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29

Ryan AdamsAudio CD
4.1 out of 5 stars  See all reviews (59 customer reviews)

Price: $7.40 & FREE Shipping on orders over $35. Details
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 : Includes FREE MP3 version of this album.
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MP3 Music, 9 Songs, 2005 $8.91  
Audio CD, 2005 $7.40  
Vinyl, 2006 $13.31  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. 29 (Album Version) 5:46$1.29  Buy MP3 
listen  2. Strawberry Wine (Album Version) 7:58$1.29  Buy MP3 
listen  3. Night Birds (Album Version) 3:51$1.29  Buy MP3 
listen  4. Blue Sky Blues (Album Version) 5:18$1.29  Buy MP3 
listen  5. Carolina Rain (Album Version) 5:23$1.29  Buy MP3 
listen  6. Starlite Diner (Album Version) 3:50$1.29  Buy MP3 
listen  7. The Sadness (Album Version) 6:40$1.29  Buy MP3 
listen  8. Elizabeth, You Were Born To Play That Part (Album Version) 5:07$1.29  Buy MP3 
listen  9. Voices (Album Version) 4:53$1.29  Buy MP3 


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Biography

Ryan Adams is a multiple-Grammy-nominated singer songwriter from Jacksonville, NC whose critically acclaimed and commercially successful albums both as a solo artist and with the Cardinals have included Heartbreaker (2000), Gold (2001), Love Is Hell (2004), Cold Roses (2005) and Easy Tiger (2007) which TIME magazine hailed as "a career breakthrough." Adams is also the CEO of his own ... Read more in Amazon's Ryan Adams Store

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Product Details

  • Audio CD (December 20, 2005)
  • Original Release Date: 2005
  • Number of Discs: 1
  • Label: Lost Highway
  • ASIN: B000BY9E2A
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (59 customer reviews)
  • Amazon Best Sellers Rank: #34,509 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

On his third release of a most prolific year, Ryan Adams takes a break from his band, the Cardinals, to fashion an introspective song cycle with stripped-down arrangements focused on acoustic guitar or solo piano. After the propulsive, self-mythologizing title track opens the album in brazen fashion, forging an unlikely bond of comparison between John Lennon's Plastic Ono Band and the early '70s Grateful Dead, much of the rest of 29 finds Adams at his dreamiest (the reveries of "Strawberry Wine" and "Elizabeth, You Were Born to Play That Part") and most rapturously romantic (the aching falsetto on the lovesick "Starlite Diner"). He continues to take chances and not all of them pay off, with the underwatery echo of "Night Birds" and the over-the-top dramatics of "The Sadness" showing the downside of self-indulgence, though "Carolina Rain" suggests he can return to the alt-country prime of Whiskeytown whenever the mood strikes. With the intimacy of the closing "Voices," Adams sounds less like he is singing a song than sharing a secret. Refusing to rein himself in or pin himself down, he sings on the title track, "You can't hang on to something that won't stop moving." --Don McLeese

Recommended Ryan Adams Discography


Heartbreaker

Gold

Love Is Hell

Whiskeytown, Pneumonia

Whiskeytown, Stranger's Almanac

Whiskeytown, Faithless Street

Product Description

29 is the third and final album from Ryan Adams this year. as opposed to the two previous releases of 2005, that Ryan recorded with his band The Cardinals, 29 is a solo album of all new and original material. Lost Highway. 2005.

Customer Reviews

Most Helpful Customer Reviews
57 of 60 people found the following review helpful
Format:Audio CD|Verified Purchase
29, the third(!) Ryan Adams album of 2005, is dark, moody, elegiac, and brooding. And quite good. It is the kind of record who's charms are less obvious, and which unfolds itself to you over repeated listenings, when you least expect it.

Cold Roses and Jacksonville City Nights were pretty clearly country records, both cut with his new (and, it turns out, evolving) band the Cardinals. Here we get an Adams solo record, absent the band vibe and the country touches that flavor the two previous releases, and more of a serious singer-songwriter turn. Many of the songs are intricate and finely drawn stories and character studies, heavy on the narrative. Indeed the songs are all like little movies, as opposed to hook-laden slices of pop. This record is like midnight at the Indie Cinema multiplex.

The opening track, "29," is a rewrite of the Grateful Dead's "Truckin'"-so much so that I thought it was a cover version until the vocals started. But he keeps it darker and more Westerberg than Weir, with acoustic guitars, electrics, and harmonica front and center in the mix; for all the obvious similarities to the Dead tune, it is more garage rock than hippie anthem.

"Strawberry Wine" is a slow plaintive story song in waltz time, sparse instrumentation, mainly Ryan's voice and acoustic guitars. "Night Birds" is a piano ballad, another minor key song, with a nice dramatic sonic effect that blends thunder and electric guitar on the refrain, "In the ocean..." By now it is clear that this is a "down" record, closer to Love is Hell than Gold, although it is always perilous to try and define a new Ryan Adams record in terms of an old one.
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36 of 38 people found the following review helpful
5.0 out of 5 stars Mission Accomplished! December 20, 2005
By face02
Format:Audio CD
One of the most amazing feats in the last several years of music has to be the depth and quality of work that Ryan Adams has released in 2005. With this, the final of three releases in less than a year, he has provided a deeper look into his life than any of his previous releases. The concept behind the album is almost as interested as Sufjan Stevens' plan to release an album for each state in the US - one song for each year in Ryan's 20's. The result is his most personal, and compelling album yet.

