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21 of 22 people found the following review helpful:
5.0 out of 5 stars
"2001" - A Sci-Fi Tour de Force, November 2, 1997
By A Customer
Consider that this book was written almost 30 years ago. Consider what has happened in space exploration since then. One can only wonder at how Clarke and Kubrick were able to achieve this. A movie like this had never been attempted on this scale before. I read this book for the first time, shortly after I saw the movie. This was when it first came out. While Stanley Kubrick's film is a masterpiece on it's own, the book does a great deal to fill in the inevitable blanks in the movie. The movie is unlike anything you have ever seen, very short on dialog, extremely visual. Hence my recommendation that you read the book, then see the movie. It will make more sense. By the way, the movie was among the first real attempts at visual realism with the subject of sci-fi (sorry fellow Star Wars fans, these guys did it first). So well did it succeed, so powerful and detailed were the production values, that it set the standard for sci-fi movies that came after. But, that's a different review. The book seeks to offer an answer to a few of the most intriguing and fundamental questions of all time; "Who are we, how did we get to be what we are, what will become of us?". It begins with the establishment of a connection between our ape-ancestors and an elemental survival dilemma. How do we survive? The means must exist, yet, we are hopelessly weaker and outnumbered by our ecological competitors. An outside force supplies the seed of an idea and in so doing, launches us toward a chain of events in the unforeseeable future. It is up to us to accept the idea, process it, integrate it into our thinking, and apply it to our problem. As the future unfolds, mankind's natural desire to explore leads us to a discovery that will end forever the question of our uniqueness in the universe. It is a discovery that is as impossible for us to understand as it was our survival problem millennia ago. Once again, we must grope in the dark, fearful, yet fascinated. Once again, the seed of an answer is supplied. We are riveted by our curiosity and incapable of stepping back from the urge to discover the next fragment of this trail of crumbs being left for us. The story reaches it's full height with yet another discovery. This is the climactic scene where the chain reaction set off back in the distant past leads to a doorway unlike any other we have stepped through. This is what fans still refer to as the "Ultimate Trip" sequence. If you traveled millions of miles and millions of years, if you found yourself at a door that was clearly created by someone or something well beyond your understanding, if it were impossible to go back but terrifying to go on, if you knew that to step through this door would lead to unpredictable consequences, and if you had no one but yourself to talk to, would you step across the threshold? The dialog is minimalist, but, descriptive in the way only a scientist like Clarke can make it. The dry, dispassionate, scientific, narrative makes the conclusion so much more startling. As you put yourself in the cockpit with the main character, David Bowman, himself a scientist-explorer, and watch the limits of your knowledge stretch and shatter into so many motes of dust, like the dust of the ages from which you came, you will know the imprisonment of fascination, the power of knowledge, and the awe of understanding. Record your final log entry, tighten your harness, check your oxygen. In "2001", you will have to make this choice.
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