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A.D.: New Orleans After the Deluge Hardcover – August 18, 2009

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Editorial Reviews Review

Book Description
A stunning graphic novel that makes plain the undeniable horrors and humanity triggered by Hurricane Katrina in the true stories of six New Orleanians who survived the storm.

A.D. follows each of the six from the hours before Katrina struck to its horrific aftermath. Here is Denise, a sixth-generation New Orleanian who will experience the chaos of the Superdome; the Doctor, whose unscathed French Quarter home becomes a refuge for those not so lucky; Abbas and his friend Mansell, who face the storm from the roof of Abbas’s family-run market; Kwame, a pastor’s son whose young life will remain wildly unsettled well into the future; and Leo, a comic-book fan, and his girlfriend, Michelle, who will lose everything but each other. We watch as they make the wrenching decision between staying and evacuating. And we see them coping not only with the outcome of their own decisions but also with those made by politicians, police, and others like themselves--decisions that drastically affect their lives, but over which they have no control.

Overwhelming demand has propelled A.D. from its widely-read early Internet installments to this complete hardcover edition. Scheduled for publication on the fourth anniversary of the hurricane, it shines an uncanny light on the devastating truths and human triumphs of New Orleans after the deluge.

A Q&A with Josh Neufeld

Question: You follow the stories of seven characters and their various encounters with Hurricane Katrina. Tell us a little bit about each of these unique individuals and why you chose to tell their stories.

Josh Neufeld: When it comes to Katrina, that which links the population of New Orleans--not to mention that whole Gulf Coast region--is a devastating sense of loss: of lives, of possessions, of home, of community. Each of the characters in A.D. suffered that loss in a different way, and I wanted the story to reflect those different realities.

I selected Denise after hearing her on a public radio program. The mainstream media, in the days following the storm, inaccurately reported roving gangs, shootings, rapes, and murders at the New Orleans Convention Center. Denise witnessed what really happened, how the people there were abandoned by the authorities and how they did their best to help one another--often with the so-called "thugs" at the forefront. I knew Denise’s story had to be front and center in A.D.

I found Leo (and, by extension, Michelle) online. Leo had been a reader of the blog I kept as a Red Cross volunteer, and when I then read his blog and learned that in addition to everything else he had lost his extensive comics collection, I felt an intuitive understanding for him. After all, besides being a cartoonist, I’m also a long-time comics collector. The idea of losing my prized possessions--and all the memories they hold--is terrifying to me.

I learned of Abbas and Darnell from a mutual friend, and even though Abbas and I couldn’t be more different--from our backgrounds to how we’ve lived our lives--I totally identified with the series of questionable choices that led to his being stranded in his flooded grocery store.

I read about Kwame in my alma mater Oberlin’s alumni magazine, about how his house in New Orleans East was totally flooded, how his school was ruined, and how he had to spend his senior year of high school in Berkeley. He then went directly from California out to Ohio for college. His story echoed that of so many other displaced New Orleanians. Having led a peripatetic childhood, myself, I strongly related to his tale.

And the Doctor, of course, is a real-life French Quarter raconteur --as well as being a key participant in the post-Katrina relief and recovery efforts. (He also hosted Larry Smith and me in his “slave quarters” guesthouse when we first visited the city.)

Question: Tell us a bit about the publishing story of A.D.

Josh Neufeld: The project began in the summer of 2006. My buddy Jeff Newelt, who is the comics editor of the storytelling site SMITH Magazine, had read Katrina Came Calling, my self-published ‘zine about my time volunteering with the Red Cross in the Gulf Coast after the hurricane. As a disaster response worker stationed in Biloxi, Mississippi, in October 2005, just weeks after the storm, I delivered hot meals to sections of the city without power. While I was there, I met many folks who had lost everything in the hurricane. Those experiences with the Red Cross gave me a sense of connection that later provided vital background and context for A.D.

