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Special Features
- Blu-ray Exclusive: 30 IMAGES OF NIGHT Graphic Novel to Film Comparison Gallery
- Commentary with Josh Hartnett, Melissa George and Producer Rob Tapert
- 8 Behind the Scenes Featurettes Including: Pre-Production
- The Vampire
- Building Barrow
- The Look
- Blood, Guts & the Nasty #@$&!
- Night Shoots
- Stunts
- Casting
Editorial Reviews
Amazon.com
David (Hard Candy) Slade directs this nerve-jangling adaptation of the popular graphic novel series about a mob of vampires that overruns a remote Alaskan town in the grip of 30 Days of Night. Josh Hartnett and Melissa George are the film's de facto heroes (he's the stoic town sheriff and she's his estranged fire-marshal wife) but the picture's real MVP is Slade's camera (along with cinematographer Jo Willems), which careens across the town's snowy landscape to detail the vampires' horrific assault on its inhabitants, which are quickly pared down to a hardy few. The script, co-written by the source material's creator, Steve Niles, along with Pirates of the Caribbean's Stuart Beattie and Hard Candy's Brian Nelson), proudly wears its influences on its crimson-stained sleeve (Bram Stoker's Dracula, natch, but also Salem's Lot, Night of the Living Dead, and John Carpenter's version of The Thing) and boils down the graphic novels to a series of tense and extremely bloody standoffs between Harnett and George's band of survivors and the vaguely Slavic and ferocious bloodsuckers led by Marlow (a feral and frightening Danny Huston). And if the characters seem stock and the finale begs suspension of disbelief, the set pieces leading up to it are sufficiently supercharged with suspense and violence to please most horror fans. Standouts in the supporting cast are Ben Foster as the film's Renfield figure and Mark Boone Junior; the disturbing score by Brian Reitzell also merits a mention. --Paul Gaita
Stills from 30 Days of Night (click for larger image)
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Beyond 30 Days of Night
 On Widescreen DVD |  Audio CD |  Hardcover Book |
Product Description
Wide Screen/Blu-Ray DVD. Josh Harnett (Black Dahlia, Pearl Harbor) crosses over to the dark side in this bone-chilling adaptation of the cult-hit graphic novel, brought to the screen in all its demonic glory. In a small Alaskan town, thirty days of night is a natural phenomenon. Very few outsiders visit, until a band of bloodthirsty, deathly pale vampires mark their arrival by savagely attacking sled dogs. But soon they find there are much more satisfying thirst-quenchers about: human beings. One by one, the townspeople succumb to a living nightmare, but a small group survives, at least for now. The vampires use the dark to their advantage, and surviving this cold hell is a game of cat and mouse and screams.
Customer Reviews
Most Helpful Customer Reviews
63 of 65 people found the following review helpful
It's nearly Halloween, so I went to see a horror film today, so here I am ready to share my thoughts on the vampire horror-thriller "30 DAYS of NIGHT". The film is based on the graphic novel/mini-series by Steven Niles and Ben Templesmith. I like vampire movies in general, although I have to say that NOT all "vampire flicks" are created equal. Thankfully, I am happy to say that this film lives up to its promise, and has become one of my favorites.
An isolated small Alaskan town called "Barrow" with a population of 560+ experiences 30 days of total darkness. No sunlight will be seen for a period of a month, so most of the town's inhabitants leave for this period to brighter pastures except for the 152 townsfolk; of whom some one stated that " we live here because we can". On the last day of sunlight, unusual things start to occur; satellite phones are found destroyed, the aforementioned one emergency helicopter is damaged beyond repair, even snow dogs are killed. The town sheriff; Evan Oleson (Jason Hartnett) finds a filthy, bad-toothed drifter (Ben Foster) who seems to be a harbinger of the danger to come. No long, after, the town is under siege by band of inhuman creatures bent on killing everyone in sight...
30 DAYS OF NIGHT is a straight-forward vampire film. It doesn't waste much time setting things up with minor character development with Evan and Stella's (Melissa George) background; with their rocky marriage, characters are introduced quickly and how they are related to the town. Director David Slade goes to the throat with the intensity and apprehension of the screenplay as soon as the band of vampires (led by Danny Huston) makes their appearance. Instead of just going for all-out mayhem, he calculates each scenario and accompanies it with a heart-pounding atmosphere and emotion that builds up the suspense. He also uses silence as an effective strategy to set the film's eerie feel.
