Amazon.com Review
We've all heard the horror stories about agents who charge exorbitant reading fees, make referrals to expensive book doctors, suspiciously send contracts before even speaking with you, or sign you up and never call (or return calls) again. "Bad literary agents," warns Don Prues, editor of
1998 Guide to Literary Agents, "can ruin writing careers." But let's face it: almost all the books that major publishers buy come from agents or book packagers. And most agents are honest, hard-working folk whose prosperity depends on their ability to bring success to their clients.
1998 Guide to Literary Agents is essential for the writer in search of an agent, not just for its listings of more than 500 agencies (including script agents), but also for the education it provides on how to find, snare, interview, and work with an agent. The listings themselves include information about agents' prior professional experience, what each agency is looking for, recent sales (how many books, who wrote them, and who bought them), writers' conferences the agents attend, and tips for writers. One agent, Malaga Baldi, offers a particularly apt description of the ideal agent's role: "To one author I may serve as a nudge, to another a confidante, and to many simply as a supportive friend. I am also a critic, researcher, legal expert, messenger, diplomat, listener, counselor and source of publishing information and gossip."