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1999 CD

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Audio CD, CD, October 25, 1990
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$1.96 $0.01
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Song Title Time Price
listen  1. 1999 6:19$1.29  Buy MP3 
listen  2. Little Red Corvette 4:56$1.29  Buy MP3 
listen  3. Delirious 4:00$1.29  Buy MP3 
listen  4. Let's Pretend We're Married 7:21$1.29  Buy MP3 
listen  5. D.M.S.R. 8:17$1.29  Buy MP3 
listen  6. Automatic 9:28$1.29  Buy MP3 
listen  7. Something In The Water (Does Not Compute) 4:02$1.29  Buy MP3 
listen  8. Free 5:08$1.29  Buy MP3 
listen  9. Lady Cab Driver 8:19$1.29  Buy MP3 
listen10. All The Critics Love U In New York 5:59$1.29  Buy MP3 
listen11. International Lover 6:37$1.29  Buy MP3 

Amazon's Prince Store


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Few artists have created a body of work as rich and varied as Prince. During the '80s, he emerged as one of the most singular talents of the rock & roll era, capable of seamlessly tying together pop, funk, folk, and rock. Not only did he release a series of groundbreaking albums; he toured frequently, produced albums and wrote songs for many other artists, and recorded hundreds of ... Read more in Amazon's Prince Store

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1999 + Music from the Motion Picture "Purple Rain"
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Product Details

  • Audio CD (October 25, 1990)
  • Number of Discs: 1
  • Format: CD
  • Label: Rhino Warner Bros. 498
  • ASIN: B000002KY8
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (166 customer reviews)
  • Amazon Best Sellers Rank: #4,593 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

US LP pressing.

Prince's fifth album came right before the lascivious multi-instrumentalist became a huge star with his 1984 film and soundtrack, Purple Rain. But Prince had already proved himself to be the most audacious talent to emerge in the 1980s, and 1999, the bulk of which features Prince on all the instruments, reflects the dance-rock styles that he also brought to the acts he produced, particularly the Time. Prince knows how to run a one-man-band individual instruments don't blend together as much as they compete in a funky showdown which allows tracks like "Automatic," "D.M.S.R.," and "Delirious" to sustain their long playing times. But the album's two enduring hits, "1999" and "Little Red Corvette," outshine the rest, and define the essential roles that rock and funk play in Prince's music. "Little Red Corvette" is a sexy song about a car, which would have been enough to make it a terrific rock song even if it didn't also boast an infectious chorus and a great guitar part. As for "1999," count on it being the dance song of the millennial year. --John Milward

Customer Reviews

It's not a matter of whether I like it or not, I just wanted to get my hands on this great music.
Gregory R. Lee
Most popular albums still consist of songs really no longer than 5 or 6 minutes, usually with plenty of instrumentation or lyrics.
This album is a must have for ANY music lover's collection, your collection isn't complete with out it!

Most Helpful Customer Reviews

48 of 48 people found the following review helpful By Ian Renner on May 31, 2003
Format: Audio CD
"1999" was incredibly relevant at the time and its messages loom large today as well. In 1982, the world was in a mess. AIDS was festering in Africa. The Soviet Union and the USA were entrenched in the frigid Cold War. The tension in the Middle East was augmented. The world's economy experienced an enormous crash, rendering several countries in South America and Africa paupers in the world market (many of which have not recovered). Who wasn't worried about the troubled times? "1999" tunes in perfectly to those fears. The title track is a viciously funky premonition of not only the current state of affairs, but things to come. Prince really tapped into his view of the future with this album. The foreboding messages of the title track are echoed in future classics like "Let's Go Crazy" and "Crystal Ball," but none are as timely nor as timeless as "1999," which is funny as "1999" is tied to a specific date.
"1999" also reigns supreme due to its paradoxes. Whether it be Prince clamoring, "I'm in love with God, he's the only way" in juxtaposition with "I sincerely want to f*** the taste out of your mouth" in "Let's Pretend We're Married," the dedication of a sexual thrust to "love without sex" in the midst of the passion of "Lady Cab Driver" or the sonic paradox of "Something in the Water (Does Not Compute)," a song literally being torn apart by the opposing forces of order in the form of the computerized synth and turbulence in the passion of Prince's guttural screams and the beat which is systematically chaotic, Prince was clearly functioning on a new level with this album, not just personally, but in music as a whole. Nothing previous to this had been as irreverent as "Let's Pretend We're Married," only to turn a complete 180 and declare love of God.
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12 of 12 people found the following review helpful By mary o'malley on May 22, 2006
Format: Audio CD
I bought this CD in a nostalgia-induced music buying bender and have had it in heavy rotation ever since. Unlike Def Leppard's often cringeworthy 'Pyromania,' (my sincere apologies, guys)1999 has stood the test of time--and then some. If you haven't listened to this album in a long while or if you (gasp) have never heard it, you owe it to yourself to give the early genius that is Prince a listen.