The album starts with "29" - a rocking retrospective of his 20's, and the mistakes and regrets he has made. The comparisons to Grateful Dead's "Truckin" are obvious - but pay attention to the introspective lyrics, and not the heavy-handed borrowing from his idols. The album continues to tell interesting, albeit heartbreaking, stories of both Ryan's life and the other characters that he introduces - as he has on previous releases. From a storytelling perspective, the album may not get any better than "Strawberry Wine" and "Carolina Rain". They really are standouts not just on this album - but in Ryan's incredible career. "Strawberry Wine" is all about not wasting your years, and making sure that you "get your seeds in the ground" before it is too late to have a family - or as Ryan puts it, "flowers". "Carolina Rain" weaves a fascinating tale of a woman who leaves a wake of death and destruction behind her with each verse.

For fans of Ryan's piano ballads, there are some great one's on this album - "Night Birds", "Blue Sky Blues", and "Starlight Diner". Each song has it's own charms.
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12 of 12 people found the following review helpful
5.0 out of 5 stars I'm Shocked January 16, 2007
Format:Audio CD
I'm relatively shocked at the negative reviews of this album. Lyrically this is one of Ryan Adam's best. Adams is storytelling throughout the album, you're getting not simply snapshots but life stories all with the poetic subtlety and attention to wording that is nearly nonexistant in all popular music.

Ryan Adams doesn't go full out country, doesn't go full out folk, doesn't go full out pop. This album really spans the spectrum of Adam's career showing the flexibility of this astonishing artist. One of the prior reviews of this album says to buy it last, I'd like to completely contradict that message. Buy this album first, find the Ryan Adams that reaches your pallette best and then go from there.

Highlights: "Blue Sky Blues", "Starlite Diner", "The Sadness*"

*One of my favorite songs of all time.
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5 of 5 people found the following review helpful
4.0 out of 5 stars Third time is the charm December 20, 2005
Format:Audio CD
Aside from the opening track 29 is a much more introspective and quiet album compared to recent releases Jacksonville City Nights and to a lesser extent Cold Roses, which actually contains a few tracks that would have nestled snuggly. Overall in fact, the album is probably a closer relation to Whiskeytown's Pneumonia than anything Adams has done as a solo artist.

This is especially evident in tracks such as Strawberry Wine, a drunken lament softly crooned and backed predominately by ukulele, Carolina Rain...a brilliantly written story song with it's tale of unrequited love, loss and murder and the lovelorn Starlight diner in which the protagonist sings of having been stood up by his lover until he notices that she has been there all along across the room.

29 itself threatens to open up on occasion but Adam's keeps it on a tight leash and continues to reign it in just as it starts to pick up in intensity. It starts up softly with a marching band drumming then a rockabilly guitar swoops in and out throughout raising the stakes at the end of verses to give the impression the song is about to take off to another level but then the breaks come on and it's back to an almost whispered story again. The tale itself seems semi-autobiographical and paints a less than complimentary version of Adam's view of his upbringing and life and times to this point..."nobody loved me and nobody even tried"

The remaining songs are more acoustic in nature though The Sadness has a taste of Mexican Mariachi and is jarring enough to appear out of place. This may well have been the case for 29 as well had it appeared in the middle of the album rather than as the opening track, perhaps The Sadness may have worked better as the closing track just for consistency sakes.
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Most Recent Customer Reviews
3.0 out of 5 stars Love Adams. Just not this
Clearly not his best at all( he released 3 albums that year...get Jacksonville city nights...with lines like( the engine turns on a dime but I ain't going know where) top 5... Read more
Published 4 months ago by Jonny
5.0 out of 5 stars He's great!
Ryan stands on the shoulders of some of the best. He doesn't copy them, but you can hear Neil Young, The Band, Grateful
Dead, Beatles, Dylan etc. Read more
Published 6 months ago by Christopher Pike
2.0 out of 5 stars inexcuseable
lifeless, pro-forma...only the song "Twenty Nine" has anything to recommend it. I seriously thought "Cold Roses" had been a sign of consistency returned...but no.
Published 8 months ago by Daniel W. Bleier
5.0 out of 5 stars Great CD
This is a great CD. it is definitely one of my favorites of his. This arrived to me on time and in perfect condition.
Published 8 months ago by Liza
5.0 out of 5 stars Don't You Listen to the Voices in the Past - They Lie
Screw the critics - 29 is a highly underrated masterpiece that has continually been satisfying over years of listening and re-listening. Read more
Published 10 months ago by The Headphone Transmissions
3.0 out of 5 stars Great Lyrics. Music is Drab.
Lyrically, this is one of Ryan's best albums. Musically, I am left a little bored and unmoved. But hey, he can't write an amazing album every time. Read more
Published 11 months ago by Maverick001
5.0 out of 5 stars Impressed
Though he is well known in the americana genre,Ryan Adams is a well kept secret to the rest of music. Read more
Published 12 months ago by Dirk C.
5.0 out of 5 stars Amazing
I am a huge Ryan Adams fan and this record is pure perfection. From every note to every lyric it's heaven to listen too.
Published 12 months ago by LM Hanson
5.0 out of 5 stars Enjoyable
Has some great tracks and cool themes. Catchy too. the end end
sounds great the sadness is good very good
Published 19 months ago by MmcFadde
5.0 out of 5 stars Great album
There are quite a few great tracks on this album : Strawberry Wine, Blue Sky Blues,, Carlina Rain, Starlite Diner, Elizabeth......., but easily the best of these is Blue Sky blues. Read more
Published 23 months ago by Paul P
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