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1965


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1965
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Audio CD, October 27, 1998
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Somethin' Hot (Album Version) 2:57$0.99  Buy MP3 
listen  2. Crazy (Album Version) 4:04$0.99  Buy MP3 
listen  3. Uptown Again (Album Version) 3:11$0.99  Buy MP3 
listen  4. Sweet Son Of A Bitch (Album Version)0:23$0.99  Buy MP3 
listen  5. 66 3:23$0.99  Buy MP3 
listen  6. Citi Soleil (Album Version) 5:03$0.99  Buy MP3 
listen  7. John The Baptist (Album Version) 5:33$0.99  Buy MP3 
listen  8. The Slide Song (Album Version) 3:53$0.99  Buy MP3 
listen  9. Neglekted (Album Version) 4:00$0.99  Buy MP3 
listen10. Omerta (Album Version) 5:40$0.99  Buy MP3 
listen11. The Vampire Lanois (Instrumental) 3:22$0.99  Buy MP3 


Frequently Bought Together

1965 + Do to the Beast + Gentlemen at 21 (21st Anniversary 2xCD Edition)
Price for all three: $38.97

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Product Details

  • Audio CD (October 27, 1998)
  • Original Release Date: October 27, 1998
  • Number of Discs: 1
  • Label: COLUMBIA
  • ASIN: B00000DFRU
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (65 customer reviews)
  • Amazon Best Sellers Rank: #115,220 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

1965 by The Afghan Whigs

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

Amazon.com

For close to a decade, Cincinnati-based alt-rock combo Afghan Whigs created music that hurt so good. Rooted in an emotive hybrid of self-loathing punk and exhibitionistic soul, the band's tunes writhed and roiled, cutting to the core of dysfunctional relationships. But after their bleak, bitter 1995 release, Black Love, was met with general disinterest, the discouraged band took four years off to reevaluate its art. 1965 indicates that if the Whigs were suffering identity crisis, they've certainly found themselves. Instead of wallowing or brooding, as they did on past efforts, the band struts and staggers lustfully, coming across with the drive and vibe of the Rolling Stones' hormone-fest Some Girls. Many songs on 1965 are augmented with braying horns, gliding strings, and jaunty piano, and the hedonistic mood clearly reflects the downtown New Orleans environment the record was created in. High points include the swarthy surge of "Something Hot," the torch-lighted drama of "Crazy," and the sleazy pulse of "66," which begins with a 23-second recording of one of frontman Greg Dulli's intimate encounters. --Jon Wiederhorn

Customer Reviews

I was introduced to this album when I was 16 and immediately fell in love with it.
Sassapphras
This is an afghan Whigs album. enough said. (if you don't understand, you will once you buy any Whigs album-enjoy!)
Smeggy
The formula still works as the music, increasingly innovative, manages to stay true to the trademark Whigs form.
Michael DiMarco

