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Editorial Reviews
'24 Hours', his new album, might just be his best yet. It is certainly his most fully realised, and also his most intimate by far. There are reasons for this: the man who is arguably the best interpreter of any song he chooses to sing irrespective of genre has now, at last, turned songwriter. For the first time in his career, Tom has had a major hand in writing most of the songs collected here. Surrounding himself with a musically diverse group of producers and songwriters, Tom set about creating songs that would be big and impassioned and cinematic. Inspired by the kind of soul-searching that, he says, comes to us all sooner or later, much of '24 Hours' concerns those subjects closest to Tom's heart - his family, his grandchildren, life and death, and the power of memory. '24 Hours', his first album for Parlophone/S Curve, was recorded in Los Angeles throughout last year, and was mostly produced by Future Cut, the drum 'n' bass outfit who have previously worked with Lily Allen, Dizzee Rascal and Goldie.
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Most Helpful Customer Reviews
17 of 21 people found the following review helpful:
5.0 out of 5 stars
Soulful, Fun, Awesome-- Tom Jones at His Best,
By
This review is from: 24 Hours (Audio CD)
I admit up front that I am a big fan of Sir Tom's... if he sings a song, I will give it a listen. With that in mind, I did my very best to listen to "24 Hours" and rate it on its own merits.
If you are a fan of Tom Jones, you should love this album. He doesn't "reinvent the wheel" here, he just does what he does best: belt out soulful, fun, awesome tunes. If you are NOT a fan of Tom Jones, you should still enjoy this album. If the stylings of Amy Winehouse or Duffy have done anything for you, pick up "24 Hours", because you will find a lot of that same brassy, ballsy UK soul. What is truly remarkable to me is Jones' voice. While other "comeback" crooners like Tony Bennett, Johnny Cash, and most recently Neil Diamond ("Home Before Dark" is an excellent album, by the way) have lost a little of their voices' depth, Tom Jones sounds as strong as he ever has. This is a great album from a great talent. Tom Jones fans rejoice... A-Tomic is back!
2 of 2 people found the following review helpful:
4.0 out of 5 stars
Tom Jones Remains True to his Roots,
By L.A. Scene (Indian Trail, NC USA) - See all my reviews
This review is from: 24 Hours (Audio CD)
Times change - and what goes in and out of style is often very subjective to the period of time we are in. While Tom Jones has always maintained a core legion of fans - if you go back to the late 1970s and early 1980s and mention the name of Tom Jones, you probably would be laughed at. However if you went back to the 1960s, Tom Jones had an extremely devoted following. At the same time, it also seems that Tom Jones has somehow gone through a renaissance in the 2000s. People are now getting into Tom Jones again. It's not like there has been this great 1960s cultural renewal - it's just that Tom Jones music is suddenly come in today. Although this is a shot in the dark, one reason why I think that there is renewed interest in Tom Jones is because of the success that the "Austin Powers" movies had. Whatever it is, when I hear the sounds and music of Austin Powers - it immediately reminds me of Tom's music. I can honestly say that picture got me into Tom's music and thus I was inclined to explore his 2008 release "24 Hours". Now I'm not comparing this collection to Austin Powers music. This sound is much more mature. It also proves that Tom is still a force in the music scene.
I think there are several reasons for why Tom Jones can still have appeal in the 21st century. The main reason is Tom's unique baritone voice. Tom's vocals are some of the strongest in the music business. Whether its pop, dance - or even country and techno, Tom has always found the ability to adapt his style to many different music variants. Tom's music also has some very interesting sounds. Finally, I think Tom's strength as a live performer has really helped to solidify his appeal. Tom's somewhat gregarious style on stage has made him one of the most frequent recipients of women's undergarments on stage - even today. I feel many of these traits are present on the "24 Hours" collection. Here is a track by track synopsis: "I'm Alive": This is a great opening track. Good mix of horns in this song. This song showcases the gregarious style of Tom through some powerful vocals. "If He Should Ever Leave You": This is another great track. This track will have appeal, as it will showcase the retro-style music and vocals that built Tom's reputation. The song sounds like something out of the mid 1970s. "We Got Love": Like the previous track, this song also has a retro feel. This song has a slower tempo to it. There are good use of keyboards really help contribute to this being a good track. "Give a Little Love": This song continues the retro-feel theme heard across this collection. This time it is the horns section once again playing a role. The hook into the chorus seems a little forced, but still this is a track that grew on me. "The Road": This song has more of a retro R&B feel to it. This song really showcases Tom's vocals and they are going to be the dominant story of this particular track. "In Style and Rhythm": Some interesting synth sounds play a key role on this track. Despite some of the programming into the synth sound, this track still keeps true to Tom's retro roots. This is another track that grew on me. "Sugar Daddy": This song sounds like a Tom Jones track both lyrically (from the title) and from the music. However the big surprise is that U2's Bono and the Edge wrote this track. "Seasons": This song is a slower R&B styled track. Although this had some good vocals by Tom, this was one of the weaker tracks of this particular collection. "Never": The melody of this song almost has a haunting mantra-like feel on top of the retro-styled sounds. Tom's vocals layer on top of this melody perfectly - and get some good help from some background vocals. "The Hitter": This is a Bruce Springsteen song from his "Devil's and Dust" album. The song is the story of a boxer who fights in and out of the ring. While Springsteen's has more of a Folk feel to it, Tom uses his retro style music to tell this story. I like Tom's version better. "Seen that Face": Another slower R&B styled track. Like "Seasons", good vocals but one of the weaker tracks. "24 Hours": This is highlighted with a military-styled drum. It is another slower track highlighted by Tom's vocals. The drumming adds to the haunting element of this track. "More than Memories": The opening melody reminded me of a bit of a Chicago (band) song. This song is highlighted by some piano work and accompanying horns. Not quite the retro sound, but still a good track. The liner notes include a list of the songwriting and musician credits. Overall, I was disappointed that the lyrics were not included here. While the retro-styled material remains true to Tom Jones' roots, for the most part it isn't going to be the same old stuff either. This is one album I would recommend.
6 of 8 people found the following review helpful:
4.0 out of 5 stars
Thank you, Tom, for giving us a new cd!!,
By Taylor Lee "cat mommie" (Texas Gal) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: 24 Hours (Audio CD)
I have been a huge Tom Jones fan all of my life. I am 45 now and still get chills at his voice..and this cd will not disappoint you..My favorite tune so far is IF HE SHOULD EVER LEAVE YOU...The best "instrument" is his VOICE..He will ALWAYS BE..."THE VOICE"..it will always haunt us and live on forever. I believe the album intended to be a "retro" back to the awesome 60s sound of Tom..and it SUCCEEDED...beautifully...His voice never fails him..I'm in complete awe. I remember seeing Tom for the first time in my life a year or two ago...I was in the front row...You always wonder...an artist his age...does he HAVE to do it for money? And being in the front row gave me the answer I longed for...NO...he loves what he does. He was at the "encore stage" of the concert...and it was like he did not want to stop singing..I heard him turn to his band members and say (not audible to everyone..but I lucked out into the front row...) "we've GOT to do this one"....he really loved his gift of his voice and music. Excellent cd...get it.
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