The resentful employee on the cover of this chronicle of Beaupre's wage slavery looks different from how he appears inside the book, and though the image screams
icon up front, don't miss the unexpurgated edition. Fortunately, that shows up more than three-quarters through, by which time things are devolving from the high hilarity of the very first jobs--washing dishes, tending a miniature golf course, door-to-door sales, security guarding--into hanging on to a steady paycheck by sticking with one company. If Beaupre's narration mellows down, his longtime friend Lafler's cartooning stays witty and wacky. The two proceed one panel and one paragraph per page, so the book doesn't look the way the usual graphic novel does, like a collection of comic strips. Moreover, quite often Lafler doesn't literally render Beaupre's words but fashions gag and satirical cartoons based on their implications and suggestions. Lafler wields a most appealing, cartoony style, half
The Simpsons, half Peter Bagge's Bradleys, and Beaupre is the lower-middle-class working-stiff spokesman par excellence. An awful lotta guys will identify.
Ray OlsonCopyright © American Library Association. All rights reserved
About the Author
Stephen Beaupre is is best known to comic aficionados as the former co-publisher of the Cat-Head Comics imprint and editor of Buzzard, the 90's preeminent comic anthology. Post-comic pursuits include Beyond the Fringe, a long-running humor column featured in Worcester Magazine, and hard time in the Internet trench as writer/editor for popular online destinations such as Angelfire, Tripod, and Monster.com.
Steve Lafler is the cartoonist behind BugHouse, Baja and Scalawag, a trio of indigo toned graphic novels about bugs playing be-bop jazz.