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Amazon Best of the Month, November 2008: It was one thing to read Roberto Bolaño's novel The Savage Detectives last year and have your mind thrilled and expanded by a sexy, meandering masterpiece born whole into the English language. It was still another to read it and know, from the advance reports of Spanish readers, that Bolaño's true masterpiece was still to come. And here it is: 2666, the 898-page novel he sprinted to finish before his early death in 2003, again showing Bolaño's mesmerizing ability to spin out tale after tale that balance on the edge between happy-go-lucky hilarity and creeping dread. But where the motion of The Savage Detectives is outward, expanding in wider and wider orbit to collect everything about our lonely world, 2666, while every bit as omnivorous, ratchets relentlessly toward a dark center: the hundreds of mostly unsolved murders of women in the desert borderlands of maquiladoras and la migra in northern Mexico. He takes his time getting there--he tells three often charming book-length tales before arriving at the murders--but when he does, in a brutal and quietly strange landscape where neither David Lynch nor Cormac McCarthy's Anton Chigurh would feel out of place, he writes with a horror that is both haunting and deeply humane. --Tom Nissley --This text refers to an out of print or unavailable edition of this title.
Starred Review. Last year's The Savage Detectives by the late Chilean-Mexican novelist Bolaño (1953–2003) garnered extraordinary sales and critical plaudits for a complex novel in translation, and quickly became the object of a literary cult. This brilliant behemoth is grander in scope, ambition and sheer page count, and translator Wimmer has again done a masterful job. The novel is divided into five parts (Bolaño originally imagined it being published as five books) and begins with the adventures and love affairs of a small group of scholars dedicated to the work of Benno von Archimboldi, a reclusive German novelist. They trace the writer to the Mexican border town of Santa Teresa (read: Juarez), but there the trail runs dry, and it isn't until the final section that readers learn about Benno and why he went to Santa Teresa. The heart of the novel comes in the three middle parts: in The Part About Amalfitano, a professor from Spain moves to Santa Teresa with his beautiful daughter, Rosa, and begins to hear voices. The Part About Fate, the novel's weakest section, concerns Quincy Fate Williams, a black American reporter who is sent to Santa Teresa to cover a prizefight and ends up rescuing Rosa from her gun-toting ex-boyfriend. The Part About the Crimes, the longest and most haunting section, operates on a number of levels: it is a tormented catalogue of women murdered and raped in Santa Teresa; a panorama of the power system that is either covering up for the real criminals with its implausible story that the crimes were all connected to a German national, or too incompetent to find them (or maybe both); and it is a collection of the stories of journalists, cops, murderers, vengeful husbands, prisoners and tourists, among others, presided over by an old woman seer. It is safe to predict that no novel this year will have as powerful an effect on the reader as this one. (Nov.)
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Not easy to read, but don't give up! At the end you will find that persistence was worthwhile.Published 10 days ago by Mira Lande
An entertaining and darkly disturbing novel, Bolaño seamlessly weaves conversation, annectdote, and prose into a gripping collection of novellas, all centered around... Read morePublished 10 days ago by Michaiah
Bolano is incredible. His imagination is vast. Funny, profound, linguistically playful and inventive.Published 17 days ago by lpark8
Roberto Bolaňo is not an easy date...Requires patience that is largely rewarded. As rich as deep human soul goes.Published 1 month ago by katka
Brilliant in depth and shallowness. More desperate Bolano protagonists in an epic book.Published 1 month ago by Ashton
I'm dumfounded at the reviews this book received. The pacing is terrible, the language is terrible—there's no reason for three quarters of the sentences—the writer must have had a... Read morePublished 2 months ago by eas