I felt it was important to tell the story from the perspectives of a range of real people who had lived through the storm: well-off and poor, black and white, young and old, gay and straight, male and female, those who evacuated and those who stayed behind, people who were greatly affected by the flooding and even some who weren’t. So my first job was to act as a journalist: After I spoke with friends, friends of friends, tracked down accounts of the storm and its aftermath on the radio, in magazines and newspapers, and on the Internet, seven people emerged as A.D.’s "characters": Denise, Leo, Michelle, Abbas, Darnell, Kwame, and The Doctor, whom I finally met in person in January 2007. It was then up to me to weave the characters’ stories together in comics form, illustrating the storm and their disparate paths into and through it--while periodically fact-checking with them and keeping up with their changing fortunes.

A.D. was serialized on SMITH in 2007–2008. I had always planned for the comic to be a book, however, so when Pantheon agreed in the summer of 2008 to publish it, I couldn’t wait to get to work on reformatting and expanding it. The book edition of A.D. has about 25 percent more story and art than what appeared online; I also made significant changes and revisions to large chunks of the original material. That, combined with the different reading experience between online and print, in my mind makes the A.D. book a completely new animal.

Question: When your work was serialized, the characters in your book were reading and commenting on the webcomic in real time and, in some cases, the actual characters would e-mail you and say, "Hey! You got this part wrong." Was that a helpful editing process for you? Is this the future of journalism?

Josh Neufeld: I don’t know if it’s the future of journalism, but in my case, feedback of any kind is really important to me. And with a large-scale project like A.D., doing it first on the web made creator–reader communication easy. Whether it was a New Orleanian reader correcting my pre-hurricane timeline (which I later amended) or one of the actual characters responding to his or her portrayal, I was grateful for the feedback. It was like having an entire community as my research and fact-checking team!

There was one case early on that sort of set the tone. When I first introduced Denise in the strip, she was concerned that her character might be perceived as a stereotype. I decided that the best way to deal with her concern and to avoid similar issues in the future would be to run my scripts by her beforehand. I was totally happy to do that, because it is her story after all! My main goal was to get it right.

I was gratified a few months later by Denise’s reaction after a reader commented that he was gripped by the episode in which the storm hits Denise’s house, but winced at one piece of ripe dialogue that sounded contrived. Denise, who, like everyone else, was following the story online, responded directly on the A.D. message boards: "That woman is me, and that is exactly what I was thinking at that moment and for many, many moments during the hurricane." How often do journalists have their subjects verify their stories in real-time, online? Thank you, Denise!

Question: Why did you choose to color the panels the way you did?

Josh Neufeld: I love one- or two-color art--how it is simultaneously restrained and expressive. For this story, it seemed the perfect way to capture the feeling I was going for.

The main events of A.D. take place over a four- or five-day period. So the first thing I did when I converted A.D. to print was to use color to signal each new day. I also thought of each individual color scheme as a sort of visual "soundtrack," a guide for the reader through the story’s emotional ups and downs.

Josh Neufeld on the Making of A.D.

This set of images illustrates my process in creating imagery for A.D.: New Orleans After the Deluge. This panel shows Hurricane Katrina's winds whipping down Canal Street. I started out with a small thumbnail sketch, just something to suggest the main force of the action and the prominent "props" or objects.

Click on thumbnails for larger images

The next stage was a full penciled drawing, with all relevant details included. I usually draw this stage using a non-repro blue pencil, and use "X's" to indicate large areas of black (like the street and the shadows of the buildings).
From pencils I proceed to inks, where I make the final decisions about which lines will go in the completed drawing, fill in all the blacks, and otherwise prepare the drawing for coloring. I vary the width of my inked line to indicate which objects are in the foreground and which recede to the background.
While working on the final, colored version of this panel, I realized that the artwork called for lines representing the driving rain. I actually drew those on a separate layer and added them to the scan of the original artwork. Finally, using PhotoShop, I implemented the blue-green color scheme of this section of the book. Voila! A completed panel from A.D.--Josh Neufeld