The usual rules to vampirism is applied; vulnerability to sunlight, super-human strength and can turn other humans into vampires. However, the band of vampires seems to have only one goal; to feed on human blood, nothing subtle, but FEED. Before their siege, the pack leader instructs his band to "rip everyone's head off and do not turn them..".The language of the vampires has that ancient-like tone but somewhat sound Germanic is a very nice touch. The vampires are grisly, inhuman-looking predators, not the "seductive" blood-suckers that have been the stereotype for many years. However beastly and savage the band may be, but they are far from being dumb; the vampire pack is intelligent and organized (much like wolves are organized). No mental control or shape-changing abilities are displayed, the vampires in this film are portrayed as hungry, vicious, shrieking, deformed beings who assault the sleepy town in a hellish attack.
The film is not perfect, it does have its shortcomings. It didn't explain why a very minor number of townsfolk have been turned by the vampires (even with the pack leader's instructions) or what rules do apply on how and when a human has been turned. There is something very downright creepy and unsettling in the proceedings; I think this may be the first time I've seen an eight-year-old child turned into a vampire. Also, there are minor weaknesses in the plot where the usual clichés are present; a panicky old man with his son, a fear-fraught man who makes a wrong decision with his family, and a scared teenager. All these factors cause problems for the lead characters. There were quite a lot of instances that I feel that an "extended director's cut" is coming for the DVD release. (I hope and wish for one).
Unfortunately, I haven't read any of the graphic novels (yet) so I cannot determine how faithful the film is to its roots. To the film's credit, the film does succeed on most vampire films have not. It did deliver an intense, grisly and a clever visceral thriller that hits the marks right and never stoops to wallowing in blood and gore alone. It showed a side of the human spirit about courage, the determination to protect its own, and the capability for sacrifice. A band of vampires attacking a small Alaskan town during a 30-day stretch should have been thought of sooner as Danny Huston said in the movie; "We should have come here years ago.".
The film's premise is MUCH more interesting than other films' overused plot with blood-suckers living among us and just preying on beautiful women. It is also a much needed break from the "torture" shows with unyielding psychopathic killers.
"30 DAYS OF NIGHT" is a vampire film with a rarity that achieves its potential. It is more a classic monster film than a contemporary horror movie.
RECOMMENDED! For horror fans..[4 stars]
An isolated small Alaskan town called "Barrow" with a population of 560+ experiences 30 days of total darkness. No sunlight will be seen for a period of a month, so most of the town's inhabitants leave for this period to brighter pastures except for the 152 townsfolk; of whom some one stated that " we live here because we can". On the last day of sunlight, unusual things start to occur; satellite phones are found destroyed, the aforementioned one emergency helicopter is damaged beyond repair, even snow dogs are killed. The town sheriff; Evan Oleson (Jason Hartnett) finds a filthy, bad-toothed drifter (Ben Foster) who seems to be a harbinger of the danger to come. No long, after, the town is under siege by band of inhuman creatures bent on killing everyone in sight...
30 DAYS OF NIGHT is a straight-forward vampire film. It doesn't waste much time setting things up with minor character development with Evan and Stella's (Melissa George) background; with their rocky marriage, characters are introduced quickly and how they are related to the town. Director David Slade goes to the throat with the intensity and apprehension of the screenplay as soon as the band of vampires (led by Danny Huston) makes their appearance. Instead of just going for all-out mayhem, he calculates each scenario and accompanies it with a heart-pounding atmosphere and emotion that builds up the suspense. He also uses silence as an effective strategy to set the film's eerie feel.
The usual rules to vampirism is applied; vulnerability to sunlight, super-human strength and can turn other humans into vampires. However, the band of vampires seems to have only one goal; to feed on human blood, nothing subtle, but FEED. Before their siege, the pack leader instructs his band to "rip everyone's head off and do not turn them..".The language of the vampires has that ancient-like tone but somewhat sound Germanic is a very nice touch. The vampires are grisly, inhuman-looking predators, not the "seductive" blood-suckers that have been the stereotype for many years. However beastly and savage the band may be, but they are far from being dumb; the vampire pack is intelligent and organized (much like wolves are organized). No mental control or shape-changing abilities are displayed, the vampires in this film are portrayed as hungry, vicious, shrieking, deformed beings who assault the sleepy town in a hellish attack.
The film is not perfect, it does have its shortcomings. It didn't explain why a very minor number of townsfolk have been turned by the vampires (even with the pack leader's instructions) or what rules do apply on how and when a human has been turned. There is something very downright creepy and unsettling in the proceedings; I think this may be the first time I've seen an eight-year-old child turned into a vampire. Also, there are minor weaknesses in the plot where the usual clichés are present; a panicky old man with his son, a fear-fraught man who makes a wrong decision with his family, and a scared teenager. All these factors cause problems for the lead characters. There were quite a lot of instances that I feel that an "extended director's cut" is coming for the DVD release. (I hope and wish for one).
