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20/20 / Look Out
 
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20/20 / Look Out [Original recording reissued, Original recording remastered]

Twenty-Twenty, 20/20Audio CD
4.5 out of 5 stars  See all reviews (19 customer reviews)


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Product Details

  • Audio CD (September 19, 1995)
  • Original Release Date: September 15, 1995
  • Number of Discs: 1
  • Format: Original recording reissued, Original recording remastered
  • Label: Oglio Records
  • ASIN: B000001J6X
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (19 customer reviews)
  • Amazon Best Sellers Rank: #187,124 in Music (See Top 100 in Music)

 
1. The Sky Is Falling 7/79
2. Yellow Pills
3. Cheri
4. Out of This Time
5. Tell Me Why (Can't Understand You)
6. Tonight We Fly
7. Remember the Lightning
8. She's an Obsession
9. Leaving Your World Behind
10. Backyard Guys
11. Jet Lag
12. Action Now
13. Nuclear Boy
14. Out of My Head
15. Strange Side of Love
16. Alien
17. A Girl Like You
18. Life in the U.S.A.
19. The Night I Heard a Scream
20. Beat City
See all 22 tracks on this disc

 

Customer Reviews

19 Reviews
5 star:
 (12)
4 star:
 (4)
3 star:
 (3)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.5 out of 5 stars (19 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

12 of 12 people found the following review helpful:
4.0 out of 5 stars Debut - 5 stars, Look Out! - 3 stars, May 23, 2004
By 
Perry M. Koons "theeighthbeatle" (Crownsville, MD United States) - See all my reviews
(REAL NAME)   
This review is from: 20/20 / Look Out (Audio CD)
In the late 70's, LA was the headquarters for much of the country's punk influenced new wave and pop. From the Quick to the Last to the Plimsouls to 20/20, there was no shortage of great rocking pop coming from California. 20/20 was perhaps one of the best and nowhere did they shine brighter than on their debut. Early singles for Bomp! Records were amazing - seek them out on the Various Artists Roots of Powerpop CD collection - and they followed up those 60's influenced singles with more quirky, modern new wave-y tunes. Most of the tracks on the debut (songs 1-12 here) are keepers, catchy choruses, swirling vocals, all the trademarks of great pop. Look Out!, while containing a few very cool tracks, was unfortunately not quite up to par, a downward spiral that continued when they hit rock bottom on Sex Trap (their planned next release that barely saw the lgiht of day). Anyway, the Look Out! tracks are considerably less traditional power pop and have enough hooks to appeal to more adventurous fans who wished the debut had more new wave appeal. I, however, am on the other side of the fence, loving 20/20 for their moments of gleeful pop glory - fans of the Plimsouls, Beat, Cheap Trick, and Knack will be doing themselves a real favor to pick this disc up.

Best Tracks:
"Yellow Pills" - This song title was used for a 4 disc power pop compilation series (AWESOME CD's) as well as a huge fanzine. It will forever be a classic of 70's power pop and new wave, and with good reason.
"Cheri" - This next track keeps the energy strong after "Yellow Pills". A great, simple guitar rocker.
"She's An Obsession" - This song starts out with a drumbeat that comes out of nowhere, randomly stops, and has NOTHING to do with the rhythm or tempo of the actual song. A really interesting touch that adds to this upbeat, Knack-style tune.
"Jet Lag" - A terrific pop number/almost ballad with 38 Special-like soloing (though this came a year before any of that band's BIG hits).
"The Night I Heard A Scream" - Bittersweet, delicate song with a jarring bridge and quite blunt lyrics. Very catchy, the best song on Look Out!
"Mobile Unit 245" - Not an amazing song in the traditional pop sense, but a nice Lennon-y vocal and I love the way the intensity builds.

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7 of 7 people found the following review helpful:
5.0 out of 5 stars tracking my high school days, May 5, 2005
This review is from: 20/20 / Look Out (Audio CD)
I'll never forget the first time I heard 'Yellow Pills' - my first exposure to the 'angular' power pop scene. I couldn't really afford to buy records, so I either had to tape LPs off friends or wait until a birthday or x-mas and nag my grandmother. I got this for my birthday in 1979, and formed a band about 6 days later. But, just to be perverse, the only track we ever played from the record was 'Leaving Your World Behind'...

These guys were the soundtrack of my early-mid teens. Saw 'em three times (a riot in San Diego, in a barn in Escondido, and in San Francisco), one show for each of the first three albums. Different drummer each time, too. Fantastic live band; the harmonies in particular were superb.

You will like this if you like pop with an edge. The first album is more traditional power pop, the second is more new wave-ish. But both records have a terrific combination of good melodies, great harmonies, dirty guitars and the odd synth. Although a lot of people felt let down by 'Look Out!', I cannot IMAGINE why 'Nuclear Boy' wasn't released as a single. It's like 'My Sharona' written by someone who isn't a pederast...should have been huge. I wore out two copies of that LP in the end...remember how crap vinyl really was?
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5 of 5 people found the following review helpful:
5.0 out of 5 stars World's best song to smoke weed with. Anybody remember the STARWOOD?, August 25, 2006
This review is from: 20/20 / Look Out (Audio CD)
Well I remember sparkin up and listen with "Yellow Pills" in my headphones. I have not touched weed at all in about 15 years, but I still remember this one. Great vocal work, mix is very tight, I remember taking a very very pretty date with me to the STARWOOD club to see 20/20. Later the owner of the club met with an ill fate due to some sort of mob activity and a related murder, if I remember correctly after all those drugs I did as a teenager. The STARWOOD club was shut down. Somehow I survived anyway and my last 20/20 memory was at UCLA where I was attending as an undergrad when 20/20 played live outside on a perfect bright sunny day. Side note I have seen a review on the net that refered to "Nuclear Boys" as something new wave related when it was obviously political, which the record company objected to as it was about Ronald Reagan. The reviewer (Chris Woodstra) completely missed what that song was about, and it did cause the record company to object strenuously I believe.
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