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19th Century Art [Hardcover]

Robert Rosenblum (Author), H. W. Janson (Author), Horst Woldemar Janson (Author)
4.7 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

September 1, 2004 0131896148 978-0131896147 2nd Trade
Now full color throughout, this matchless survey of nineteenth-century painting and sculpture begins with the French revolution in 1776 and ends with the dawn of a new century at the Paris World Fair in 1900. In addition to the ample treatment of geniuses such as Ingres, Courbet, Manet, and Monet, readers will find full coverage of master artists from around the globe--Australia to the United States, Mexico to Russia.

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Editorial Reviews

From the Publisher

Published jointly by Prentice Hall and Harry N. Abrams, Inc., a comprehensive survey of all of Western painting and sculpture, 1776-1900. --This text refers to an alternate Hardcover edition.

From the Back Cover

Key Benefit: Provides detailed treatment of 232 painters — including the standard major artists, as well as lesser masters. Key Topics: Stresses the interconnections of painting and sculpture with the other arts, and to social and political conditions. Reflects the revisionist interpretation of 19th-century art. --This text refers to an alternate Hardcover edition.

Product Details

  • Hardcover: 544 pages
  • Publisher: Prentice Hall; 2nd Trade edition (September 1, 2004)
  • Language: English
  • ISBN-10: 0131896148
  • ISBN-13: 978-0131896147
  • Product Dimensions: 11.8 x 8.9 x 1.6 inches
  • Shipping Weight: 5.9 pounds
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #117,093 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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Average Customer Review
4.7 out of 5 stars (6 customer reviews)
 
 
 
 
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23 of 23 people found the following review helpful:
5.0 out of 5 stars Excellent book for art lovers on any level!, April 14, 2000
By A Customer
This review is from: 19th Century Art (Hardcover)
Whether you're familiar with Dr. Janson's previous work or not, you'll immedately recognize the quality and value of this book. The information is very well organized, divided into four sections based on time periods. Each of those sections is divided by the type of art (paintings or sculptures). With more than 500 illustrations (89 in full color), the book is not only an excellent source of reference, but also just plain interesting reading. Many of the stories are fascinating, encouraging the reader to dig even deeper. The details are impressive, particularly with accurate journalism being a relatively recent concept. Obviously, the information could only have come from extremely knowledgeable sources. Excellent book for art lovers on any level!
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3 of 3 people found the following review helpful:
5.0 out of 5 stars A Wonderful Book that Teases at the Imagination, May 19, 2007
By 
Wanderer (Sacramento, CA) - See all my reviews
This review is from: 19th Century Art (Hardcover)
Note: Your "helpful" votes are appreciated.

Nineteenth-century art has a wonderful depth to it, and this book has almost a hundred full-color pictures and some 400 in black and white. The quality of the book is fantastic. This is a must for anyone interested the 19th century painting.

I love pictures that tell a story. Look at the mystery and story on the cover of this book. It's full of other wonderful paintings ane well-worth the price.

If you like black-and-white engravings from the 19th century, get "A Celebration of Humanism and Freethought," by David Allen Williams. This book is full of rare 19th century engravings that match its quotations from the Humanist perspective--a beautiful art book that has been overlooked because of it's title.

Click here to see the images: A Celebration of Humanism and Freethought
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4 of 6 people found the following review helpful:
4.0 out of 5 stars A very good survey -- with a couple of reservations, May 28, 2008
This review is from: 19th-Century Art (Paperback)
I'm not an artist, I'm a historian, with a special interest in physical social and cultural history: Costume, domestic architecture, social mores, all that stuff. Photography is the obvious source for that, at least from the Civil War on, but an artist's interpretation can also be very useful. For those reasons, I learned early in my career to pay attention to the Realists, especially Bingham, Breton, Millet, Tissot, Eakins, Degas, Whistler, Winslow Homer, John Singer Sargent, and some of Monet and Manet. While studying that lot, I also developed a taste for the Pre-Raphaelites and the later artists of myth and dream, like Burne-Jones, Leighton, and Alma-Tadema, who don't get much attention these days. I lose interest when I get to the Post-Impressionists like Seurat, Van Gogh, Gauguin, and Munch, however. (So sue me.) All of which is to say that the authors, both of whom are NYU professors in the fine arts, have done an excellent job of surveying the entire century in which all of the above had their careers. The discussions cover not only artistic influences but political and familial factors as well as relevant biographical details. There are more than 500 illustrations, though fewer than 90 are in color, and many of them are rather small -- which seems inadequate for a coffee-table-sized art book. And, frankly, I'm puzzled how any survey of the 19th century could completely ignore Frederick Remington and Charles Russell. Otherwise, it's an excellent book for slow perusal.
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Inside This Book (learn more)
First Sentence:
In 1776, that landmark year in transatlantic history, an astute visitor to the Royal Academy exhibition in London might well have noticed how frequently new ideas began to appear in, at first, familiar guises. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
frontal postures, original plaster, painted sketch, marble version, same salon, modern costume
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Royal Academy, New York, Exposition Universelle, United States, Second Empire, National Gallery, Jacques-Louis David, Paris Salon, Tate Britain, Art Nouveau, Gustave Courbet, Frederick the Great, Georges Seurat, Middle Ages, Auguste Rodin, Francisco de Goya, Paul Gauguin, Antonio Canova, Victor Hugo, French Revolution, Prix de Rome, Puvis de Chavannes, The Painter's Studio, Congress of Vienna, French Academy
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