9-11: September 11, 2001 (Stories to Remember, Volume 2) [Paperback]

Neil Gaiman (Author), Stan Lee (Author), Jill Thompson (Author), Kieron Dwyer (Author), Steven T. Seagle (Author), Duncan Rouleau (Author), Aaron Sowd (Author)

Product Details

• Paperback: 224 pages
• Publisher: DC Comics (January 1, 2002)
• Language: English
• ISBN-10: 1563898780
• ISBN-13: 978-1563898785
• Product Dimensions: 10.2 x 6.7 x 0.4 inches
• Shipping Weight: 13.6 ounces
• Average Customer Review: 3.8 out of 5 stars  See all reviews (10 customer reviews)
• Amazon Best Sellers Rank: #927,803 in Books (See Top 100 in Books)

More About the Author

Steven T. Seagle is an American writer who works in the graphic novel/comic book, television, film, live theater, video game, and animation, industries.

He is best known for his acclaimed graphic novel memoir IT'S A BIRD... and, as part of Man of Action Studios (along with Duncan Rouleau, Joe Casey and Joe Kelly) as co-creator of the animated Cartoon Network series BEN 10 and GENERATOR REX. Man of Action Studios recently launched its own comic book imprint published through Image Comics. Seagle has contributed to the line with the graphic novel SOUL KISS. Seagle and Rouleau also created the Marvel Comics super-hero team Big Hero 6.

Seagle is also a founding member of Speak Theater Arts, creators of innovative live stage productions. Most recently he co-wrote, co-directed and produced two live stage comedies. N*GGER WETB*CK CH*NK (www.NWClive.com) continues to tour nationally after three years generating explosive laughs, a massive fan base, and impressive reviews including full-page features in both The LA Times and the New York Times. ArmeniaMania! (www.armeniamania.com) staged two preview performances as part of the Los Angeles Grand Performances series and will open in LA early next year. Seagle also co-directed one of the national world premiere stagings of The Laramie Project: Ten Years Later, An Epilogue with a celbrity cast and a full musical compliment.

Seagle's original comic book series HOUSE OF SECRETS was sold as a feature to Marc Canton/Warner Brothers, and Seagle wrote the screenplay (unproduced). The same week he also sold the genre action pilot CARNIVAL(not Carnivale) to FOX in association with Spelling Entertainment (unproduced). In that same week he sold the action/comedy DOT'S BOTS to Mainframe Animation completing an amazing week and an "unproduced" trifecta.

Seagle's comics work has received numerous Eisner Award nominations, including twice for best writer - in 1995 for his work on SANDMAN MYSTERY THEATRE(DC/Vertigo) and in 1999 for the same title and his story "Drive By" in ONI DOUBLE FEATURE #10 (Oni Press). Seagle's work on AMERICAN VIRGIN has been nominated twice for the GLAAD Meida Award for Best Comic Book. Seagle's run on UNCANNY X-MEN was awarded the Wizard Fan Award for Favorite Ongoing Series. His original graphic novel SOLSTICE was named Comic Book Resources 2007 Graphic Novel of the Year.

Seagle is a former college instructor having taught at Ball State University, Pasadena City College and Mt. San Antonio College where he also served as a coach for the Forensics team during many of their national championship seasons.

Customer Reviews

Most Helpful Customer Reviews

13 of 14 people found the following review helpful:

3.0 out of 5 stars Chicken Soup for the 9/11 Soul, March 10, 2002

By 

Michael Casey (Brisbane, CA United States) - See all my reviews
(REAL NAME)   

This review is from: 9-11: September 11, 2001 (Stories to Remember, Volume 2) (Paperback)

Some of the works in this collection are quite good...I especially enjoyed Will Eisner's contribution ("Give me real, people!") and the single panel work of a woman touching the other side of her half empty bed. That was an excellent demonstration on how subtlety can have a much greater impact than a sledgehammer.

By contrast, there's the story written by Stan Lee ("The Sleeping Giant" I believe it's called) which uses a simple animal metaphor to retell 9/11 past, present and possible future. It starts out interesting but never elaborates on 9/11, only simplies it and assumes we can't figure things out for ourselves (such as the terrorist mice wearing "666" T-shirts).

Most of the stories were in between the ones I mentioned. Sometimes the tales are clever and subtle, but usually there's just a small bit of creativity per story.

Granted, I don't think I'm the target audience of this book. If you're looking for stories of hope after the attacks, you might enjoy this book more than I did.

