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Track Listings
| 1. Nobelman, for violin & continuo | |||
| 2. Sonata a due con basso continuo in D minor | |||
| 3. Sonata for violin & continuo in D major: 1. Adagio | |||
| 4. Sonata for violin & continuo in D major: 2. Allegro - Adagio - Allegro - Adagio | |||
| 5. Sonata for violin & basso continuo in D minor, Op. 2/2: 1. Andante - Largo | |||
| 6. Sonata for violin & basso continuo in D minor, Op. 2/2: 2. Presto - Largo | |||
| 7. Sonata for violin & basso continuo in D minor, Op. 2/2: 3. Aria d'inventione | |||
| 8. Sonata for 2 violins, viola da gamba & harpsichord in C major, Op. 1/5, BuxWV 256: 1. Vivace | |||
| 9. Sonata for 2 violins, viola da gamba & harpsichord in C major, Op. 1/5, BuxWV 256: 2. Solo | |||
| 10. Sonata for 2 violins, viola da gamba & harpsichord in C major, Op. 1/5, BuxWV 256: 3. Largo - Allegro | |||
| 11. Sonata for 2 violins, viola da gamba & harpsichord in C major, Op. 1/5, BuxWV 256: 4. Adagio - Allegro | |||
| 12. Fugue for violin & keyboard in G minor, BWV 1026 | |||
| 13. Sonata No. 3 in A major for violin discordato, viola da gamba & basso continuo: 1. Adagio - Allegro - Lento | |||
| 14. Sonata No. 3 in A major for violin discordato, viola da gamba & basso continuo: 2. Allemande | |||
| 15. Sonata No. 3 in A major for violin discordato, viola da gamba & basso continuo: 3. Courante | |||
| 16. Sonata No. 3 in A major for violin discordato, viola da gamba & basso continuo: 4. Sarabande | |||
| 17. Sonata No. 3 in A major for violin discordato, viola da gamba & basso continuo: 5. Ciaconne | |||
| 18. Sonata No. 3 in A major for violin discordato, viola da gamba & basso continuo: 6. Final: Adagio | |||
| 19. Sonata for violin & continuo in D major: 1. Allegro | |||
| 20. Sonata for violin & continuo in D major: 2. Larghetto | |||
See all 24 tracks on this disc
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Editorial Reviews
Œuvres de Johann Schop, Johann Heinrich Schmelzer, Georg Muffat, Johann Philipp Krieger, Dietrich Buxtehude, Johann Sebastian Bach, Philipp Heinrich Erlebach, Johann Georg Pisendel / Trio Settecento
Customer Reviews
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Most Helpful Customer Reviews
3 of 4 people found the following review helpful
By Mona Peck
Format:Audio CD|Amazon Verified Purchase
The advanced musicianship is evident in this CD. And using the real instruments only added to the authenticity of the music. I applaud the artists for their efforts. Bravo!
Format:Audio CD
My appreciation and admiration for violinist Rachel Barton Pine grows with each new recording she releases. Here she is joined by John Mark Rozendaal on viola da gamba and 'cello and David Schrader on harpsichord and positiv organ as the original-instruments group Trio Settecento in an album of German Baroque chamber music. Combine the Trio's eloquent playing with Cedille's unparalleled audio reproduction, and you get yet another of Ms. Pine's exquisite recordings.
The Trio Settecento have been performing together on period instruments since 1996 and have entertained audiences the world over, live and on disc. They cannot be faulted in realizations that are lively, poignant, and exciting by turns. The performances are festive, imaginative, intense, and simply a joy to listen to.
Of course, it also helps that Cedille's chief engineer, Bill Maylone, again provides us with a first-rate audiophile recording. Made in 2008, it's yet another one of those reach-out-and-touch-it affairs where you feel you are there with the performers in Nicholas Hall at the Music Institute of Chicago.
John J. Puccio
Classical Candor
The Trio Settecento have been performing together on period instruments since 1996 and have entertained audiences the world over, live and on disc. They cannot be faulted in realizations that are lively, poignant, and exciting by turns. The performances are festive, imaginative, intense, and simply a joy to listen to.
Of course, it also helps that Cedille's chief engineer, Bill Maylone, again provides us with a first-rate audiophile recording. Made in 2008, it's yet another one of those reach-out-and-touch-it affairs where you feel you are there with the performers in Nicholas Hall at the Music Institute of Chicago.
John J. Puccio
Classical Candor
1 of 10 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
Here is a somewhat "old School" baroquerecording. Everything is neat and fine, all notes played in tune and correct embellishments. But there is little feeling, I lack some outbursts of joy, rage,whatever.
