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Universal Republic rock icons 3 Doors Down are putting up massive radio numbers with their first single, "Its Not My Time," from their soon-to-be released self-titled album, due in-stores on May 27. Their much anticipated fourth studio album has spawned rock's biggest radio hit of the year so far, with the debut single becoming the fastest moving song at Active Rock radio in the past five years. "The early radio success of "It's Not My Time" is an incredible indication of more great things to come from this band and this album," stated Monte Lipman, President & CEO of Universal Republic Records. "3 Doors Down have become a signature presence in rock through hard work and passionate songwriting that speaks directly to their audience. They have delivered a career-defining album that we cannot wait to get into the hands of fans." The new CD has already got internet fans buzzing, with talk of other choice tracks such as the adrenalin fueled "Train," and the rousing "It's The Only One You've Got", pointing to more milestones from the Mississipi fivesome, from a new album steeped in rock anthems and power-driven radio hits. The follow-up to their #1 debut album, 2005's Seventeen Days, lead singer Brad Arnold cites this effort as perhaps the most communal band effort. "3 Doors Down has always been about every band member giving everything we've got," says the singer/songwriter. "On this album we really wanted to make every song count. We owe it to our fans who have been there to support us from day one." The group's followers have embraced "It's Not My Time" in record numbers, making it one of the bigger request records of the new year. With nearly 13 million albums sold worldwide, the fiery group has rewritten the rock script on maintaining commercial success and securing rabid fan appeal without bowing to trends or compromising their grassroots approach. Braced by front-man Brad Arnold's enduring vocal power, 3 Doors Down has put together an amazing streak of powerful albums and chart-topping singles, including their 6 million selling 2000 breakthrough effort, The Better Life, and epic mega-hit signature songs such as the #1 "Kryptonite," and "When I'm Gone," from 2003's 4 million selling epic Away From The Sun. The group also broke with convention when writing the songs for the new album, holing up in a Nashville cabin together until the songs were completed, and then hightailing it down to Orlando, FL, to record the new CD with producer Johnny K. (he also helmed Seventeen Days).
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"We're not a band that just goes through the motions," says Chris. "We go at everything hard. What I'm most proud of about the new album is we left ourselves a way out. Everybody hit the proverbial brick wall. Everybody fell down and everybody got back up, then we all went back in the room and, what was great, was we found all these different paths to go down."
`Different' being the operative word here. Because what 3 Doors Down did after reconnecting with family, and `soul searching', was opt for a new process to the creative part of their relationship. One that emphasized the undeniable strength of the group. The fact that the sum is greater than any individual part. "It is all about getting in that room and hashing it out," recalls lead guitarist Matt Roberts. "If you look at a song like `Train,' it was one of the first songs we wrote for this album. It's kind of a building block that exemplifies the spirit of collaboration. Brad came with words and a melody and we hammered it out." "I remember I had that one in my head at home," laughs Brad. "I was singing it so much a friend threatened to kill me if I didn't get it down." Matt also remembers it as one of the `most fun songs to put together. "The best moments of this band have always been about keeping it a fun ride. You need that sense of accomplishment, but you also need to keep the process comfortable.". Adds Chris: "I think it's also fair to say we are one of the only `southern' bands who has the balls to put a song like `Train' out there these days."
The band rented an old farmhouse South of Franklin, Tennessee, where they would not only write songs, but live together, for a while. Says Brad: "The farmhouse was great because it became a wholehearted experience where we just focused on the writing. It was such a close-knit atmosphere, reconnecting us after we had been doing our own thing for a while. It set a cool mood for the entire record, writing out in the country around this fireplace in the basement. Just locking ourselves away and doing it."
Matt adds that the unique setting soon sparked 26 or 27 song ideas. "But winter turned colder than expected in Tennessee. So we decided to head to a warmer climate." The band found a ten bedroom mansion in a remote section of Orlando, Florida. They brought in Seventeen Days producer, Johnny K. and turned the house into a recording studio.
The originality of the two locations rejuvenated the band's approach. They worked hard to capture that sense of camaraderie on the final product. Once they nailed it, they packed up and headed back to Nashville. Talking legendary mixer, Andy Wallace, into abandoning his NY studio, again, (he also mixed Seventeen Days in Nashville), and they began the final process of putting the pieces together.
This album features inspired musicianship as well as some intriguing personal refrains, like on one `band favorite,' "Let Me Be Myself." "That one touches on the wrongheaded notion of how we often try destructive methods to try and kill our pain," says Brad. "But I also want the songs to be open to interpretation. More universal. That one is really talking about anything you can get lost in." And the ballad "Pages": "I think it has a lot of meaning for the whole band. What we've gone through," says Matt. "Brad is pointing out what's going on with his personal situation and ours. It was a very meaningful song for us."
The group also nails their share of (in-yer'-face)-rockers like "Runaway." "It's the kind of song you put on only to get somewhere else," says Todd. "Put it on in your car and drive as fast as you can." He and several of the guys also touch on the last song of the album, "She Don't Want The World," one of the most unique 3 Doors Down offerings yet. "That song has really become one of my favorites. It doesn't have a big chorus or anything, just Brad telling a story." Adds Brad: "We even use loops on that one. We were so willing to try different things. I think one of the reasons this is such an important album for us is because every one of us was in a different place prior to any other record we've ever made. And I would say a `better' place. But it's the kind of record that never would have happened if we didn't get off that merry go round for awhile."
For Greg (former Puddle Of Mudd drummer, born in Louisiana, raised in Oklahoma), a song like the gutsy "It's The Only One You've Got," also exemplifies the band's `sixth-sense' for cooperation. A true democracy - right down the line. "Just the way that it went down. Chris was trying to learn another song and stumbled upon the riff for this song. Brad was like `hold on, I've got something for that.' Then someone else would join in. The whole thing happened quickly, and it turned out to be such an inspiring song. This has been the most collaborative experience I've ever been involved in. And the most satisfying."
"We just can't wait to put this sugar out and get back out on the road," agrees Brad. "It's definitely the one where we got our `grit back."