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1Q84 [Kindle Edition]

Haruki Murakami , Jay Rubin , Philip Gabriel
3.6 out of 5 stars  See all reviews (872 customer reviews)

Print List Price: $16.95
Kindle Price: $9.09
You Save: $7.86 (46%)
Sold by: Random House LLC

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Book Description

“Murakami is like a magician who explains what he’s doing as he performs the trick and still makes you believe he has supernatural powers . . . But while anyone can tell a story that resembles a dream, it's the rare artist, like this one, who can make us feel that we are dreaming it ourselves.” —The New York Times Book Review
 
The year is 1984 and the city is Tokyo.

A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.

As Aomame’s and Tengo’s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.

A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s—1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.

This eBook edition includes a Reading Group Guide.


Editorial Reviews

Amazon.com Review

Amazon Best Books of the Month, October 2011: The year is 1984, but not for long. Aomame, on her way to meet a client--the gravid implications of which only come clear later--sits in a taxi, stuck in traffic. On a lark, she takes the driver's advice, bolts from the cab, walks onto the elevated Tokyo expressway, descends an emergency ladder to the street below, and enters a strange new world.

In parallel, a math teacher and aspiring novelist named Tengo gets an interesting offer. His editor has come upon an entry for a young writer's literary prize, a story that, despite its obvious stylistic drawbacks, strikes a deeply moving chord with those who've read it. Its author is a mysterious 17-year-old, and the editor proposes that Tengo quietly rewrite the story for the final round of the competition.

So begins Haruki Murakami's magnus opus, an epic of staggering proportions. As the tale progresses, it folds in a deliciously intriguing cast of characters: a physically repulsive private investigator, a wealthy dowager with a morally ambiguous mission, her impeccably resourceful bodyguard, the leader of a somewhat obscure and possibly violent religious organization, a band of otherworldly "Little People," a door-to-door fee collector seemingly immune to the limits of space and time, and the beautiful Fuka-Eri: dyslexic, unfathomable, and scarred.

Aomame names her new world "1Q84" in honor of its mystery: "Q is for 'question mark.' A world that bears a question.'" Weaving through it, central motifs--the moon, Janáček's Sinfonietta, George Orwell's 1984--acquire powerful resonance, and Aomame and Tengo's paths take on a conjoined life of their own, dancing with a protracted elegance that requires nearly 1,000 pages to reach its crowning denouement.

1Q84 was a runaway best seller in its native Japan, but it's more instructive to frame the book's importance in other ways. For one, it's hard not to compare it to James Joyce's Ulysses. Both enormous novels mark their respective author's most ambitious undertaking by far, occupy an artificially discrete unit of time (Ulysses, one day; 1Q84, one year), and can be read as having a narrative structure that evinces an almost quantum-mechanical relationship to reality, which is not to say that either author intended this.

More to the point, the English translation of 1Q84--easily the grandest work of world literature since Roberto Bolaño's 2666--represents a monstrous literary event. Now would somebody please award Murakami his Nobel Prize? --Jason Kirk

Review

A Globe and Mail Best Book
Shortlisted for the International Impac Dublin Literary Award


1Q84 goes further than any Murakami novel so far, and perhaps further than any novel before it, toward exposing the delicacy of the membranes that separate love from chance encounters, the kind from the wicked, and reality from what people living in the pent-up modern world dream about when they go to sleep under an alien moon.”
Publishers Weekly (starred review)
 
“Murakami’s fiction has grown increasingly relevant to our understanding of the world today, and this time his craft is more refined than ever. . . . This novel—mired in death and fetish, leavened with humor—may become a mandatory read for anyone trying to get to grips with contemporary Japanese culture.”
The Japanese Times

“‘Things are not what they seem.’ If Murakami’s ambitious, sprawling and thoroughly stunning new novel had a tagline, that would be it. . . . Orwellian dystopia, sci-fi, the modern world (terrorism, drugs, apathy, pop novels)—all blend in this dreamlike, strange and wholly unforgettable epic.”
Kirkus Reviews (starred review)

