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20th-Century Dreams [Paperback]

Nik Cohn (Author), Guy Peellaert (Author)
5.0 out of 5 stars  See all reviews (14 customer reviews)


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Book Description

October 26, 1999
Who introduced Babe Ruth to Albert Einstein, and why? Who was privy to the pact between Lee Harvey Oswald and James Earl Ray, the romance of the artist formerly known as Prince and Princess Di, and the fate of Marilyn Monroe?

Behold Max Vail (b. Maxim Valesky, 1900, St. Petersburg; d. 1999, Manhattan)--a middleman of genius who be-strode the realms of politics, entertainment, art, sport, crime and science. "I have witnessed the world," he said simply. Yet the man who knew everyone--kept their secrets, did their deals and never forgot where the bodies were buried--was himself known to virtually none.

His private diaries, here made vivid with eighty-six extraordinary computer collages, provide nothing less than the secret history of our century, confirming some long-rumored events and revealing others that are freshly shocking. In all, some two hundred iconic personalities throng these pages, and their sagas--comic, ignominious, tragic, heroic and bizarre--make a strange, compelling narrative from the conflicted desires and obsessions of our times, and a rare gift to the millennium.

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Editorial Reviews

From Booklist

The casual browser will stare in amazement and some confusion at Peellaert's phantasmagorical computer collages. Freud and Gandhi consult in an English tearoom. Camus and Sartre come to blows in a sanatorium while Bud Powell plays the piano. Jacqueline Kennedy snuggles up to Cassius Clay in the front seat of a convertible. Mao and Nixon share a good cry, and Malcolm X and Lenny Bruce share a jail cell. These sly, cut-and-paste tabloid improvisations on twentieth-century history are accompanied by captions that have allegedly been taken from the private diaries of one Max Vail, a mystery man of great wealth and cosmic connections. Born Maxim Valesky in St. Petersburg in 1900, Vail died in New York in 1999, and though no one knew anything about him, he knew everything about everyone. Vail is a sly and convincing creation introduced by Cohn--who has a gift for chronicling the bizarre, whether it is imagined or observed--in a clever and seductive little tale in which he describes how he met the enigmatic Vail in 1971. He'd been hanging around in Max's Kansas City when John Lennon wandered in with Andy Warhol and Candy Darling. Lennon, who is in a foul mood, insults Robert Mapplethorpe, then announces that he's "off to see the Wizard." The Wizard is Vail, and Cohn and company tag along. Vail later asks Cohn for help in writing his autobiography, but he can't bring himself to reveal anyone's secrets and even blacks out his journals except for the tidbits preserved here in this make-believe photo album. Not only is Peellaert and Cohn's extravagant and provocative fantasy amusing, it provides a welcome antidote for the rash of more portentous end-of-the-century roundups. Donna Seaman

From the Inside Flap

Who introduced Babe Ruth to Albert Einstein, and why? Who was privy to the pact between Lee Harvey Oswald and James Earl Ray, the romance of the artist formerly known as Prince and Princess Di, and the fate of Marilyn Monroe?

Behold Max Vail (b. Maxim Valesky, 1900, St. Petersburg; d. 1999, Manhattan)--a middleman of genius who be-strode the realms of politics, entertainment, art, sport, crime and science. "I have witnessed the world," he said simply. Yet the man who knew everyone--kept their secrets, did their deals and never forgot where the bodies were buried--was himself known to virtually none.

His private diaries, here made vivid with eighty-six extraordinary computer collages, provide nothing less than the secret history of our century, confirming some long-rumored events and revealing others that are freshly shocking. In all, some two hundred iconic personalities throng these pages, and their sagas--comic, ignominious, tragic, heroic and bizarre--make a strange, compelling narrative from the conflicted desires and obsessions of our times, and a rare gift to the millennium.

Product Details

  • Paperback: 224 pages
  • Publisher: Knopf; 1st edition (October 26, 1999)
  • Language: English
  • ISBN-10: 0375707085
  • ISBN-13: 978-0375707087
  • Product Dimensions: 10.8 x 7.9 x 0.7 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Best Sellers Rank: #691,872 in Books (See Top 100 in Books)

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Average Customer Review
5.0 out of 5 stars (14 customer reviews)
 
 
 
 
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2 of 3 people found the following review helpful:
5.0 out of 5 stars You HAVE to see this book : simply AMAZING!, October 23, 1999
By A Customer
This review is from: 20th-Century Dreams (Paperback)
There is no word to qualify such a masterpiece!It's beautiful, it's intelligent, it's brilliant.One of the smartest books ever made!
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5.0 out of 5 stars As Real As it Gets, December 5, 2011
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This review is from: 20th-Century Dreams (Paperback)
"Rock Dreams" by Nik Cohn and Guy Peellaert sold over a million copies in the Seventies. To say that it was an artistic masterpiece is an understatement. It was tantamount to an aesthetic earthquake. Yet over a quarter century passed before they would combine their talents once again in "20th Century Dreams," which was published in 1999, at the end of the century and the second millennium. As you might expect, "20th Century Dreams" pulls no punches. It implies that every bad dream is a rude awakening. The only escape is to wake up. Reality then seems downright tame by comparison.

Surreality is another thing entirely. In this book we see scandal juxtaposed with respectability, the glamorous as only another form of degradation. The ugly, the poor, the heartless and the kind are jumbled together with the crowned heads of international pop culture. This is the swollen underbelly of raw humanity denuded for all to see. The psychosis of fortune and fame, the megalomania of power and privilege are never far away from the forgotten, the obscure, the down and out, or the losers sobbing in the darkest alley.

Meanwhile, the straight and narrow path may lead to Nirvana, but the limelight always burns brighter, attracting the moths to the flame. And we see generation after generation playing the same old games, but always with fresh new faces.

Every molecule of that century has left its indelible residue in our memory, and Nik Cohn and Guy Peellaert have managed to illustrate it, and very faithfully indeed. You may wince at some of the images and what they mean but their value lies in their compression of space and time into one iconic flash of global theater. It really is as Shakespeare said:

"All the world's a stage,
And all the men and women merely players:
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages..."

Politicians, artists, movie stars, royalty, athletes, scientists, tycoons, even killers and exotic dancers all play their greatest roles and tell us the secrets we've never heard.

With Cohn and Peellaert it's as if Dante Alighieri has met Salvador Dali: We see "The Divine Comedy" and "The Persistence of Memory" commingled in their work, albeit they choose to focus on Purgatory most of all. Flesh surrenders to art in Purgatorio and we get the bends as we sink down into the lower depths of our souls.

But this is "The World as Will and Idea," Schopenhauer's revenge upon a secular universe that banishes its greatest prophets. So there has to be some way to tell the tale, to reveal the pearls of wisdom that the tabloids can only cast before swine. And this is it!


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5.0 out of 5 stars Definitely worth the look, October 28, 1999
By A Customer
This review is from: 20th-Century Dreams (Paperback)
This book is really stunning and I don't think I've ever seen anything like that! It isn't quite photography, it isn't quite drawing, it isn't painting....It's something completely new: I guess this was made with a computer but the result is impressive.
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