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99 customer reviews

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Product Description

A Hong Kong writer finds inspiration from the women he's encountered in his past in this futuristicstory of love and memory from Wong Kar Wai, who continues the story he began in his acclaimed masterpiece In the Mood for Love. Remembering back to the early 1960s, when he lived in the Oriental Hotel in Hong Kong, Chow (Hero's Tony Leung) writes an erotic story that begins with a mysterious woman who lived in room 2046. Chow moves into room 2047 and begins an affair with a beautiful prostitute who now rents the mysterious woman's room. As he writes his story, which he sets in the future year 2046, Chow tells of a place where people travel to recapture lost memories; he is the first one to return. Nominated for the Golden Palm Award at the 2004 Cannes Film Festival, 2046 also stars Ziyi Zhang (Crouching Tiger, Hidden Dragon), Gong Li (Memoirs of a Geisha) and Maggie Cheung (Hero).

In Wong Kar Wai's quasi-sequel to In the Mood for Love, 2046 is a hotel room, a futuristic story, and a state of mind. Tony Leung returns as Chow, but perhaps not the same Chow who appeared in the first film. Starting three years later in 1966, we see Chow on various Christmases as he lives, loves, and writes in a hotel and nearby restaurants. Although he is less sensitive and more of a ladies man now, Chow's love life always seems to exceed his grasp. Whether the character is the same (the director calls this an "echo" of the first movie) might be trivial. Hong Kong filmmaker Wai is such a visualist (Time magazine tabbed him as the "world's most romantic filmmaker"), the images wash over with swirling smoke, neon lights, and the faces of his outstanding cast, all lovingly photographed and smoothly scored. There's a lot more going on than the visuals, and Wai's fans will certainly find more and more details on repeated viewings. We travel into Chow's futuristic story, where the acquaintances become fictional characters traveling to a place where "everyone goes" to recapture lost memories. Often Chow talks about never seeing a lover ever again, but eventually bumps into her. The final result is a film some will cherish; others will long for the more traditional storyline of the first film. Wai certainly finds a new direction for actress Ziyi Zhang (House of Flying Daggers) as a prostitute who becomes one of Chow's many lovers. And Leung continues to be one of the world's great film actors, with a face and acting style the camera just loves. --Doug Thomas

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Special Features

  • Deleted scenes
  • Alternate ending
  • Behind-the-scenes
  • Production design featurette
  • Interviews with Wong Kar Wai, Tony Leung, & Ziyi Zhang
  • Music montage
  • Numerology of 2046
  • "The Music of 2046" branching featurette
  • Poster gallery

Product Details

  • Actors: Ziyi Zhang, Chang Chen, Dong Jie, Maggie Cheung, Tony Leung Chiu Wai
  • Directors: Wong Kar Wai
  • Producers: Wong Kar Wai, Eric Heumann
  • Format: Multiple Formats, Import, Full Screen, Color, Subtitled, Digital Sound, NTSC
  • Language: Cantonese
  • Subtitles: English, Spanish
  • Region: Region 1 encoding (US and Canada only)
    Some Region 1 DVDs may contain Regional Coding Enhancement (RCE). Some, but not all, of our international customers have had problems playing these enhanced discs on what are called "region-free" DVD players. For more information on RCE, click .
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Sony Pictures Home Entertainment
  • DVD Release Date: December 26, 2005
  • Run Time: 128 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (99 customer reviews)
  • ASIN: B000BRBA8S
  • Amazon Best Sellers Rank: #13,564 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "2046" on IMDb

Customer Reviews

Most Helpful Customer Reviews

39 of 40 people found the following review helpful By Kang Nan on April 7, 2006
Format: DVD
Continuing his unparalleled examination of human relationships, Wong Kar Wai returns to the character of Chow from In the Mood for Love, who had one chance for love, lost it, and has never gotten it back. (While it is not necessary to have seen the former film to understand 2046, In the Mood for Love is such a wonderful film, that I recommend it to anyone who likes 2046). Tony Leung gives a wonderful performance, clearly showing that he knows he should treat his women better than he does, but after giving his heart once in vain, he is not prepared to ever do so again.

2046 appears at first to be a year in the future, but is ultimately revealed to be the number of a hotel room where Chow had his one chance at happiness. He finds a modicum of that innocence once again, this time in 2047, with a different woman (the daughter of the innkeeper, played by Wang Faye), the only one he treats with anything like the affection he had for the woman who had shared (platonically) 2046 with him earlier. He writes a story for her, called 2047. She says she likes it, but wishes it had a happier ending, something fans of Wong Kar Wai sometimes long for, but realize would not be true to that which goes on during his stories.

