6 of 6 people found the following review helpful:
4.0 out of 5 stars
Dystiopia Awaits, April 27, 2009
This review is from: 2045: A Story of Our Future (Paperback)
An environmental architect and planner and longtime population activist, Peter Seidel has written a troubling work of speculative fiction about environmental and social conditions in the U.S. and the world approaching mid-century. The book is a great yarn, but much more than that. Like much science fiction, it is a diagnosis and a warning, in this case a warning of the environmental and social ugliness mankind can expect in a mere three to four decades if we persist in our destructive pursuit of unending growth -- of population, consumption and concentration of political and economic power. Seidel's novel is a reminder that "business as usual" can lead to tragic, planet-altering consequences. If you savored such futuristic works as "Blade Runner" and Huxley's "Brave New World," you'll be right at home with Seidel's dark vision of a time not far off.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Sleepwalkers Awake!!, July 30, 2009
This review is from: 2045: A Story of Our Future (Paperback)
Is Peter Seidel's new book, "2045," plausible? The thoughtful, observent, and informed person must unfortunately answer, 'Yes.' The signs are around us: the concentration of the media in fewer and fewer corporations, out of control population growth, the rise of religious extremism, symptoms of global warming, etc. These critical challenges are the milieu of Mr. Seidel's parable. Deteriorating cities and neighborhoods with widespread unemployment are served with appealing futuristic transportation systems. But it is a world where the commonwealth has become concentrated into the hands of a few sinister corporations. The plot is engaging, the characters believable. There is intrigue, murder, romance, villains, heroes and a resistance movement. "2045" is not a spoof or a farce, but a picture of the road up ahead that we are currently traveling on. If ever there was a time for real, passionate, perceptive and courageous heroes, it is now. Read this book and then do something to stop the global train wreck.
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5 of 6 people found the following review helpful:
3.0 out of 5 stars
A Leftist's Nightmare Future, October 7, 2009
This review is from: 2045: A Story of Our Future (Paperback)
I've seen a lot of the reviews for this work comparing the vision it shares with the greatest of all dystopian novels, 1984. Just for the record, I have to disagree that it shares anything other than a dystopian theme with that novel. Instead, we see a sort of opposing view, but one that is just as important.
The story itself revolves around the awakening of our protagonist, Carl, after a 35 year coma from an insufficiently tested vaccine. This particular beginning is pretty important to the story because it illustrates the theme that mega corporations, and just plain corporate entities of all sizes, were getting away with "murder" even in our age. As Carl, a celebrity because of his long nap, moves his way through a world so entirely different, yet chillingly the same, we are introduced with him to the seductive nature and ultimately evil world of a corporate controlled future.
Others have detailed some of the spoilers and I wouldn't want to take away the surprises, but some general themes and concepts are that super corporations control the reality of the world via advertising, privatization of formerly government activities and outright purchasing power. People live in overcrowded conditions of nearly universal poverty yet spent their few funds on whatever is pushed on them by the overwhelming advertising they are compelled to receive 24 hours a day.
It is truly a dystopia. There is no question there. But what kind of dystopia?
Most of the recent popular dystopian books and movies such as Equilibrium (movie), V for Vendetta (movie), Unwind (novel) and Uglies (series) tend to focus on a government controlled world where there isn't a particular financial motive, but rather one of control or power. Ones like Unwind and V for Vendetta have nasty overtones of the fanatically religious far right while others like Uglies deal with simple control. 2045 is different in that it will feel more familiar to a lefter leaning crowd. The fear of runaway environmental impacts combined with unlimited corporate power and greed, as well as a certain hint of male dominated "old boys club" really resonates with the Democratic movement today and their own brand of doom-saying.
If I had to classify this, I would say it is more of an Anti-Orwellian piece or even an Anti-Huxley piece since the dystopian development actually followed the opposing path.
I rather liked the book in some ways. As a constitutionalist, I don't subscribe to the fearful doomsaying of either party but understand the potential for both. In that way, it didn't personally resonate. But the creativity and fullness of his dystopia did. It is certainly a work of passion.
This is supposed to be a work for young adults and teens, however I'd be hesistant to offer it to one without reading it as a parent first. There are some themes that are a bit grown up and an unformed political mind could very easily be warped by this. I offer the same warning as I did with Unwind, though it is precisely the opposite in sentiment, for that reason. There is little attempt at veiling the desire for a purely Blue agenda here in terms of redistribution of wealth, overtaxation of achievers, more social programs and the elimination of private corporations. This will be an irritation to those with center to right leaning ideals.
In terms of the environmental collapse described, there are some flaws but this is an area where most people, myself included, need to be more in touch with. Most of it he included very well within the context of Carl's travels and activities. It is something we should all look at today rather than 2045. Sometimes it is a little too clear that he is an activist and the rhetoric gets a bit thick.
I liked the book alright, but I wasn't overwhelmed by it. It needed to have some of the rough edges smoothed over and a less hammerish way of sending the message.
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