43 of 45 people found the following review helpful
on October 8, 2009
Baroque Royalty had big appetites and there were none bigger than those of the French Kings Louis XIII to Louis XVI. They indulged in musical feasts and this 20 CD collection of music spanning the years 1600-1800 features the music the four Kings would have enjoyed at court, chapel and theater. This marvelous boxed set which commemorates the 20th anniversary of the Centre de Musique de Versailles certainly makes me echo Mel Brooks' King Louis in History of the World: Part I, "It's Good to Be the King!"
The superbly produced box divides the repertoire into four broad categories: The Secrets of Versailles at the Time of Louis XIII; The "Pleasures" of Versailles During the Reign of Louis XIV; Refinement at Versailles Under Louis XV; The Twilight of Versailles Under Louis XVI.
Space doesn't permit detailed review of each disc but there are plenty of treasures. I'm not a big fan of the air de cour, but the subtle beauties of music by Antoine Boesset and Robert Ballard receive sensitive and marvelously nuanced performances by soprano Monique Zanetti and lutenist Claire Antonini on the CD devoted to music from the salons of the early French Baroque.
For my tastes, things really get rolling during the reign of Louis XIV. There are two CDs of music by Jean-Baptist Lully including excerpts from his opera Amadis featuring the splendid soprano Véronique Gens. A second CD with excerpts from operas by André Cardinal Destouches, Marin Marais, Pascal Colasse and my favorite composer of the period, Marc-Antoine Charpentier, feature the sensational young mezzo-soprano Stéphanie d'Oustrac. Fans of instrumental music didn't go hungry during the reign of Louis XIV and there is a delightful CD that focuses on the chamber music of François Couperin performed by Les Folies françoises and sets of Symphonies pour les Soupers du Roi by Michel-Richard De Lalande played by Musica Florea. While the performances don't match the polished accounts by Jordi Savall's Hesperion XX and Le Concert Des Nations on the Alia Vox label, they are still plenty good.
There are three CDs dedicated to the sacred music that was heard at the court chapel and the parish churches. Grands motets by Lully, Henry Du Mont, and Henry Desmarest sit alongside petit motets by Couperin and Charpentier. The performances are the best you will ever hear in this repertoire and feature William Christie leading Les Arts Florissants (in a recording licensed from Warner France), Hervé Niquet directing Le Concert Spirituel (a recording licensed from Glossa) and stunning live performances by the Ricercar Consort. The mix of live recordings and carefully selected licensed performances are one of the many things that make the box unique, although for seasoned collectors of this repertoire there might be some duplication.
A more refined style took hold during the reign of Louis XV and one of the chief masters was Jean-Philippe Rameau. Rameau is well-represented on a CD filled with excerpts from his Hippolyte et Aricie (licensed from a Universal studio recording) with Gens singing and Marc Minkowski conducting Les Musiciens du Louvre, and live selections from Les Fêtes d'Hébé, Hippolyte (again) and Zoroastre with the ever-present Gens and Les Talens Lyriques under Christophe Rousset.
It was good to be the King indeed and there are a few works that pay homage to his majesty. Zélindor, roi des Sylpes, a brief one act opera-ballet by François Rebel and François Francoeur in praise of Louis XV is given a fetching performance by some fine vocalists and the ensemble Ausonia. The favors of Madame de Pompadour were also enjoyed by the King. She commissioned a number of works for her theater and even appeared in many of them. One of them is the delightful divertissement Ègine, by the little-known composer François Colin De Blamont performed by vocalists and the instrumentalists of Les Nouveaux Caractères.
The sacred music of the time of Louis XV is represented with two CDs that feature such composers as Jean-Joseph De Mondonville and Rameau. Mondonville was a master of the concerted style and the performance of his motet Dominus regnavit by Christie's Les Arts Florissants is thrilling. The excitement Christie and company bring to the Mondonville is matched by the refined elegance that marks their performance of Rameau's In convertendo.