Aside from Tony Leung's masterful performance, 2046 is the perfect platform for the greatest Chinese actresses of today, demonstrating once again that no one can break your heart like Maggie Cheung, no one can make you happy like Wang Faye, no one can be a [...]like Zhang Zi Yi (albeit one that can still have her heart broken because she uses a hard exterior in a vain attempt to protect a brittle interior) and no one could ever be as beautiful as Gong Li.

Like most of Wong Kar Wai's movies, the ending can be called bittersweet at best.
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48 of 51 people found the following review helpful By Paul McGrath on December 30, 2005
Format: DVD
As a young college student many years ago, I took a film class as a kind of lark and to fulfill some requirement or other. It was pretty much a waste of time. There was one camera to go around among twenty students, so we each got about a week with the thing and hardly anybody got anything done. The one good thing was that we got to see some avant-garde films. They were real eye-openers, in that film, to me, had pretty much always been a depiction of a linear story line with a beginning, middle, climax and end. The avant-garde films we watched rarely had any kind of a story line at all, but despite this the better ones were still able to elicit a satisfying emotional or intellectual response.

The first thing you have to remember when you watch 2046 is that there is not a conventional story line here. In fact, the haphazard nature of the film's scenes--past, present, future, imagined and "real"--don't even make sense in their own illogical framework. You have to know this going in because if you strain to make sense of the plot--as we have all been conditioned to do--you will miss the point. Indeed, I had to watch this a couple of times.

The film consists of a series of scenes primarily focusing on a Chinese writer named Chow. He is in Singapore, and leaves a beautiful woman behind who may or may not have loved him. He is in Hong Kong, and falls for another beautiful woman who is murdered in her hotel room. He tells the hotel-keeper that he wishes to move into this room--2046--because he is evidently trying to return to this place in his mind and his heart. Of course, he can't, literally or figuratively, so he is given the room next door. He begins an affair with a prostitute who moves into 2046 and who loves him with every fiber of her being.
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18 of 19 people found the following review helpful By Alec Price on February 19, 2006
Format: DVD
Wong Kar-wai is one of the finest filmmakers in the world; an artist of singular vision and remarkable range. 2046 is probably his biggest project to date, but his eye remains firmly focussed on the spectrum of human emotion and behaviour. It would be redundant to attempt to encapsulate some form of plot outline (on the surface of things, Tony Leung reprises his character from the majestic IN THE MOOD FOR LOVE, contemplating his many varied encounters with women in the past, present and even future, all the while longing for Maggie Cheung - his on-screen partner in the previous film - who remains the love of his life).

Suffice to say, narrative is not the point - Wong's films are about pure experience; creating mood and atmosphere to lose yourself in. If you can tune in to his wavelength, the effect is rapturous.

The transfer on the new DVD is very fine, and is complemented by an impressive array of feautures which do a good job of conveying Wong's complex approach to his craft.
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11 of 12 people found the following review helpful By JCW on December 21, 2007
Format: DVD Verified Purchase
First the history: Hong Kong was given back to China by the British in 1996 but was decided that nothing would change for 50 years -- until the year 2046.

Now the movie. To me, "2046" is a metaphor for how the Chinese in Hong Kong would be feeling in the year 2046 when they will be fully under Chinese rule. Some who can't or won't accept change will ask why can't things go back to the way it was before, while others will embrace what the future holds. Something like that. Remember the owner telling Chow to stay in 2047 for a while and move to 2046 when the room was ready? Chow later says that he got used to 2047 and decided to stay.

The characters are culled from 2 previous WKW movies that loosely form this trilogy. Carina Lau is Lulu from "Days of Being Wild". Tony Leung also from that movie but only in the very last minute of the film, and of course, he was in "In the Mood for Love". He not only gets to act with his beautiful real-life girlfriend, Carina, but his other female co-stars are also legendary beauties in Asian cinema. Maggie Cheung/Su Lichen is only in a dream sequence, Faye Wong/owner's daughter (this is only her second WKW film) whom Chow has grown affection for, but willing to let her (HK) go, Zhang Ziyi/Bai Ling (a new addition to WKW's stable of muses) who loves Chow (HK) unconditionally whatever his flaws, and Gong Li/Black Spider who wants to go with him but is stuck in the past.

The film is presented in 3 viewpoints: the present "real life" in which Chow is the womanizer who can't be pinned down because of how much he still loves Su Lichen in ITMFL and she is the yardstick by which all future relationships are measured.
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i want 2046 on BD!!!! COME ON!!! BRING IT TO US!!!
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