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15 of 15 people found the following review helpful:
5.0 out of 5 stars
"What can I say about this elixir?!", January 8, 2004
By A Customer
"The wide-screen erupts with absurdities! Explodes with spine-tingling psychological terror! The mere human mind boggles at the philosophical implications, as Frank Zappa's 200 Motels is unleashed in the totality of it's Pagan splendor! Its primordial fury! Star-studded cast! And everything..."After a long battle with the defunct MGM, Rykodisc finally obtained the Holy Grail of Zappa, 200 Motels. They lost money in the deal, apparently, but they dutifully released this mammoth classic on CD for a new generation of fans before it promptly went out of print. You're probably thinking: "Great, another Zappa album. I already own [insert absurd number] FZ albums, why should I shell out 30+ bucks for this out-of-print double album?" Well, I'll tell you why you should. 200 Motels is the center piece of the Flo & Eddie era -- in fact, the raison d'etre for the band. Its not surprising, then, that this era is looked down upon, since this masterwork has had such a troubled past. The people at Rykodisc are absolute saints for ressurrecting this lost opus from the eternal dust bin of recordome. Obtaining this album means getting the skeleton key for a whole era of Zappa's music. Afterall, Chunga's Revenge and the Fillmore album were pretty much made from scraps of 200 Motels. In short: this album is essential to any Zappa collection. The album is a mixture of avant-garde classical, operreta, and rockin' teenage combo. As usual, Zappa performs a miracle by blending these elements seamlessly. The first disc starts off with a SEMI-FRAUDULENT/DIRECT FROM HOLLYWOOD OVERTURE (an orchestral version of "Holiday in Berlin") before launching into the raucous madness of MYSTERY ROACH. The 11 minute Tuna-Fish interlude that follows is a surreal glance at the Mothers arriving in a town, where interviewers and "ordinary" folk dance around to the tune of Zappa's classical pieces, while Flo and Eddie sing about the tuna-fish town. Don't ask. Jimmie Carl Black breaks the spell, as the Mothers run into his film-persona, the denizen of the town LONESOME COWBOY BURT. This song, as hilarious as it is awful, is of course a Zappa classic. This version, with JCB's incomparable vocals, is the best, before slipping into another atonal interlude, and WOULD YOU LIKE A SNACK? (Holiday in Berlin with the lyrics!). REDNECK EATS is a bizarre band/orchestra avante garde composition, so-titled because it ends with the befuddled Cowboy Burt saying: "Hey, Twerp! Play me something I kin enjoy!" The suite that follows is the "Shove it Right In" suite as it appears on YCDToSA6, intermingled with atonal pieces like "Mysterioso" -- a beautiful piece of dissonance that reminds me (or maybe its mocking...) Penderecki. Chamber theatre, LUCY'S SEDUCTION OF A BORED VIOLINIST & POSTLUDE is a brilliant finish. The second disc, however, is where the real action is. The first three tracks are sort of a (Brilliant!) cartoon suite, accompanied by a rather excited orchestra. Jeff Simmons, the bassist, becomes intoxicated by inscents and rancid towels ("the same extoic scent as what the Beatles get off on!") and is tormented by his conscience as he decides whether or not to leave Zappa's "comedy group" and make it big on his own. (For audio documentary on this real-life event, see the Playground Psychotics album). This slips into some criminally catchy Flo & Eddie numbers, like DADDY, DADDY, DADDY, and the vocal assault of WHAT WILL THIS EVENING BRING ME THIS MORNING (with a great introductory track -- see listing above), followed by the "Tell-Me You Love Me" styled rocker, the hit single with a Bullet, MAGIC FINGERS. These were originally part of the groupie routine. The film, and music, slips into madness here. What follows is 6 minutes of brilliant operetta, about Motorhead's ranch, Newts, and Dog Breath Broth. MOTORHEAD'S RANCH, one of my favorite songs on the album, sounds like something found on a Charles Ives record. The grand finale, STRICTLY GENTILE, may not be as beautiful here as it is on the LSO album, but with the lyrics and the mad blues-rock ending, it ties the album together perfectly. This album has given me a new perspective on the Flo & Eddie era. Painstackingly packaged by Rykodisc, with a poster, a huge detailed booklet, and an Enhanced CD with the trailer of the film, this is worth every penny you pay for it. The bonus tracks are actually appreciated (unlike the penalty tracks on Uncle Meat). About 2 1/2 minutes of hilarious radio spots for the film, and the single version of MAGIC FINGERS. The one sticking point is the sound quality. Apparently the master tapes were never handled very well, and despite the noble efforts of Ryko's remastering, the sound is still slightly stale (I've heard the vinyl is ten times worse). Still, considering that the sound on the Fillmore album isn't spectacular either, this shouldn't prevent anyone from enjoying this masterpiece. Get it while you can. You won't be disappointed.
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