morgan Llywelyn revisits the Irish struggle for independence. Although Ned Halloran, the main character in 1916, continues to be an important character in this book, this is the story of the events of 1916-1922 as seen through the eyes of Ned's friend, journalist Henry Mooney. Via a journalist's eyes the reader is treated to a very personal view of the events in the aftermath of the 1916 Easter Rising and Ireland's struggle for independence.

As a journalist, Henry is privy to a lot of private information - some he isn't even able to print. In 1921 the events become more than just dates and places and the people involved more than just names. They become very real to the reader as Henry finds himself smack dab in the middle of much of the action. His friendship with Michael Collins is at the forefront of the story, but as Henry tries his best to remain neutral after the treaty is signed, it is clear it is going to be very difficult for him to do so.

There's romance for Henry as well. He falls for widow Ella Rutledge, an Irish native of English ancestry, a protestant whose family allegiance lies with the British. Will he ever find true happiness with the beautiful, intelligent young woman when her family feels like they do?

I was surprised to see that Llywelyn used Henry as the protagonist instead of Ned, but I applaud her for doing this as in so doing she was able to give a more objective point of view - something that might appear very difficult to do.

Even though the reader may be aware of many of the historical events, he/she is still stunned at the brutality and the atrocities of war in a story which it is difficult to know which side to sympathize with as horrible, unspeakable acts of brutality were carried out by both sides. It becomes clear it isn't as simple as Catholics vs. Protestants.

By the time the reader finishes these two novels (1916 and 1921) they are certain to have a better understanding of today's Irish "Troubles" -- although understanding doesn't mean condoning the violence.

One can only hope that Llywelyn is planning to continue this series as has done such a spectacular job and as Henry tells Ned, "History tells what happened; literature tells what it felt like."

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11 of 11 people found the following review helpful:
5.0 out of 5 stars 1921, March 18, 2001
By 
Mary Susan Smith (Ithaca, NY United States) - See all my reviews
(REAL NAME)   
I am astonished at PW's thinking this latest work of Llywelyn's went into too much detail. I just finished 1921 and found it every bit as fascinating and compelling, as unforgetable, as 1916. She takes a very complicated situation, many historical events and by using Henry Moody as an observer, helps to clarify what happened, why it happened, the motivations and feelings, the fears and the almost incomprehensible tradgedy of the civil war. Henry Moody serves as a continuous thread, and helps bring a cohesivness to the story; but more than that he helps the reader to understand the very important emotions, and men that drove so many events. I had recently read a bio of De Valera, and thanks to 1921, I was better able to "fit" him into the total picture. I found it both fun and helpful to find the places on the map that were described. I think she pulls it all together and still manages to encompass a magnitude of historical events and the people involved. Tedious? Hardly!! The only ambivalence I felt was not being able to put it down, yet at the same time not wanting it to end~~~~I cannot WAIT for her next one!
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6 of 6 people found the following review helpful:
3.0 out of 5 stars Llywelyn offers up a compelling history but little else, March 29, 2004
This review is from: 1921: The Great Novel of the Irish Civil War (Irish Century) (Mass Market Paperback)
Morgan Llywelyn has made a franchise out of Irish history and mythology, providing fictionalized accounts of many major events and figures. "1921" continues in this vein, another painstaking blend of history and fiction.

Llywelyn picks up almost where her prequel "1916" left off and follows the Irish struggle for total independence from the United Kingdom. Told from the perspective of newspaper reporter Henry Mooney, Llywelyn gives an insider's view of the efforts to secure an Irish Free State. She does well characterizing historical figures such as the enigmatic Eamon de Valera and the complicated, charismatic Michael Collins, but where she falters is in her original creations. The same cliches that plagued "1916" abound in "1921"--the plucky Irish speak in cadences heard more often in Hollywood than Limerick and the fictional subplots quickly devolve into predictable melodrama.

Henry Mooney is a bit of a wet blanket hiding behind a byline, which he uses to spread anti-British sentiment without taking arms. His good friend, Ned Halloran (who was the focus of "1916") becomes deeply involved in the IRA, encouraged by his wife Sile Duffy, a red-haired stereotype of the fiery Irish woman. Henry's wooing of the rich Anglo-Irish widow Ella Rutledge is a meandering, ultimately unsatisfying distraction, and the cloyingly precocious, one-dimensional Ursula "Precious" Halloran, Ned and Sile's adopted daughter, does little more than annoy. Making Henry Mooney the eyewitness to history is quite helpful, if a bit coincidental, but the subplots involving these characters add little to the novel.

Llywelyn sprinkles the book with carefully-footnoted Irish slang and expressions as well as historical citations, perhaps to establish her credibility, a gesture that seems a bit excessive. Llywelyn has already shown her gifts as an historian. Her meticulous recreation helps clarify a dense, complex chain of events. Where she needs help is in the writing itself. When not recreating history, Llywelyn seems out of her depth.

Anyone who seeks a narrative-driven account of the Irish fight for independence will likely find this book informative and enjoyable. Those expecting Llywelyn to create a work that is as poetic and artful as it is exhaustively researched will probably be disappointed.

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Inside This Book (learn more)
First Sentence:
GIFT-wrapped in a glistening membrane, the tips of two tiny hooves were barely visible within the old mare's birth canal. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
treaty delegation
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Michael Collins, Henry Mooney, Lloyd George, Arthur Griffith, Eamon de Valera, Dublin Castle, Big Fellow, Uncle Henry, Ella Rutledge, Little Business, Ned Halloran, Cathal Brugha, Liam Lynch, Irish Republican Army, Richard Mulcahy, Louise Kearney, Erskine Childers, Hannah Mooney, Herbert Place, Irish Times, Tom Barry, Easter Rising, Long Fellow, Mick Collins, New York
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