THE POSTHUMOUS MASTERWORK FROM "ONE OF THE GREATEST AND MOST INFLUENTIAL MODERN WRITERS" (JAMES WOOD, THE NEW YORK TIMES BOOK REVIEW)
Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of SantaTeresa-a fictional Juárez-on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.
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5.0 out of 5 stars
But is it art?,
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This review is from: 2666 [Roberto Bolano] (Hardcover)
I'm not sure if this is literature or a parody of literature, but I can't stop thinking about it, to the extent that after reading all 900 pages of it, I started reading it again. That's a good sign. The subject matter, once the book really gets cranking, is like the worst of the nightly news, in detail. Not for the faint of heart.
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