From Publishers Weekly

Starred Review. American Splendor artist Neufeld beautifully depicts the lives of seven New Orleans residents who survived Hurricane Katrina. In the dialogue-free opening chapter, The Storm, Neufeld powerfully intersperses images of the hurricane gathering speed with the cities it crippled when it hit Louisiana on August 29, 2005, specifically New Orleans and Biloxi, Miss. Readers are then introduced to seven New Orleans residents, from all walks of life and parts of the city. Denise and her family—mother Louise, niece Cydney and Cydney's daughter, R'nae—join thousands of hungry and thirsty New Orleanians waiting to be evacuated after their apartment is destroyed. Leo, the publisher of a local music zine, and Michelle, a waitress, reluctantly leave the city for Houston and are devastated when their apartment (and Leo's impressive comics collection) is flooded. Other characters flee, or try unsuccessfully to ride out the storm. Neufeld's low-key art brings a deeply humanizing element to the story. Though the devastation caused by the hurricane and the government's lackluster response are staggering, Neufeld expertly underscores the resilience of the people who returned to rebuild their lives and their city. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Product Details

  • Hardcover: 208 pages
  • Publisher: Pantheon; 1st edition (August 18, 2009)
  • Language: English
  • ISBN-10: 0307378144
  • ISBN-13: 978-0307378149
  • Product Dimensions: 8.3 x 1 x 8.3 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (31 customer reviews)
  • Amazon Best Sellers Rank: #593,776 in Books (See Top 100 in Books)

More About the Author

Josh Neufeld is a comics journalist known for his graphic narratives of political and social upheaval, told through the voices of witnesses. He is the writer/artist of the bestselling nonfiction graphic novel A.D.: NEW ORLEANS AFTER THE DELUGE (Pantheon). In addition, he is the illustrator of the bestselling graphic nonfiction book THE INFLUENCING MACHINE: BROOKE GLADSTONE ON THE MEDIA (W.W. Norton). He was a 2013 Knight-Wallace fellow in journalism at the University of Michigan. Neufeld is a Xeric Award winner, and his work has been nominated for a number of other awards, including the Eisner and the Harvey. His books have been translated into French, Italian, and Dutch. Neufeld's illustrations have appeared in such publications as the New York Times, the Washington Post, and the Wall Street Journal. He lives in Brooklyn, N.Y., with his wife and daughter. To learn more, visit

Customer Reviews

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Most Helpful Customer Reviews

18 of 20 people found the following review helpful By Shauna Greene on August 24, 2009
Format: Hardcover
This is the ultimate coffee table book -- a beautiful page-turner that will spark conversation and leave you wanting more. I just visited New Orleans and happened upon a book signing with the author. Gladly payed full-price for the book, but it looks like Amazon is offering a GREAT deal now! Please remember New Orleans and all of the Gulf Coast, with people still recovering from Katrina years later. "A.D.: New Orleans After the Deluge" is a stunning, unique, accessible chronicle of tragedy and history in the making.A.D.: New Orleans After the Deluge
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6 of 6 people found the following review helpful By BrooklynBen on September 23, 2009
Format: Hardcover Verified Purchase
I really liked this book. It brings you back to that place and time that so many of us have already forgotten.

The comic book format gives you access to characters making those basic human decisions that were so perilous at the time -- a family with a sick kid reaches a hospital which is being evacuate. They can't stop, but have to figure out if they should leave their sick child behind. A shopkeeper needs to decide if he should stay in his store and defend against looters, or abandon the city. Families get dropped off at the convention center and can't figure out if buses will or will not come. Will the feds come and help or not? It's all here.

Neufeld's book is really well done and brings these stories to light in a remarkable manner. It is clearly well reported too -- he seems to have spent a lot of time interviewing people to get their stories.

It is a quick read, a sad read, and a beautiful read all at once.

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5 of 5 people found the following review helpful By Elizabeth HALL OF FAMETOP 1000 REVIEWERVINE VOICE on September 5, 2009
Format: Hardcover
The book is interesting and its in the form of a comic book along the lines of the various Shakespeare books we have that Simon Greaves has written and illustrated.

Liked seeing/reading of the young comic book collector, small store owner, native New Orleans physician. In fact I think young people would get a lot out of the book because of its comic book form. Think Doonesbury with a real story line.