The music of Louis XVI's illustrious predecessors is better known than the works from his reign. In some ways I think the music from the reign of Louis XVI is the most fascinating in the set. There's an absolutely stunning CD of music by the Italian composers Antonio Sacchini and Niccolo Piccinni performed by the glorious soprano Roberta Invernizzi accompanied by Antonio Florio's Cappella della Pietà de'Turchini. Invernizzi is in splendid voice and is the model of elegant vocalism in the Mozartean "Je ne vous quitte point" from Sacchini's Oedipe à Colone and blows the roof off the joint with a virtuoso showcase in "Son regina e son amante" from Piccinni's Didone abbandonata.
A CD of arias and orchestral music from French opera is another gem of the set. Here's the dawn of Romanticism with highly dramatic music by the rarely heard Rodolphe Kreutzer, Pierre-Alexandre Monsigny and the slightly better-known François-Joseph Gossec and André Ernest Modeste Grétry. Remember the name Pierre-Yves Pruvot, he's the muscular voiced baritone who makes a huge impression in arias from operas by these composers. I want to hear this guy sing Don Giovanni some day!
The remaining CDs are also quite good if not life-changing. Symphonies by Gossec, Simon Leduc and Henri-Joseph Rigel receive performances by Le Cercle de l'Harmonie under the direction of Jérémie Rhorer that are better than the music deserves, but you can't help but be delighted by the energy and drive of the ensemble. The always superb fortepianist Andreas Staier plays a recital featuring music by Claude-Bénigne Balbastre, Hyacinthe Jadin and Wolfgang Amadeus Mozart. There are some virtuoso turns here, especially in Mozart's Variations on "Lison dormait." I was bored with some too-precious chamber music by François Devienne, Pierre Vachon, Giuseppe Maria Cambini and Luigi Boccherini. Perhaps the best was saved for last, a CD devoted to sacred music by Gossec, François Giroust, and Rigel. Check out the Gossec motet for some superb vocal writing!
The set comes with a thick booklet that, oh wonder of wonders, features complete texts, translations and essays that are actually worth reading. One cavil, the booklet provides a link to a website where there are supposed to be composer biographies, but alas they are not to be found. This is an essential set for anybody interested in the Baroque and offers performances that are as state-of-the-art as anything currently in print. A magnificent achievement all around!
35 of 40 people found the following review helpful
on October 1, 2011
Just be forewarned that this is a LIVE recording. For me, this ruined the experience of this timeless and beautiful music. The acoustics of the space are not ideal, a bit too bright and reverberant in some of the recordings. Most importantly, however, the audience noise and applause destroyed the perfection of the music. Others who are not disturbed or distracted by this aspect may well love and enjoy these recordings. I will stay with other recordings which retain the purity of the musical sound.
on September 25, 2014
This is wonderful introduction to, and Grand Tour of, William Christie and other masters of interpretation, recorded at Versailles. Some have taken issue with reverberation in the concert halls, which no doubt were not designed with modern recording acoustics in mind, but to my ears this is no big deal. If applause bothers you, then steer away, but this is a highly civilized audience. No throwing beer bottles at the soprano. At Amazon retail you're getting an astonishingly fine selection of music from the truly Good Old Days of French music for about $4.50/disc, spanning the courts of Louis XIII and XIV, XV, XVI, all those guys. Some of this is very plain, just voice and lute, but OMG, what voice and what lute. Everything here is heavenly, and the quality of conducting and performance is hardly to be surpassed. I just bought a fine FM tuner from the mid-1970s, and what I mostly hear people complain about is the compromised quality of the signal, which is a problem. But the real problem is that FM classical radio never includes this stuff. There's often challenging music, but it's more modern, as if somehow introducing audiences to that is ethically required. But when you're not hearing Vivaldi (a genius, note), or Britten (same) you're right back to Fidelio. The byways of the Baroque and other time zones of music go unheard. Feast upon a fabulous banquet of that here.
3 of 21 people found the following review helpful
on December 4, 2009
Very good delivery,arriving in 4 days of ordering.
Broad representation of French Court Music from Louis XIII to XVI. In-depth pieces can be found on Harmonia Mundi collection of William Christie's Les Arts Florissants