Most Helpful Customer Reviews

14 of 15 people found the following review helpful By A Customer on December 5, 1999
Format: Audio CD
This album blew me away. I am a very tough critic of modern rock...most of it totally sucks, and the rest is mediocre or pop and wears quickly. But this album..., I don't know what to say. I spent five months overseas in the middle of nowhere (long story) and had to travel light. I took my CD portable and five CDs. This was one of them. And I listened to it everyday. It not only kept me going, it totally restored my faith in rock, which I though died in the early 80s. If you are tired of wimpy REM songs, tired of yawning paeans to juvenile angst you hear on the radio, and want something that stretches your limbs, your lust, and your learning, unwind with this album at nine and a half on the volume knob. I am so refreshed to find a band that can blend blues, hard rock rhythym, lyrics that are both introspective and overtly sexual, and key physical elements like brass and superb bass...it reminds me of the Stones. And John the Baptist has got to be one of the best rock songs ever written. Man, I love this album.
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9 of 9 people found the following review helpful By Brad on December 31, 1999
Format: Audio CD
Okay, if you have to read this, here it goes. I was never quite the fanatic when it came to this band, so when I first heard this album, I was blown away at how good they have become. I was always a fan of their R n' B flavored work, especially the "Uptown Avondale" EP back in '92. This album is that good and more, much much more. It's a lusty, sweaty rock record that follows poor Greg Dulli from one failed relationship to another. He quotes Nas and Pink Floyd, he includes pounding piano solos and gospel backgrounds, and basically shapes together one of the most solid albums of the '90s. Think mid-eighties Replacements, early seventies Stones, and a little Bauhaus thrown in for good measure. While critics were peeing their pants over the latest French techno bores, this album went unfairly unnoticed, but if you buy it, you can avenge the Whigs fate!
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7 of 8 people found the following review helpful By FortyTwo on November 18, 2004
Format: Audio CD
Alright, some fans fall into the "Gentlemen" camp, and it's certainly a classic album - consistently good songs all the way through, Greg Dulli in perfect self-loathing form, etcetera. Others fall into the "Black Love" camp because it's a fantastically dark, if overblown, caricature of Greg Dulli's persona - menacing, pleading, hypersexualized, and excruciatingly out of key. "Congregation" is a worthy choice as well, the grittiest and grungiest of them all, not to mention the near-perfect "Jesus Christ Superstar" cover.

I love all of these albums, but "1965" is the one that I pop into the CD player most frequently. The lyrics seem a bit trite compared to the brooding "Black Love" and desperate "Gentlemen" - an acquaintance of mine, whom I forced to listen to "1965," called it a "40-minute pick-up line," which probably isn't far from the truth. But frankly, I couldn't care less, because this album has that indescribable groove that compels you to shake your ass and sing along. Many musical elements absent in past Whigs recordings - the sultry female backup singers, screeching horns, all products of the New Orleans backdrop - shine through in "1965" and help Greg Dulli effortlessly channel the soul, funk, and R&B that came so naturally to the "Uptown Avondale" EP but were forcibly and often awkwardly incorporated into the "Black Love" recording sessions.

Words can only describe these intangible feelings so much. Just listen to the album and wait for those moments of transcendence, like the soaring chorus to "Uptown Again," or when the female vocalist coos alongside the mantra "I've got the Devil in me, girl" on "John the Baptist," or Greg Dulli's anguished "yeah, yeah, yeah" as his voice drowns amidst the squealing horns and careening guitars in the final minute of "Omerta." There's nothing like 'em on any of the other Whigs releases, and that's why "1965" is their standout record.
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4 of 4 people found the following review helpful By P. Opus on March 22, 2008
Format: Audio CD
Cajones.

Picture this - it's 1998, and the kind of bleak alt-rock that your band has specialized in for the past decade isn't exactly in fashion anymore. Facing sagging sales and general public distinterest, what do you do? Reinvent your sound in favor of something passionate, soulful, swaggering, confident, unique, intelligent and real.

Ten years later, I was in a record store chatting with some folks I know who work there. One of them puts on some early Afghan Whigs, which reminds me that I used to listen to this band way back when but have since lost touch. So I go home and take a look at their catalogue on amazon, and figure I'll order this one because of some of the reviews it received. Back then, just a few weeks ago, this CD was in-print (looks like for some reason it's not now - an injustice to the music-listening public for sure). A few days later it came in the mail. I put it in the player and was absolutely blown away.

This is unlike anything I have ever heard before - a perfect synthesis of raucus hard-edged alt-rock and pure, classic soul (complete with keys and female backup singers, sometimes even horns). It has a huge, wide sound as deep in breadth and scope as a U2 record. Greg Dulli struts and swaggers across the front, he's overtly lustful while recognizing the complexities of romantic liaisons. It's that duality which gives his performance character - instead of wallowing in self-pity he carries himself with the confidence of the man of the world we all know he was/is. Plus the sax solo on "John The Baptist" just kills me. I can't believe anyone could not appreciate this record - there is just so much going on.
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