Leo the comic book collector really was interesting to our son who is an avid comic book collector, who gasped when he read how Leo had to leave his thousands of comic books behind when he and his wife evacuated New Orleans, taking one comic book with them. Thus this book is one I will give to young men I know who also collect comic books.

And the illustrations are wonderful and give meaning to the saying that a picture is worth a thousand words!
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5 of 5 people found the following review helpful By Sasha on September 23, 2009
Format: Hardcover
I'm not really one to read graphic novels, but I saw this at a friend's and was intrigued. I started reading and literally read the book all the way through! It was so good: interesting and informative without being overwhelming. It elicited many emotions from me, which I didn't think was possible from a graphic novel. A great and important work of art and literature.
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5 of 5 people found the following review helpful By Bonnie Morscher on September 3, 2009
Format: Hardcover Verified Purchase
This graphic story will make you feel like you were there, feeling what the people there felt. I can see why the people in the Dome thought they were being set up to die. How frightening and infuriating. Not melodramatic, just real.
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2 of 2 people found the following review helpful By J. Elsas on September 22, 2009
Format: Hardcover
I'm not really sure what more can be said about this book that hasn't already been said in many of the larger media outlets (New York Times, LA Times, etc. etc. etc.). But I can say this... up until now, I have only placed -- on prominent display -- two other so-called "graphic novels" among my collection of great literary works: Art Spiegelman's "Maus" and Joe Sacco's "Palestine." Rarely do cartoonists tackle such weighty issues so deftly, illustrating relevant and often painful subject matters with the deepest empathy while managing to avoid becoming pedantic and maudlin. Like Spiegelman and Sacco, Mr. Neufeld has brought to life, in his own unique and inimitable way, a chapter in human history that cannot be ignored, and in fact must be discussed and remembered. And he has done so not by playing it safe -- by churning out yet another trite and overly egregious account of events that might cheapen the subject matter (after all, the visual devastation of Katrina has been thoroughly played out on television, so much so that it has been somewhat diminished into yet another voyeuristic reality show, transforming it into stale and vulgar entertainment). Instead, Mr. Neufeld does the unexpected: he brings it down to earth, makes it intimate, allows those of us who lived safely thousands of miles away to hear, see and perhaps feel the hurricane's impact as it was felt by the people who experienced it firsthand. He has essentially retold a familiar story, but in such a way to make it fresh and even more poignant than before. Not an easy task, but with "A.D." it is absolutely achieved. If you are looking for a superficial and one-dimensional cheap thrill -- to find entertainment in the blood, guts, and other viscera of a natural catastrophe -- perhaps you'd do better watching the Weather Channel.Read more ›
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2 of 2 people found the following review helpful By Joan Gregg on March 5, 2010
Format: Hardcover Verified Purchase
Hurricane Katrina, which devastated the city of New Orleans in August 2005, was an epic disaster in American history. It held us all in thrall to our television sets for weeks. But what Josh Neufeld's masterful comic book, or graphic novel about the subject wisely does is give us a perspective on this cataclysmic event through the eyes of a few survivors of that drama that goes light years beyond what television delivered. The structure of the book is a calendar posting of the days before, during, and after the storm, chilling depictions of the natural events and a shifting of colors so gripping, that I literally could not put it down. The survivors we follow through the storm and its aftermath are people outside of the gentrified and suburbanized quarters of New Orleans, and much of America. We resonate to their human-scale concerns as they attempt to ride out or evade the destruction that implodes in their midst. Real family values and ties of friendship, not the often erzatz versions that are dispensed through political rhetoric, are present on every page. The drawings and real-life dialogue so viscerally convey their emotions, which you or I might have in a similar situation, that it was hard to keep in mind that this book was a created artifact. It seemed as I read that it must have sprung to life in one moment as the embodiement of this unforgettable event. I don't want to give away any of its contents, so I will just say, it's a must read and a must keep. For high school and college teachers, as I am, I would recommend the Random House Teachers' Guide by Sari Wilson, which helps young people probe the depths of what the Deluge means in the context of their own lives and that of our nation.
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