While I used to choreograph dance routines to 'Little Red Corvette' in my basement when I was in sixth grade, now I vacuum my livingroom with it cranked. (Sad but true.) At least I have Prince to ease the pain of aging.
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33 of 39 people found the following review helpful By Daniel J. Hamlow HALL OF FAME on April 21, 2002
Format: Audio CD
Looking back, I don't know if we were ever that close to nuclear war, but Prince put out a double-LP worth of songs (due to the plethora of long songs) back in 1982 and declared that he was gonna "party like it's 1999." That album made 17 years before the title year is one of Prince's most vital, danceable, and best albums.
"1999" is one of Prince's masterpieces, punctuated by punchy synthesizers and an infectious percussive beat, with Cold War nuclear angst lyrics: "Everybody's got a bomb/we could all die anyway. Jill Jones, keyboardist Lisa Coleman, and guitarist Dez Dickerson all have guest vocal duties. The song closes with a poignant child-like question "Mommy, why does everybody have a bomb?" Why indeed?
That classic number is followed by "Little Red Corvette," the highest charting single from this album, and rivalling "1999" in importance, career-wise. Using a hot red car as a metaphor to a red hot, love'em and leave'em lover before AIDS was a concern works. Lisa and Dez have more co-lead vocal contributions here.
"Delirious" follows with an infectious backbeat and squeaky keyboards. Hey, I don't know how else to describe it, okay?
Things get a little bit hotter with "Let's Pretend We're Married," hotter meaning explicit content. I've no doubt that it was the single edit that was played on the radio and not the unexpurgated version here. As this is an unabashed paean to free love, the line "all the hippies sing together" is apposite. It also paraphrases the 60's slogan, "if it feels good, do it." Key lyric: "My baby's gone and she don't care at all/And if she did, so what, come on baby, let's ----."
"D.M.S.R." continues the party but with a funkier tone, handclaps, synthesizers, and in a more fun, Bacchanalian vein.
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14 of 15 people found the following review helpful By P Magnum HALL OF FAMETOP 1000 REVIEWERVINE VOICE on August 17, 2000
Format: Audio CD
1999 is the album that propelled Prince from a crtical darling to a best-selling artist. The album contains all the familar Prince elements from rock to funk to dance while exploring his favorite themes: sex and religion. The album was originally released as a double with most of the songs clocking in somewhere between 6 & 10 minutes. Each is a musical workout from the apocalyptic dance of the title cut to the ripping guitar solo on "Little Red Corvette" to the sexed up funk of "D.S.M.R." There are no bad songs contained here but some to pay attention to include the hit "Delirous", "Something In the Water", "Free" & "Let's Pretend We're Married" which I think is one Prince's all-time best songs. The album has it all from great songwriting to supreme musicianship and is a true classic.
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9 of 9 people found the following review helpful By Brandon Ousley on June 27, 2004
Format: Audio CD
Prince, barely in his 20's, recorded a cultural landmark in 1982, called "1999". It showed how genius could turn vulgarity into erotica, synthesizers into orchestral weapons, and weirdness into eccentricity. This double-album introduced his band, The Revolution, before they came out fully on his 1984 seminal album, "Purple Rain". But on this album, he's still a one-man band, mastering the synthesizers and the experimental Linn drum machine. The album also broke through his 1981 album, "Controversy", which was a backlashed and disappointing set. This double-album (now compact disc) is way too extended. There are only 11 songs, but some of the songs extend 6 or 9 minutes long. It's really not like a typical double album, having a range of musical styles or having far-reaching scopes. It's an album that has extended dance jams and ballads. The album opens up with the famous title track, "1999", a song about dancing through the night even as nuclear war erupts. The song has some killer drum and synthesizer work. The song is a classic. "Little Red Corvette" is a slow, bass-driven song with many liquid-type synthesizers being played throughtout the song. It's another one of those feel-good Prince classics. And it's true, Saturday night does make everything alright! "Delirious" has some catchy synthesizer hooks and killer drum beats (drum programming). The song, itself, has a cool melody. "Let's Pretend We're Married" is an upbeat explicit tune with non-stop computer drum beats. The drum patterns are mellow and the synth is crisp. On this song, his lyrics are downright, sexually explicit and really down-to-earth. The songs starts off nice and lust, and then the synthesizers and drums go into a long breakdown and the song gets too far into sex.Read more ›
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