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1972 Limited Edition


Price: $12.90 & FREE Shipping on orders over $35. Details
Includes FREE MP3 version of this album.
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Audio CD, Limited Edition, August 26, 2003
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Amazon's Josh Rouse Store

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Image of album by Josh Rouse

Photos

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Videos

Josh Rouse and The Long Vacations Oh, Look What The Sun Did!

Biography

"Songwriting for me is something I have to do to stay on the sunny side of life. It's my therapy. I pick up a guitar from time to time and it spills out. I feel lucky in that, after years of being blessed by their presence, the song spirits are still moving through me”

It may have been 15+ years - from roots in rural Nebraska, through time in ‘Music City’ ... Read more in Amazon's Josh Rouse Store

Visit Amazon's Josh Rouse Store
for 19 albums, 5 photos, videos, and 2 full streaming songs.

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1972 + Nashville + Happiness Waltz
Price for all three: $44.39

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Product Details

  • Audio CD (August 26, 2003)
  • Original Release Date: 2003
  • Number of Discs: 1
  • Format: Limited Edition
  • Label: Rykodisc
  • ASIN: B0000AM6K2
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (54 customer reviews)
  • Amazon Best Sellers Rank: #63,412 in Music (See Top 100 in Music)

1. 1972
2. Love Vibration
3. Sunshine
4. James
5. Slaveship
6. Come Back
7. Under Your Charms
8. Flight Attendant
9. Sparrows Over Birmingham
10. Rise

Editorial Reviews

Amazon.com

In this song cycle inspired by the year he was born, the wispy-voiced Rouse conjures (or imagines) the era's essential groovy vibe, from the title track's homage to Carole King's "It's Too Late" to the Brady Bunch bounce of "Love Vibration" to the flutes, falsetto, and jazzy guitar licks of so many of the retro arrangements. Yet Rouse's spin on the era transcends simple nostalgia, as the lyrics aren't always as buoyant as the sunny musical interplay, with "1972," the psychedelic soul of "James," and the piano-driven "Slaveship" all suggesting a darker tinge within this world of lollipops and rainbows. The bass pulse of "Comeback (Light Therapy)" has a hypnotic effect beyond the time warp, although a come-on line such as "it's the end of the night and I'm feelin' sexual" (from "Under Your Charms") would have sounded as lame in 1972 as it does three decades later. Apparently, those barely old enough to remember the '70s are doomed to repeat them. --Don McLeese

Product Description

Customer Reviews

By far one of the best albums I've ever heard.
Joel
The songs are extremely well produced and his voice is very accommodating.
M. Tanner
I love that someone is making songs that we can sing along to.
simon moss

