1946-1953 Classic Cuts [Box set, Original recording remastered]

Lowell Fulson | Format: Audio CD

Product Details

• Audio CD (September 14, 2004)
• Number of Discs: 4
• Format: Box set, Original recording remastered
• Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
• Label: Jsp Records
• ASIN: B0002I9IKI
• In-Print Editions: MP3 Download
• Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #142,869 in Music (See Top 100 in Music)

Track Listings

Disc: 1

1. Crying Blues (Crying Won't Make Me Stay)

2. You're Gonna Miss Me (When I'm Gone)

3. Miss Katy Lee Blues

4. Rambling Blues

5. Fulson Blues

See all 28 tracks on this disc

Disc: 2

1. Let's Throw A Boogie Woogie

2. Highway 99

3. Whiskey Blues

4. Tell Me Baby

5. Fulson Boogie

See all 27 tracks on this disc

Disc: 3

1. Night And Day

2. Double Trouble Blues

3. Stormin' And Rainin'

4. Good Woman Blues

5. Western Union Blues

See all 28 tracks on this disc

Disc: 4

1. Sinner's Prayer (Alt)

2. Blues With A Feelin'

3. Why Can't You Cry For Me

4. Let Me Ride In Your Little Automobile

5. Lonesome Christmas (Part 1)

See all 30 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

28 of 28 people found the following review helpful:

5.0 out of 5 stars Early Lowell - Modern Texas Blues, September 30, 2004

By 

Curtiss Clarke (Calgary, Alberta Canada) - See all my reviews
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This review is from: 1946-1953 Classic Cuts (Audio CD)

While several fine compilations have already been issued containing Lowell Fulson's earliest material from the late 40's and early 50's, this JSP 4-CD set pulls almost all of the early tracks together for the first time, and for a very easy price.

Fulson is likely best known for his mid-50's stint with Chess where he put down "Reconsider Baby" and "Hung Down Head", then later for some of his more "funky" recordings on Modern-Kent like "Tramp" and "Too Many Drivers" but these early sides define the man and explore the Texas blues sound that had blossomed in California (Fulson was actually born in Oklahoma) during the 1940's.

Lowell was a comtemporary of Gatemouth Brown and Pee Wee Crayton. Each of these 3 guitar titans enlarged and popularized the "Front-of-the-Bandstand" style that T-Bone Walker had carved out his reputation with on the West Coast. On this set we are treated not only to Lowell the "Electric" bluesman but also to the hypnotically simple but effective two-guitar duets with his brother Martin. Those duets clearly show Lowell's south-western roots laying firmly in the tradition established by Lemon Jefferson and Texas Alexander 2 decades earlier.

This set contains a number of superlatives of which there are too many to discuss in a short review. Fulson's bands from this period included Jay McShann, Maxwell Davis (later to become B.B. King's arranger), Lloyd Glenn, Earl Brown, Bob Harvey, and Billy Hadnott, each of them session stalwarts of the West Coast R&B scene. McShann of course, was already an established star from Kansas City with his own big band.

Lowell was not one to stick to a singular format and his 40 year plus career owed its longevity to his ability to adapt his sound to the changing times. It is interesting to note on this set, the influences from the big players of the times like Nat Cole, T-Bone Walker, and Charles Brown.

These sides were culled from the dozens of recordings that Lowell made in San Francisco and Los Angeles for independent record company owners Bob Geddins (Big Town) and Jack Lauderdale (DownBeat/Swing Time). Among the included titles are his earliest hit "Trouble Blues" from 1946, "Three O'Clock Blues" from 1948, and his beautiful rendition of "Every Day I Have the Blues" from 1949, both of which pre-dated B.B.'s versions by several years. Lowell had a big tough voice that was well-suited to singing the blues but he could be a master of the guitar instrumental just the same and this is demonstrated by the fine "Low Society", "Guitar Shuffle" and "Juke Box Shuffle".

Several of the songs from Fulson's early period were to be revisited several years later when he went to Chess although the basic arrangements were little changed on the Chess versions.

Neil Slaven's liner notes to this set detail the problems with attempting to establish the recording chronology for many of the titles since the record companies involved didn't maintain much written history for the sessions and after 30 and 40 years, the participants had forgotten a lot.

Lowell Fulson passed on over 5 years ago. Finally we have a compilation that does justice to the rich legacy that he laid down. JSP needs to be commended for issuing this material. Every Fulson fan will be rewarded with years of pleasure by putting this one in their collection.

5 of 7 people found the following review helpful:

4.0 out of 5 stars Such a deal, February 23, 2006

By 

S. Bailey "Stevie 'no doubt' Bailey" (Windham, ME United States) - See all my reviews
(REAL NAME)   

This review is from: 1946-1953 Classic Cuts (Audio CD)

This is just a great package from JSP. There's lots of great music here, but (IMO)the best stuff is the duets Lowell does with his brother. Some real authentic Texas blues in the vein of Lightnin Hopkins. As a guitar player myself, I highly recommend it.

4.0 out of 5 stars ChrisJ, November 12, 2011

By 

Chris "Chris" (New Zealand) - See all my reviews

Amazon Verified Purchase

This review is from: 1946-1953 Classic Cuts (Audio CD)

A good collection of Lowell Fulson's early works. I don't recommend listening to all of the CDs at once - there is not a lot of variation in style so what is basically good music gets a bit boring.