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A God Somewhere (New Edition) Paperback – September 20, 2011

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Editorial Reviews

From Publishers Weekly

The idea of superpowered humans in the "real world" has become one of the more popular recent tropes in comics, a trend inevitably met with diminishing returns. Arcudi and Snejbjerg's harrowing, occasionally gory take asks a familiar question: what if one single person was suddenly possessed of superhuman power? Yet their answer largely eschews feats of heroism in favor of an extended dark night of the soul. When nice-guy everyman Eric emerges from a mysterious explosion with the familiar flight/strength/invulnerability package, he starts out pulling babies from burning buildings, foiling robberies, etc., but his sudden fame and near omnipotence quickly alienate him from the people he loves and, eventually, humanity as a whole. Seen through the eyes of his best friend Sam, Eric's unexpected transformation from quasisuperman to psychopathic mass murderer comes across as deeply tragic rather than merely sensational. Snejbjerg's art is ideally suited to this jarring transition, as he remains focused on characterization whether a panel calls for cartoony bonhomie or bloodcurdling mayhem. This focus on the characters' essential humanity and sense of loss elevates Arcudi's script above the usual "postmodern deconstruction of the superhero mythos," proving that there are still some new stories out there after all.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.


"* "The most human take on the super-hero story I have ever seen. This is the book that shows just how good a writer John Arcudi is." - Mike Mignola, creator of Hellboy * "Our first real superhero tragedy, in the classic sense of the term." - Dennis O'Neil, writer of Batman" --This text refers to an out of print or unavailable edition of this title.

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Product Details

  • Paperback: 200 pages
  • Publisher: DC Comics; New edition edition (September 20, 2011)
  • Language: English
  • ISBN-10: 1401232469
  • ISBN-13: 978-1401232467
  • Product Dimensions: 6.6 x 0.3 x 10.1 inches
  • Shipping Weight: 9.6 ounces (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (23 customer reviews)
  • Amazon Best Sellers Rank: #1,093,393 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

17 of 18 people found the following review helpful By grifter78 on June 24, 2010
Format: Paperback Verified Purchase
(SPOILERS, this one was too hard to write without them)

I went back and forth whether or not to pick this up when I first saw it announced. The only exposure I ever had to writer John Arcudi was his run on Gen 13 Volume 1, and I just thought it was ok. The premise was intriguing but it wasn't something I hadn't read in other forms before. All of this coupled with the fact it was an original graphic novel with a $24.99 cover price, made me very hesitant to invest in it. I'm happy to say it was well worth the risk.

Normally, one of the strengths of graphic novels is that they don't have to rely on cliffhangers every 22 pages like a comic book. The writer has more freedom to structure his story any way he wants. Here, Arcudi chose to do 4 chapters at 50 pages each. It'd be interesting to see if this was originally envisioned as a 4-issue mini series but if it was, I'd find it hard to believe each issue would've been 50 pages. But regardless of the original intent, this format works very well here because it allows for cliffhangers and also allows for the passage of time between chapters.

Speaking of time, Arcudi's got an interesting story structure where we follow the 4 main characters in the present while periodically showing flashbacks of significant events in the past between the characters. The main character is Eric Forester. We also follow his brother Hugh, his wife Alma, and Eric's best friend Sam Knowle. Arcudi does a great job of setting up each of these characters and their various struggles before we even get to the superhero parts of the story. But Arcudi doesn't give us too much exposition. He gives us just enough up until the point where Eric is bestowed with his powers.

From here, the story takes off in a very interesting direction.
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9 of 10 people found the following review helpful By on July 8, 2010
Format: Paperback
A God Somewhere is a tragedy, in the classic comedy/tragedy sense of the word. Whereas the progression of a comedy goes from bad to good, tragedy begins with its characters in a good place, and over the progression of the story turns to bad. A God Somewhere bestows one man with infinite powers. But rather than tell the traditional superhero tale of a man rising to protect humanity, writer John Arcudi and artist Peter Snejbjerg tell the tale of a man corrupted by ultimate power, essentially becoming the villain. In that, it is already somewhat unique, but the duo takes it one step further and tells the story from the perspective of a group of the character's friends who are impacted by the change, rather than focusing on the all-powerful man.

Comics have long been based on the premise that power brings with it responsibility. That's why our comic characters, when bestowed with something special, use that power for the good of humanity. Of course, that's one side of the story, and the other side is full of villains who have used their respective powers for evil. Arcudi and Snejbjerg, if A God Somewhere is any indication, present, for our consideration, that it is much more in man's nature to wind up on the dark side of things.

Eric and Sam are best friends. After a mysterious disaster that kills many at his apartment complex, Eric finds himself with Superman-like powers, which he immediately uses to pull the other survivors from the rubble. What causes the disaster or Eric's powers is never fully explained, and in the scheme of things, the true cause is irrelevant. What's relevant is how Eric thinks he attained the powers--either God bestowed him with them or he is, in fact, a god himself.
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4 of 4 people found the following review helpful By Enrique Treviño and Yuliia Glushchenko VINE VOICE on July 19, 2010
Format: Paperback
A God Somewhere is an interesting graphic novel. It is about a man who one day becomes super powerful. Little by little he starts thinking of himself as a new God. The book in a way is a study of what could happen with a superhero on the real world. Comics have dealt with this question many times. While this is a topic that has been covered many times, I think this book was worth reading for several reasons. First of all, the book builds up slowly and has plenty of characterization. The first ten or so pages are about the normal lives of the main characters and there are some flashbacks throughout to give more depth to the characters. The wonderful art helps a lot in this, because a lot of the characterization comes through subtle drawings (such as facial expressions depicting disappointment when the dialogue doesn't make it evident, just as it would happen in real life). Another reason this is very good is that it follows the surroundings of the "hero" more than the hero. We get to see how his actions affect his family and his best friend. Finally, another great reason why this comic is very good is the conflict that the best friend has. It is interesting to see how a man reacts to seeing his best friend, a great man, become a monster. Very interesting.

The art in this comic is superb and the story is very good. Without too many pages (about 130) the comic changes a lot, from a superhero tale to a monster tale. The main drawback for me was how the transformation wasn't truly explained. The main character is very vague and his transformation is quite drastic. I think this makes the book very interesting but at the same time it feels like it could have used a few more pages. One could argue that all the information that is not in words is in the art.

A very interesting book. Worth reading and one that probably feels different if read multiple times since a lot of it is vague.
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