Most Helpful Customer Reviews

10 of 10 people found the following review helpful By Juan Mobili on December 21, 2003
Format: Audio CD
Josh Rouse has been, quietly and without the benefit of a huge record company's promotional machine, putting out great album after great album. And, already apparent in his prior release Under The Cold Blue Stars, he's not interested in milking anything he's already done for guaranteed kudos. 1972 is a lovely set of songs, with the kind of balance between a unity of theme and diversity of moods that confirm the power of albums, over the "immediate-gratification" glory of churning out singles. The whole thing is a gorgeous homage to the seventies without the cheap sentimentality that could result from looking back at the music of any given past decade. Among other beauties, there are gorgeous things like the eponymous 1972 or Sparrows Over Birmingham, the groove of Love Vibration, or the rising arrangement in Rise. And all of it touched by the wild honey -wild, not processed- of Josh Rouse's voice.
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9 of 9 people found the following review helpful By Brian D. Rubendall HALL OF FAME on September 26, 2003
Format: Audio CD
Let's focus on what Josh Rouse is: a brilliantly eccentric and refreshingly original songwriter, and not what he'll likely never be: a mainstream success. What Rouse has done on the excellent, but not quite a classic "1972," is make a Josh Rouse record that sounds like it was recorded the year of his birth. The album has plenty of decent tunes to recommend it, particularly the soulful title track (in which he cites Carole King in the second line), "Sunshine," "Slaveship," the ace lovesong "Under Your Charms," and the amazingly spiritual "Sparrows Over Birmingham."
Through four albums, Josh Rouse has been a uniformly excellent songwriter. Those who bemoan his lack of mainstream success are missing the point. If he ever did shoot for a larger audience, he'd lose what it is that make his music so special.
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8 of 8 people found the following review helpful By Lee Armstrong HALL OF FAMETOP 1000 REVIEWERVINE VOICE on May 18, 2005
Format: Audio CD Verified Purchase
From the opening bars of "1972" we know this is going to be a special treat as Rouse opens with a homage, "She was feelin' 1972, groovin' to a Carole King tune, 'Is it too late baby?'" "Love Vibration" hosts a flower power message with Rouse's joyful chorus, "Now you people all know what I'm talking about." "Sunshine (Come On Lady)" has Marc Pisapia's bongo rhumba beat upon which Rouse builds a shimmering little ditty. "James" is a breezy melody with Jim Hoke's flute giving an airy feel about a loser who abandons his family and embraces a life of alcoholism. James Haggerty's bass sets a nice jazz groove on "Come Back (Light Therapy)" and then Josh layers in a delightfully addictive soulful melody, "I'm gonna stay on this mountain high 'til you come running back." "Flight Attendant" starts with a Latin-flavored soft rhythm and then Josh's hushed Nick Drake-school vocals whisper, "I grew up so scared, the bible belt, redneck lifestyle; one day I'll fly free in the airplane." "Sparrows Over Birmingham" starts off with a gospel flavor and then transforms into a soft shoe, "You grew up an isolated pup, you had some books, you had some love, oh god was watching over you." The CD concludes with "Rise," a stunningly original melody, "I should of caught a ride on Brooklyn train, meet on the corner & I'll entertain." "1972" is a fully realized set that satisfies completely. Bravo!
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10 of 11 people found the following review helpful By Angie on September 15, 2003
Format: Audio CD
If the 21st century has brought us anything refreshing it is the slew of good, strong music that has been hitting the CD stores (unfortunately not radio, since radio continues to play drivel on adult contemporary stations )in the past two and a half years. If you know where to find it, there is a lot of good music out there (magazines such as UNCUT, PASTE and NEW MUSIC MONTHLY are great sources) and 1972 is a brilliant example.

Somehow managing to channel great musicians such as Paul Simon, Al Stewart and Jackson Browne and yet still keep his own voice, Josh Rouse delivers a pop album with smarts, sensibility and style. If you didn't know better, you'd swear this was an album straight from the good side of the 70s (and in the case of "Love Vibration" early 80s.)

There is not a clunker on this album and you may be tempted to hit "repeat" on your CD player. Here are just a few of the charmers:

"1972": a tribute to Carole King and a mellow, deceptively simple song which stays in your heart for a good while...

"Love Vibration": a catchy pop tune that makes use of the wurlitzer, flute and the most basic of lyrics and yet says a lot...you cannot get this song out of your head or feet! (In a way this reminds me of the lushness of the Carpenters minus Richard Carpenter's occasional overkill production).

"Sunshine": This is NOT Brady Bunch material despite what one music reviewer wrote recently. It's a nice percussion piece with an Al Stewart edge to it.

"James": Sad lyrics and beautiful music. I haven't listened to this one enough to catch the deeper appeal but it definitely stays with you.
Read more ›
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5 of 5 people found the following review helpful By Just a few words on September 15, 2004
Format: Audio CD
The one thing that stands out on this album is Rouse's strong songwriting. An album that uses so many of the sounds of the early 70s could easily sound cliched - especially at a time where every new band seems to be reminiscing about the past, - but Rouse's songs are strong enough to work in any format.

Rouse's songs are powered along by groovy baselines, the odd flute or saxophone, and driving rhythmns. Yet he could probably play the entire album on an acoustic guitar and the songs would still shine.

It's an album of sunshine with the odd lines such as:

I told you a thousand times/I sold you a thousand lines/"I love you would you marry me".

to give the album needed bite.

You could dance to it, sing to it, or cheer yourself up on a rainy day.
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