“You'll find genuine wisdom and emotional depth in 1Q84. Mr. Murakami has gone further here to develop the sensations of loss and isolation.”
The Wall Street Journal

“Murakami really does stand alone . . . Which other author can remind you simultaneously of Fyodor Dostoyevsky and JK Rowling, not merely within the same chapter but on the same page? Viewed through the ‘postmodern’ lens, his exemplary blend of a light touch and weighty themes, of high literature and popular entertainment, ticks every box. Posh and pop, sublimity and superficiality, history and fantasy, trash and transcendence: they switch positions and then fuse as the metaphysical speculations of an Ivan Karamazov meet the death-defying adventures of a Harry Potter.”
The Independent (UK)


Praise for Haruki Murakami:
"Murakami is like a magician who explain what he's doing as he performs the trick and still makes you believe he has supernatural powers... But while anyone can tell a story that resembles a dream, it's a rare artist, like this one, who can make us feel that we are dreaming it ourselves."
— The New York Times Book Review

 


Product Details

  • File Size: 3287 KB
  • Print Length: 946 pages
  • Publisher: Vintage (October 25, 2011)
  • Sold by: Random House LLC
  • Language: English
  • ASIN: B004LROUW2
  • Text-to-Speech: Enabled
  • X-Ray:
  • Lending: Not Enabled
  • Amazon Best Sellers Rank: #6,660 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

Most Helpful Customer Reviews
375 of 411 people found the following review helpful
4.0 out of 5 stars Review from a long time fan October 25, 2011
Format:Hardcover
I am rushing this review to warn other Murakami fans (fanatics?) that this one starts out surprisingly slow. It wasn't until Part 2 that the pace started approaching a typical Murakami. I am also warning those who have never read Murakami before that that is NOT the novel to start with.

As always with his novels, it is of little value to attempt a plot summary. Cults and Little People and two moons? Yep, sounds like Murakami. In fact you can open the book to any section and after a few minutes know that you can be reading no author other than Murakami. It is a highly unusual voice, and comes through as distinctively in this as in his other books.

There are two main characters, a man and a woman who knew each other as children. Both had typically Murakami odd lonely childhoods, and though they haven't seen each other since they were young, both continue to remember the other with a particular intensity. In alternating chapters we follow the lives of these two, and soon we figure out that their stories are slowly (oh so slowly) leading towards each other.

As always, I am immensely enjoying reading this book. But I do have reservations. The book is too long, maybe 1/3rd too long. A typical feature in his books is to present an idea, an object, a reference from one perspective, and then repeat it, often multiple times, from other perspectives. Only through these repeated narrow views does the reader begin to piece together the true import of what is being presented. This layering of perspectives, added to the unusual nature of what is being seen, is core to the world Murakami unveils to us in his fiction. The problem in this book is that the perspectives are over-layered and at some point lose their power.
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327 of 376 people found the following review helpful
Format:Hardcover
The above is a quote from this book, and well worth taking to heart. I take Jung's advice on dream images when reading a Murakami novel: don't try to unravel the underlying/hidden meaning, just stay with the images and let them move you and revel their meaning/feeling slowly.

There are images in this novel that will stay with me for years.

I'm a big fan and this is certainly one of his best novels, right there with works like The Wind Up Bird Chronicle, Norwegian Wood, and Hard Boiled Wonderland and the End of the World. Like all those works, reading the novel felt like slowly sinking into a well of dreams, and being enveloped in a mood of curiosity and off hand beauty/absurdity.

Some of the early reviews seem to be complaining about the book being repetitious, and the characters being too passive. All I can say is, this must be the first Murakami books you've read. This describes many of his books.

The passivity of the characters is actually essential to this book which deals with a world bereft of meaningful stories, and people susceptible to meaning that gives the false impression of depth [cults in this case].

Repetition is a form of making real in Murakami. The meanings are in the images, the images often begin as shadows, the novel takes those shadows and through echoes like a jazz song it breaths life into them: sometimes quite literally as in his book Hard Boiled Wonderland. I love it, but someone not used to it might find it odd.

