From Publishers Weekly
Writer/artist Kindt's work is more complex, ambitious and somber than its subtitle suggests. It begins with a theft in ancient Rome, hurtles centuries ahead to Venice, intercuts a tale of pirates with the exploits of a female WWII secret agent, and repeatedly flashes back to the agent's melancholy girlhood in the English countryside. Readers may be put off by the crude, caricatured manner in which Kindt (
Pistolwhip) draws human faces and figures. What's considerably more important is Kindt's mastery of visual storytelling: although using little dialogue, the narrative, with its multiple story lines, fractured chronology and plot twists, remains strong and clear. A strong feminist theme runs throughout: the book opens with a female slave escaping her bonds in imperial Rome, and another character, menaced by pirates, saves her life by turning pirate herself. The main character, Elle, led an introverted childhood in the shadow of her outgoing sister and their insensitive father. After losing the man she loves in a Nazi bombing, Elle becomes a grimly effective covert agent, and eventually discovers how she's been deceived. Both the woman pirate and Elle are the victims of men, and they adopt new identities in response, expressing their frustration through violence. But Kindt maintains an austere, thoughtful tone even in action sequences, and his two heroines eventually achieve a lonely form of freedom.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Kindt, illustrator of his and Jason Hall's
Pistolwhip [BKL F 1 03], also writes this raucously retro World War II spy thriller that incorporates elements of other pop-culture modes, from film noir to romance comics to pirate tales. Its heroine, Elle, a volunteer ambulance driver in London, is swept up in a sudden romance with suave but mysterious Alan Scott. The affair ends tragically, and in its wake Elle is recruited as a spy and sent on dangerous missions behind enemy lines. Parallel story lines follow the adventures of a resourceful female pirate and depict the troubled childhood of Elle and her sister. All story lines dovetail in a quiet, moving conclusion. Kindt uses dialogue sparingly, preferring to propel the book with his forceful, sparse drawings. His style is overly casual and chaotic--at times, it's difficult to tell just what's going on--but bold compositions and imaginative panel transitions compensate for lack of clarity. Kindt's vision arguably exceeds his drawing chops, but his storytelling sophistication breathes new life into hoary genre conventions.
Gordon FlaggCopyright © American Library Association. All rights reserved