Unfortunately, I haven't read any of the graphic novels (yet) so I cannot determine how faithful the film is to its roots. To the film's credit, the film does succeed on most vampire films have not. It did deliver an intense, grisly and a clever visceral thriller that hits the marks right and never stoops to wallowing in blood and gore alone. It showed a side of the human spirit about courage, the determination to protect its own, and the capability for sacrifice. A band of vampires attacking a small Alaskan town during a 30-day stretch should have been thought of sooner as Danny Huston said in the movie; "We should have come here years ago.".
The film's premise is MUCH more interesting than other films' overused plot with blood-suckers living among us and just preying on beautiful women. It is also a much needed break from the "torture" shows with unyielding psychopathic killers.
"30 DAYS OF NIGHT" is a vampire film with a rarity that achieves its potential. It is more a classic monster film than a contemporary horror movie.
RECOMMENDED! For horror fans..[4 stars]
78 of 90 people found the following review helpful
30 Days of Night is pretty much a siege movie with heavy elements of horror and gore. Siege movies always succeed and fail depending on whether the tension and dread built up from the beginning of the film suspends the audience's disbelief. Siege films like The Thing and Romero's Living Dead trilogy works well because right from the get-go we see the tension build not just on the location the cast are put in but within the besieged survivors as well. Survival becomes that much more difficult due to human frailties and an inability to work together bringing the whole group down. The monsters outside are bad enough, but sometimes it's the survivors themselves who must share the blame.
David Slade's (director) movie does a very good job of bringing the initial tension and dread the comic brought to life in its first chapter. The story takes place in Barrow, Alaska which happens to be located within the Arctic Circle as to allow it a very peculiar yearly event of having pitch-black night which lasts for a period of an entire month. The movie begins just as the town of Barrow prepares for this month-long prolonged night. Most of the town decide to move down south for the month where the night doesn't last as long, but enough stay in Barrow to give it a semblance of life and activity.
The build-up of the characters in 30 Days of Night marks one of the weaknesses in the film. There's barely much characterization in distinguishing one Barrow, Alaskan from another. The lack in character development from all the characters whether human or vampire doesn't invest the film with anyone we want to see make it out through the night and into dawn. Even Danny Huston, a very underrated and overly capable actor in past films, fails to elevate his lead vampire character Marlowe beyond it's genre trappings. Known only as The Stranger in the credits, Ben Foster's Renfield-like character edges between caricature and genuine creepiness in his performance. Foster knows he's in a genre movie and has fun with the character. He's the only one to truly take on his character and roll with it.
I now get to the subject of the vampires themselves. Most vampire movies seem enamored in portraying the vampire as some sort of seductive, fashion-obsessed, or in the case of the Anne Rice-type anachronistic in their dress, with an unnatural immortality they either live as hedonistically as possible or bemoan their cursed existence. There's never been a true portrayal of the vampire as a pure, hunger-driven monster with an appetite to match their status as one of folklore and legend's top-tier boogeymen. Slade goes for speed and agility in his vampires instead of hypnotizing and mesmerizing their victims. The vampires in this movie owes much to the frenetic and over-amped infecteds of 28 Days Later.
The attack itself and the subsequent siege worked well enough in the early going. There were some great overhead shots of the town's people losing it's fight during the initial feeding frenzy as the camera shoots the scene high overhead. The only thing Slade had a misstep in terms of the siege itself was after those first couple of nights. The rest of the 30 days didn't seem to show enough desperation on the faces and bodies of the last few survivors. Really, the only way the audience even knew a couple weeks have passed were the caption telling them how many days into the month-long night has passed. I think with some better editing and a better sense of structure in the middle section of the movie to show time actually progressing the movie would've been many levels better.
All in all, 30 Days of Night was just good enough that I had a fun time watching it. The premise itself was original and put a new spin on the vampire genre that has rarely been tapped. The performances were pretty average with no one bringing the whole film down with a misstep performance or raising the bar with a great one. The final product had a chance to be something great, but just ends up being a good and original take on the vampire story with elements of Night of the Living Dead.
David Slade's (director) movie does a very good job of bringing the initial tension and dread the comic brought to life in its first chapter. The story takes place in Barrow, Alaska which happens to be located within the Arctic Circle as to allow it a very peculiar yearly event of having pitch-black night which lasts for a period of an entire month. The movie begins just as the town of Barrow prepares for this month-long prolonged night. Most of the town decide to move down south for the month where the night doesn't last as long, but enough stay in Barrow to give it a semblance of life and activity.
