From Publishers Weekly
For many people in the 21st century, Dickens's A Christmas Carol has come to define what "keeping Christmas" should look like. And according to Michael Patrick Hearn's superb introduction to this annotated edition of Dickens's beloved classic, that was precisely the author's intention. Dickens feared that encroaching industrialism undermined the traditional values of family, faith and simplicity, and that killjoy Puritans had done away with many of the pleasures of Christmas, so he set out to revive old-fashioned English customs. Hearn's introduction grandly describes the story's enduring popularity around the world (including Dickens's irate but mostly ineffectual attempts to stem the tide of its plagiarism). The annotated edition is enriched by numerous wood etchings, including some from the original 1843 art by Punch cartoonist John Leech. Old Scrooge himself would approve.
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From School Library Journal
Starred Review. Grade 3 Up–Dickens's cautionary tale of an embittered, stingy old man learning to be a happier, more giving person thanks to the intervention of four ghosts has long been fodder for holiday collections. From its stark opening spread (&MARLEY WAS DEAD) to the final one with its much more cheerful winter scene, this year's version, illustrated in Helquist's darkly comic style, is one of the best. Some of that credit must go to Greenhut, who provided the abridgment. Sacrificing none of Dickens's rich language, this retelling reads beautifully. The artist uses watercolor, pencil, and pastel to create cinematic artwork that contains amusing details; additionally, there are a number of pen-and-ink vignettes that help set the scenes. A winning combination of sparkling prose and exciting art.–Mara Alpert, Los Angeles Public Library