As far as the more fantastic elements, I'll let Murakami speak for himself:

"I don't want to persuade the reader that it's a real thing; I want to show it as it is. In a sense, I'm telling those readers that it's just a story--it's fake.
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571 of 697 people found the following review helpful
1.0 out of 5 stars Cue Over-dramatic Self-realization... November 23, 2011
Format:Hardcover|Verified Purchase
Imagine everything you love about your favorite cocktail; the way the ingredients intermingle, often with hints of flavors that, while unbearable on their own, blend magnificently with others to create a mixed concoction to stimulate even the most nether regions of the human tongue. Now dump your glass into a gallon jug. Fill the jug to the 3/4 mark with water. Then add clam juice, tabasco sauce, maple syrup, nutmeg, and vanilla extract til you get to the top. Voila! You've got 1Q84. Drink it down, consumers.

I'm currently 720 pages in and have resorted to skipping whole paragraphs. Why I feel the need to continue despite a blossoming blase could perhaps best be explained by my previous Murakami experience- I first read all of his books within a span of 10 days using a flood light outside of my hotel in Singapore. Despite this I just can't see the point of 1Q84 (other than length, of course). Put simply, 1Q84 is a meandering odyssey to nowhere in particular.

Reading 1Q84, you'll find that many of Murakami's "trademarks" are present: the contrast of an ultra-sentimental/nostalgic (natsukashii -_-) love story to its surreal sci-fiesque backdrop; minute details of each character's appearance and daily routine to make up for an otherwise flat individual; allusions to Western artists galore. What 1Q84 fails to provide is something to tie everything together into a neat little package to make me care what happens. The two main characters are eternally and subliminally united by troubled youths, voided personalities, and a single hand grab decades prior to the events of the story.
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Most Recent Customer Reviews
1.0 out of 5 stars One Star
Tedious, repetitive and not believable. Don't waste your time.
Published 1 day ago by William P. Reardon
5.0 out of 5 stars entrancing and deep
The best read I have had in a long time. Murakami throws out a tangled story working on several levels: a parallel universe (perhaps); an ambiguous new force that may or may not be... Read more
Published 3 days ago by Peg Stone
4.0 out of 5 stars Unusual story
It was a hard book to get into and very long. I found some of the background of the characters a bit repetitive-- but the story was good and very imaginative I did enjoy it.
Published 5 days ago by Joanne B. Thomas
5.0 out of 5 stars The Strange World of 1Q84
I love Haruki Murakami's 1Q84.

To paraphrase the blurb: a love story, a fantasy, and a mystery--all rolled into a dreamy world. Read more
Published 5 days ago by Alex W
1.0 out of 5 stars with good reason- he's brilliant
Unreadable. And I spent years opening my weekly New Yorker's, hoping I'd see his name in the fiction section headings. with good reason- he's brilliant. Just not this time.
Published 6 days ago by Earnest
5.0 out of 5 stars work of art leaving me wanting more
Haunting read vivid and memorable characters. There were too many unanswered questions at the end and I hope a follow up book is planned.
Published 7 days ago by David Ilson
5.0 out of 5 stars A thoroughly enjoyable read...
I chose to start reading this book because of its popularity; however, I continued reading it for its excitement, intrigue, originality, and style. Read more
Published 8 days ago by Jessica W.
4.0 out of 5 stars very interesting and engaging. I enjoyed how the dialog was broken...
See above. The translation seemed very natural though there were some terms I did not understand. Very long but worth it.
Published 8 days ago by mark
5.0 out of 5 stars Loved it.
This is one of my favorite Murakami novels.
Published 12 days ago by bowlofeggs
5.0 out of 5 stars Five Stars
Fantastic book! You won't notice its length!
Published 12 days ago by Corey Grantham
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More About the Author

Haruki Murakami was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into forty-two languages. The most recent of his many honours is the Franz Kafka Prize.

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Parts 1&2 only or all 3?
It's all three. The description specifies that.
Aug 10, 2011 by Texpat |  See all 3 posts
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