808s & Heartbreak

November 24, 2008 | Format: MP3

$7.99
Song Title
Time
Popularity  
30
1
6:18
30
2
4:23
30
3
3:31
30
4
3:58
30
5
4:30
30
6
4:38
30
7
4:34
30
8
3:10
30
9
3:59
30
10
4:18
30
11
2:44
30
12
6:02


Product Details

  • Label: Roc-A-Fella Records
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 52:05
  • Genres:
  • ASIN: B001L99XQQ
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (396 customer reviews)
  • Amazon Best Sellers Rank: #5,717 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

It's an 80s throwback that doesn't fit the album.
B. Krueger
Although Auto-tune has been used by many artists before, the way 'Ye uses it is very, very emotional and works extremely well with his album concept.
Edward Chung
I love this album....wish Kanye would make more like this one.
carolannimal

Most Helpful Customer Reviews

84 of 92 people found the following review helpful By Ian Leue on November 24, 2008
Format: MP3 Music Verified Purchase
This is very different Kanye. You'll know that within the first two seconds, and if you've heard Love Lockdown, you've already got the basic idea. Kanye sings, using heavy Auto-Tune, often with a vocoded or heavily distorted slap-back echo. The sound of the classic (and very distinctive) Roland TR-808 features very prominently on the album, backed by minimal keyboard-synth sounds.

Subjectwise, the album deals prominently with loss, specifically of his mother and his long-time girlfriend. The Auto-Tuned vocals and minimalist beats underscore the painful lyrics, creating a haunting, soul-wrenching soundscape.

It all adds up to a painfully honest Kanye, sad and alone - a Kanye we haven't seen on his previous 3 albums. Both lyrically and musically, Kanye strips off his flash and shows us the part of the man who can't always live "The Good Life."
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Format: Audio CD
This album will not be fully appreciated until it is rediscovered 15 years from now by kids that have never heard College Dropout, Late Registration, or Graduation. They will be impressed by the primal sounding drums, mixed with the deep bass of the TR-808, haunting keyboards and Kanye's vocals channeled through the autotune program. They will notice how he uses this effect to turn his voice into that of a brooding android, as apposed to the Happybot that T-Pain conjures out of the program, which when added to the sonic backdrop gives the album a post-apocalyptic feel.

I can't wait until this album does get the respect it most certainly deserves. I believe that is the most daring album to come out in my life time and I've been around the block a time or two. It is extremely ugly and amazingly beautiful all at once. Bravo Kanye!

Favorites (in no particular order):
Say you will
Welcome to heartbreak
Heartless
Amazing
Love Lockdown
Paranoid
Robocop
Street Lights
Bad News
See you in my nightmares
Coldest Winter

Yes it's THAT GOOD!!!!!

Remove all prejudices and biases and give this album an honest listen. You will love it!
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32 of 37 people found the following review helpful By Travis M. Owens on November 24, 2008
Format: MP3 Music
Kanye fans are in for a big surprise with this album. Most importantly you should know this is NOT a rap album. Kanye sings every song using heavy vocoding on his voice. Alot of the songs have heavy bass and a grinding aspect of them.

In a nutshell I'd say this album is a mix of Kanye beats /w a somewhat Neo like singing and even some old prince mixed in.

At first I didn't really get the album, but by my third listen the composition started to catch my attention. Despite, I expect a large part of his fan base not to be into this album, and if you're only a fan of Kanye as a rapper you might want to skip this album, but if you can get into more electronic compositions and some 80s spin, this album might be for you.
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8 of 8 people found the following review helpful By Kindle Customer on March 7, 2011
Format: MP3 Music Verified Purchase
This is not a typical Ye album. If you are looking for the College Dropout, Late Registeration, etc you will be disappointed. If you are openminded, listen to more than lyrics, (although there are some hot beats on this to me), then this is the for you. This album is sad, distorted, heart wrenching and yet sooo beautiful. Yes, it's a lot of auto-tunes, however it's not T-Pain auto-tunes. Ye uses it to distort his voice in a way to show what's he is feeling, the lost of his mother, the lost of his financee'. It's one of his best works ever!
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19 of 23 people found the following review helpful By DIOONER on January 3, 2009
Format: Audio CD
First and foremost, I'd like to express my exasperation at hearing or reading people moaning at some - currently successful - black artists (Kanye West being one of them), accusing them of having betrayed the so-called "original true spirit of hip hop". These, behaving like self-proclaimed guardians of some private temple, seem to forget that hip hop, like every other form of art, is a mean not an end.

I also recall the great Mos Def was once asked, a few years ago, what he thought of his peers parading in videos with lavish ladies and expensive cars instead of providing supposed conscious statements in their music. His answer has baffled me for years (and still does): he said that it was precisely this (i.e. the fact of seeing black people behaving that way in front of huge audiences of, say, MTV proportions) that was revolutionary, more than any kind of political contest. And so, whether you fancy it or not. I can't agree more, as it seems, more generally, that a black artist is, still nowadays, supposed to deliver what's expected of him: making "black music".

Sorry for that somewhat long introduction, but I thought those two distinct points could be helpful to fully understand what Kanye West's fourth album proper is all about, and what it aims to be. On the previous one, 2007's "Graduation", he already considerably extended his sonic palette (sampling Daft Punk or legendary german krautrockers, Can), yet after that, last summer he produced, in the form of his duet with the promising Estelle, the wonderful "American Boy", which can only be described as the single best musical mainstream moment of the year, all straightforward dancefloor power and heavy beat science upfront.
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