As a fan of deadmau5's previous studio albums (
Random Album Title and
For Lack of a Better Name), I knew I wanted to buy this album, if only for the sake of having another one. The track "Some Chords", released as a single previously, was good enough that I had high hopes for the rest of the album. In the end, I have discovered that "4x4=12" represents a new style for deadmau5. Joel Zimmerman's experiments with collaborative tracks and alternate genres (dubstep) have turned out well, mixing up the sound while still maintaining the distinctive flavor that his fans know and love.
The album begins with "Some Chords", a track that any fan of "Ghosts N Stuff" will immediately enjoy. The balance is shifted, though, with "Sofi Needs a Ladder". This track, one of two in the album featuring fellow artist SOFI, sets itself apart with aggressive beats and angry female vocals. While not a typical deadmau5 track at all, it still has some potential, though I personally didn't enjoy it as much.
After this departure is finished, the album kicks back into the mau5's usual territory with the rowdy "A City in Florida". Deep, fast-paced beats and full bass create a wild ride, which blends into a more stacatto track, "Bad Selection". Next up is a collaborative track entitled "Animal Rights", one of my favorites from the album. With a sound reminiscent of Daft Punk, this one is full of win, with arpeggiated electronic noises and eccentric melodic bits.
The lighthearted mood shifts with the next track, "I said", another collaborative piece. The lights go out for this one, which has a creepy, visceral feeling. The surreal tones continue with the intense original track "Cthulhu Sleeps", whose wobbling, pulsing vibe carries the beat well. The album hits a peaceful section for a moment with the next track, "Right This Second", featuring a synth-heavy melodic intro that builds up tension and drops into an urgent beat.
Next comes a notable switch in the form of the track "Raise Your Weapon". Featuring vocals by Greta Svabo Bech, the track is soothing, a bit mournful, and skillfully executed. Halfway through, deadmau5 hits listeners with a grinding dubstep beat that throws the piece into chaos and eventually resolves itself into a calm flow of sound.
That calm is broken by SOFI's second appearance with "One Trick Pony", a track that threatens to rip the album apart with its grating rap lyrics and unvaried roughness. Anyone brave enough to listen to the whole track is subjected to an onslaught of violent noise tied together by Sofi Toufa's angry rapping.
Perhaps the chaos can be appreciated, though, when the final track is reached. "Everything Before" settles the noise down into a classic deadmau5 house beat, with some eerie melodic elements to complete the mood. The track's execution recalls Joel's work in "Random Album Title" and is easily recognized by longtime listeners. With this return to his roots, deadmau5 closes an album that is quite the ride.
Overall, this is an album worth buying. Several tracks are absolutely mind-blowing, and though one or two lack the same appeal deadmau5's work usually has, the compilation still manages to shine. I give it 4 out of 5.