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40 Watts from Nowhere: A Journey into Pirate Radio [Hardcover]

Sue Carpenter (Author)
4.6 out of 5 stars  See all reviews (9 customer reviews)


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Hardcover, February 3, 2004 --  

Book Description

February 3, 2004

When law office receptionist Sue Carpenter first asked how she might start her own radio station, everyone laughed. Getting on the air (legitimately) in San Francisco was a multimillion-dollar ambition. But in 1995, with the help of a few subversive techies and pirate-radio gurus, Sue built her first transmitter in her hilltop San Francisco apartment and launched KPBJ, enlisting friends as DJs. A few months later, Sue landed a magazine job in Los Angeles, took her transmitter with her, and established KBLT.

From these humble beginnings KBLT emerged as one of L.A.'s best-loved radio stations, staffed with more than a hundred DJs and supported by major music labels eager to reach a different kind of audience. The station expanded its playlist from indie rock to an eclectic mix of jazz, hip-hop, electronica, and countless other styles. In the three and a half years before the FCC finally caught up with Sue, KBLT went from interviewing unknowns to hosting live performances by the Red Hot Chili Peppers -- without ever leaving Sue's apartment.

40 Watts from Nowhere is Sue's frank and hilarious account of her bizarre double life during the height of California's pirate-radio boom: journalist by day, counterculture icon by night. It's an amazing true story, one that will instantly appeal to music fans -- and free spirits -- everywhere.



Editorial Reviews

From Publishers Weekly

Carpenter has penned an endearing if flawed memoir about running a pirate radio station out of her Los Angeles apartment for three years and meeting all sorts of oddballs, rock stars and wanna-bes while staying one step ahead (well, most of the time) of the FCC. Her characters are right out of central casting: she describes herself as "a motorcycle-riding blonde with a bunch of leather in her closet"; her ne'er-do-well musician boyfriend as someone who has "an affection for needles"; and her tech-support guy as a likable slob with awkward social skills. The oddballs mostly come across as standard-issue L.A. airheads, and Carpenter's wooden ear for dialogue ensures they stay one-dimensional. But her frank, often funny narrative is easily absorbed, and the story's a good one: one woman quitting a humdrum receptionist job to flout the law by filling the airwaves with the indie rock she loves, music she believes the monolithic Clear Channels of the world aren't playing. While most of the bands from the book's mid-1990s setting are no more than funny names that never made it out of the local clubs, there are also cameos from several big (or soon to be big) acts, including the Red Hot Chili Peppers, Jane's Addiction and Beck. With the station inevitably shuttered in 1998 by the FCC, one wishes Carpenter had gotten the book done a bit sooner for full cutting-edge effect.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Carpenter's autobiographical reflections on running low-powered FM radio stations without benefit of FCC credentialing is a folksy addition to discussions about access to the nation's airwaves. Carpenter says she is a very average young woman who just wanted to bring much-needed variety to the FM dial and decided to launch her own station. She quickly discovered that nonpolitical programming was the exception rather than the rule among her fellow pirates, including those expert in the technology she needed to master. Despite resistance and otherworldly weirdness from grimly committed pirate-radio politicos, she eventually broadcast on ultralow frequency, first in San Francisco, then in L.A. Her call letters-- KPBJ, KBLT (which the aforementioned politicos considered frivolous)--suggested the tasty listening options she offered as she and her DJs broadcast an incredible variety of music from her living quarters. Throw in the constant threat of FCC detection, and this looks more than ever like a credible mate to On the Road and the Fear and Loathing books in the ranks of insurgent outsiderdom. Mike Tribby
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 240 pages
  • Publisher: Scribner; First Edition edition (February 3, 2004)
  • Language: English
  • ISBN-10: 0743229886
  • ISBN-13: 978-0743229883
  • Product Dimensions: 8.7 x 5.8 x 0.8 inches
  • Shipping Weight: 12.2 ounces
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #937,449 in Books (See Top 100 in Books)

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Customer Reviews

9 Reviews
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Average Customer Review
4.6 out of 5 stars (9 customer reviews)
 
 
 