The build-up of the characters in 30 Days of Night marks one of the weaknesses in the film. There's barely much characterization in distinguishing one Barrow, Alaskan from another. The lack in character development from all the characters whether human or vampire doesn't invest the film with anyone we want to see make it out through the night and into dawn. Even Danny Huston, a very underrated and overly capable actor in past films, fails to elevate his lead vampire character Marlowe beyond it's genre trappings. Known only as The Stranger in the credits, Ben Foster's Renfield-like character edges between caricature and genuine creepiness in his performance. Foster knows he's in a genre movie and has fun with the character. He's the only one to truly take on his character and roll with it.
I now get to the subject of the vampires themselves. Most vampire movies seem enamored in portraying the vampire as some sort of seductive, fashion-obsessed, or in the case of the Anne Rice-type anachronistic in their dress, with an unnatural immortality they either live as hedonistically as possible or bemoan their cursed existence. There's never been a true portrayal of the vampire as a pure, hunger-driven monster with an appetite to match their status as one of folklore and legend's top-tier boogeymen. Slade goes for speed and agility in his vampires instead of hypnotizing and mesmerizing their victims. The vampires in this movie owes much to the frenetic and over-amped infecteds of 28 Days Later.
The attack itself and the subsequent siege worked well enough in the early going. There were some great overhead shots of the town's people losing it's fight during the initial feeding frenzy as the camera shoots the scene high overhead. The only thing Slade had a misstep in terms of the siege itself was after those first couple of nights. The rest of the 30 days didn't seem to show enough desperation on the faces and bodies of the last few survivors. Really, the only way the audience even knew a couple weeks have passed were the caption telling them how many days into the month-long night has passed. I think with some better editing and a better sense of structure in the middle section of the movie to show time actually progressing the movie would've been many levels better.
All in all, 30 Days of Night was just good enough that I had a fun time watching it. The premise itself was original and put a new spin on the vampire genre that has rarely been tapped. The performances were pretty average with no one bringing the whole film down with a misstep performance or raising the bar with a great one. The final product had a chance to be something great, but just ends up being a good and original take on the vampire story with elements of Night of the Living Dead.
18 of 19 people found the following review helpful
Format:DVD
Okay so on the extra disc you get insight of the film being made. Sound effects, clothes, stunts, teeth, alien look of the creatures, their trademark killing blow look, the strange language of the vamps, the premiere, etc....
Fantastic to watch if you were ever interested in directing a movie you get to see a glimpse of what all the director has to do.
Fantastic to watch if you were ever interested in directing a movie you get to see a glimpse of what all the director has to do.
Most Recent Customer Reviews
Good Twist On Vampire Flicks
This is just a decent vampire movie, the Blu-ray transfer is immaculate although the cinematography is nothing spectacular. Read more
Published 1 month ago by Fred
Horribly Fantastic !!!
For those of you expecting the "run of the mill" Vampire tale - you are in for a pleasant surprise !!! Read more
Published 2 months ago by R. Colletti
The cover on the Blu-ray disc does not match the actors in the film.
The film 30 Days of Night is a great Vampire thriller. It's not only intense, but it's a great suspense film as well. Read more
Published 3 months ago by Suzz
FINALLY A REAL VAMPIRE MOVIE
Allow me the service of warning those who have not seen the film, as I have not given too much spoilage, though many will disagree. Proceed with caution. Read more
Published 4 months ago by Vanessa Cervantes
NASTY NASTY VAMPIRES!
Hardcore vampire movie? you bet! if you havent seen it before, have garlic bulbs handy. it will scare you. These vampires have piranha shaped teeth. A Very well done movie. Read more
Published 5 months ago by RBLAZE
ONE OF THE BEST VAMPIRE MOVIES
The great acting, lovely cinematography and the well written story are what made this such a great vampire movie. Read more
Published 6 months ago by Georgedc
Great
I loved this film. The premise is really, really strong, the acting is good, and the effects are amazing. It also had some really great images: the red blood on the white snow... Read more
Published 9 months ago by David Nash
Best Vampire Movie
I love this movie and the look nthey went for the vampires themselves! Normally u get sum gorgeous thing u cant take ur eyes off of that wants to seduce you into their world. Read more
Published 9 months ago by Dominique
I love this movie!!!!
I use to watch this movie on HBO. I was into it but always started watching it during the middle or end. So I was excited when I found the movie at the store. Read more
Published 9 months ago by Sugga40827
One mean feat
30 Days of Night is a bloody but interesting retelling of the old vampire trope: if vampires don't feel cold and can't survive daylight, why wouldn't they all just go to Antarctica... Read more
Published 13 months ago by Michael J. Tresca
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