For those auditions or class assignments where brevity is crucial, you need a monologue that gets to the point. You need a defined character, strong emotional content, and a resonant ending. Just as important, you need a lot of monologues from which to choose. This book offers you that, and more.
In our continuing effort to offer you new sources of monologues, weve drawn from plays, novels, short stories, poems, original monologues, essays, comics, novellas, radio plays, film scripts, and personal narratives.
How to Use This Book. At the back of this volume, youll find all 221 monologues indexed according to age, tone, and voice, to help identify those most suited to your needs:
Age is noted exactly only when specified by the author. More often, weve indicated an age range (20s, 20s-30s). In some instances, weve used a plus sign to show the character could be older than indicated, as in 40+.
Classic/Contemporary refers to when the monologue was written, not necessarily when the character is speaking. "Classic" texts are those that were written prior to the early 1920s.
Voice refers to indications of class, geography, ethnicity, nationality, sexual identity, or physicality that may help performers gain entry into an individual character, or closely "match" themselves to a monologue. The language of any text will reveal a certain level of education, class, or knowledge. Sometimes, however, a monologue arises out of specific cultural experience, demonstrated either through content or language. Those are the selections youll find listed in the "Voice" index.
Whenever possible, weve attempted to excerpt monologues with a minimum of editing. Where editing was necessary, omissions are indicated by parenthetical ellipses ( . . . ). All other ellipses were part of the original text.
We offer appropriately brief contexts to help you gain some entry into the monologues. But, of course, in order to fully understand and ultimately embody the characters, you are strongly advised to read the play, novel, poem, etc. from which the monologue was drawn. The greater context must be fully explored in order to answer the all-important questions: who, what, when, where, why.
Sogo forth and be brief. Just keep your shirt on.
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