 
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11 of 11 people found the following review helpful:
5.0 out of 5 stars Who owns the air?, February 16, 2004
By 
Jonathan Colcord (Concord, NH United States) - See all my reviews
(REAL NAME)   
This review is from: 40 Watts from Nowhere: A Journey into Pirate Radio (Hardcover)
40 Watts From Nowhere is a human interest story where the protagonist loses the game, but still gets a lovely consolation prize- the experience of having created a thriving community. A loyal following consisting of the media, musicians, and like-minded individuals, simply by providing music to a small core of ravenous music lovers. The only problem? It was against the law. The FCC caught up with 'Paige Jarrett' and put a stop to her unauthorized distribution of free music. No, this is not the story of yet another copyright infringing youth downloading music for free from the internet. This is the unusual success story of low-power, Pirate Radio in one of America's largest cities- Los Angeles.

In an attempt at curbing the boredom of a 9 to 5 job as a receptionist, Sue Carpenter decided to purchase a small transmitter and set up shop in her apartment, eventually enlisting a small army of 25 or so volunteer disc jockeys playing everything from folk to punk. Pirate radio, notorious for broadcasting radical fringe political views is an unusual forum for music Carpenter discovered as she enlisted the help of many of the radio underground's key players for technical advice.

For nearly 3 years, KBLT (yes, named for the sandwich), operated freely, almost so publicly that they would enlist artists such as Mazzy Star for a benefit concert, host Red Hot Chili Peppers for an in-studio impromptu performance, and even gain the services of punk rock legend Mike Watt to do his own KBLT radio program. Eventually, this cavalier attitude and a more powerful antenna location would spell KBLT's demise, being shut down permanently by the FCC.

This story will delight anyone, such as myself who have worked in radio outside of the commercial realm. People who understand the power of music on its own terms, without playlists and big money commercial programming or rules. KBLT had the spirit of good College Radio, only without the college to go along with it. Anybody who lives on the left end of the dial will understand. Should anyone but the people themselves own the airwaves? In a country that brags of free speech, it's an interesting question...

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9 of 9 people found the following review helpful:
5.0 out of 5 stars How this book kicks ass, and other pirate booty..., August 24, 2004
By 
This review is from: 40 Watts from Nowhere: A Journey into Pirate Radio (Hardcover)
I HATE cryptic reviews so i thought i would add my own 2 cents. I loved this book! The author comes across as so honest and forthright that you feel like you are in her inner circle while the story unfolds. The story is funny, tragic, and all too real if you live in L.A. Who would have thought that running a pirate radio station would be sooo much work? I love the idea that one person (with the help of some friends) could make all of this happen. It's a very empowering story. Quite honestly, i couldn't put it down.
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9 of 10 people found the following review helpful:
5.0 out of 5 stars Highly principled music fanatic, February 23, 2004
This review is from: 40 Watts from Nowhere: A Journey into Pirate Radio (Hardcover)
I read a blurb on this book in Rolling Stone last week and bought the book the next day. I read the entire thing in one 9-hour sitting.

It tells an interesting story about a cat-and-mouse game with the FCC, but more importantly, one person's drive to create a true alternative radio station where the DJs have total control over what they play. Ironically, before creating her pirate radio stations, the author wasn't actually a huge alternative music fan and mentions attracting all sorts of semi-famous musicians to the station,without being all that steeped in their music. Clearly, this woman was unpretentious. She mentions the sacirfices she made to keep the station going.

There's a blatant honesty to this story that just kept me reading. If you're a fan of alternative (oooh! there's those incredibly overused word again) music and sub-culture, then this is for you. If Celine Dion is more your cup of tea, then you may not appreciate why she bothered in the first place to risk jail in order to liberate the airways, even if it was for the benefit of a small radius of listeners around her house.

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Inside This Book (learn more)
First Sentence:
"Good morning, law offices." Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
micro radio movement, pirate radio station, spinning records, mixing board
Key Phrases - Capitalized Phrases (CAPs): (learn more)
San Francisco, Silver Lake, Los Angeles, Paige Jarrett, Santa Monica, Bay Area, Mazzy Star, Sunset Boulevard, Beastie Boys, Mike Watt, Circuit City, Roky Manson, Sue Carpenter, Groove Radio, Happy Harry, Marie Claire, Pump Up the Volume, Radio Shack, Rap Pages, Sonic Youth, Ant Man, Bay Bridge, Don Bolles, East Side Records, Echo Park
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