6 of 7 people found the following review helpful:

4.0 out of 5 stars The writers and artists at DC respond to September 11th, January 18, 2004

By 

Lawrance M. Bernabo (The Zenith City, Duluth, Minnesota) - See all my reviews
(VINE VOICE)    (COMMUNITY FORUM 04)    (TOP 500 REVIEWER)    (HALL OF FAME REVIEWER)   

This review is from: 9-11: September 11, 2001 (Stories to Remember, Volume 2) (Paperback)

"9-11: September 11, 2001: The World's Finest Comic Book Writers and Artists Tell Stories to Remember" collects original stories and illustrations from many of the top writers and artists from DC Comics, including Wildstorm, VERTIGO, and "MAD" magazine. But in addition to the likes of and Dan Jurgens, Neal Adams, Jim Lee, Neil Gaiman, Jose Luis Garcia-Lopze, Sergio Aragones, and Joe Kubert, you will also find contributions by Will Eisner, Stan Lee, Richard Corben, and Michael Moorcock. Unfortunately, the book's subtitle echoes badly, because even thought DC had a comic book entitled "World's Finest," which featured Superman and Batman team-ups for the most part, using that phrase to describe your own writers and artists on the same cover where Superman is impressed by those who were heroes on September 11th misses the obvious reason not to toot your own horn.

The volume is divided into section entitled Nightmare, Heroes, Recollections, Unity, and Dreams, which provide a rough thematic organization to the stories. There are stories dealing with what actually happened, such as James Denning and Guy Davis' "Walk," Josh Krach, Scott McDaniel James Pascoe's "The Job." and Amanda Conner and Jimmy Palmiotti's "Silver Linings in a Big Dust Cloud"), as well as stories that address the line between comic books and the real world created by 9-11 (e.g., "Unreal," "For Art's Sake" and "If Only"), while a few actually work DC superheroes into the story (e.g., "This, Too, Shall Pass" and Gaiman's "Endless" story, "The Wheel"). Unlike the Marvel universe, where Spider-Man, the Fantastic Four, and the Avengers all work out of New York City, the DC superheroes inhabit an alternative, so there was not the need to have Superman, Batman, and the others deal with the destruction of the World Trade Center the way their competition had to. There are also a couple of stories that serve as reminders that there were dogs that were involved in the rescue efforts as well.

One of the other major differences between this and the first volume, which featured work by the talents at Chaos! Comics, Dark Horse Comics, and Image Comics, is that some of these stories are a bit more political. Neal Adams does a splash page supporting the Red Cross that shows Superman holding an American flag with scorch marks and Uncle Sam rolling up his sleeves in front of the rescue workers at Ground Zero with the caption: "First Things First. Then We Come For You." Stan Lee and Marie Severin tell "A hitherto undiscovered Aesop's fable" entitled "The Sleeping Giant" whose moral is "Never awaken a sleeping giant!" There are several stories that make an argument for tolerance and objectivity, such as Dwayne McDuffie, Denys Cowan, and Prentis Rollins' "Wednesday Afternoon" and Geoff Johns, David S. Goyer, Humberto Romas and Sandra Hope's "A Burning Hate," while Ben Raab, Roger Robinson and Dennis Janke's "A Tale of Two Americans" makes a point about true patriotism. The final word goes to Joe Kubert, who points out "I've lived long enough to see the worst turn into something better."

Yeah, there are some misfires in this collection. "The Firsts Division" and "Spirit" both involve famous dead people, and while the latter is slightly better, neither really works. Paul Levitz and Jim Lee's "The American Dream" has some good points but could have found a better way to get them across than a lecture. But this just makes the simple elegance of Tim Sale's three-paneled page (from an idea by Chuck Kim), where a boy wearing a Superman t-shirt ducks into a telephone booth and changes into a FDNY t-shirt all the more effective. There are enough efforts within these 224 pages to find a few you will really like, and can forget about those you do not.

6 of 7 people found the following review helpful:

5.0 out of 5 stars Amazing cumulation of GREAT work on a very tough event., March 2, 2002

By 

"govt_atty" (Washington, DC USA) - See all my reviews

This review is from: 9-11: September 11, 2001 (Stories to Remember, Volume 2) (Paperback)

To be honest, I have not been in any rush to purchase any books that deal with September 11, 2001, or its aftermath. In bookstores and news stands, I have quickly passed by with little more than a cursory glance at the cover photo(s). However, this one caught my attention. Superman, the Man of Steel, standing in front of a mural of America's current heroes: firemen, policemen, doctors, construction workers, EMTs, and business men and women. I had to pick it up. I'm glad I did.

What I found was an amazing collection of comics and other art about the events of 9-11. This volume is broken up into three sections: Nightmares, Heroes, and Recollections. All the works are amazingly well-done. Each has a different color, tone, and message, but all are touching. I spent a good couple hours just looking at these stories, with my heart pounding and tears streaming down my face. No, these are not real photos, but the fear, anger, and all the other emotions that I and others felt on that day all came flooding back through the colorful stories presented here.

For those people, like me, who may have difficulty with that time still, or who just don't want to read one of the thousands of books and stories out there, this might be a good choice for you. At times it's light, presenting children's dreams of superheroes and real heroes. At times it's harsh, dealing with bias, hatred, and America's internal struggles with "what's an appropriate response?" But above-all, it's a wonderful collection of amazing work that will allow you to remember the heroes of that time, along with the goodness that began to surface in our nation after the fact.