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A Good Woman


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Product Details

  • Actors: Helen Hunt, Scarlett Johansson, Tom Wilkinson, Milena Vukotic, Stephen Campbell Moore
  • Directors: Mike Barker
  • Writers: Howard Himelstein, Oscar Wilde
  • Producers: Alan Greenspan, Antonio Guadalupi, David Nichols, Denise O'Dell, Duncan Hopper
  • Format: Multiple Formats, Closed-captioned, Color, Dolby, NTSC, Subtitled, Widescreen
  • Language: English (Dolby Digital 5.1)
  • Subtitles: English, Spanish
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.78:1
  • Number of discs: 1
  • Rated: PG (Parental Guidance Suggested)
  • Studio: Lions Gate
  • DVD Release Date: June 13, 2006
  • Run Time: 93 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (292 customer reviews)
  • ASIN: B000F3UAFC
  • Amazon Best Sellers Rank: #60,916 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "A Good Woman" on IMDb

Special Features

  • Director and producer commentary
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Editorial Reviews

Based on a play by Oscar Wilde and set in the 1930's, Helen Hunt stars as a Manhatten socialite fleeing to start a new life. Landing at the Amalfi Coast, her friendship with a married count is taken for an adulterous affair and starts local gossips tongues wagging. Scarlett Johansson and Tom Wilkenson co-star.

Customer Reviews

Well worth the time to watch it ona rainy day.
George E. Webb
This care extended to the performances by actors we all recognize and admire; Helen Hunt, here, surprisingly beautiful, Tom Wilkinson and Scarlett Johansson.
RAUL DASILVA
It's set in 1930's Amalfi, the perfect background for a story like this one.
Linda Pagliuco

Most Helpful Customer Reviews

Format: DVD
Some people like to skydive or rock climb for adventure. I must admit, at this stage in my life, adventure (for me) is jumping into a movie that I know absolutely nothing about and hoping for the best. Daring, huh? Such is the case with the vaguely titled "A Good Woman." I knew it starred Helen Hunt, Tom Wilkinson and Scarlett Johannson--and that was enough to lead me on the "adventure" of discovering this film. Imagine my surprise, then, (about a third of the way through) when a character named Windermere was purchasing a fan for his wife--and I suddenly realized I was watching a strange modernization of Oscar Wilde's classic play aptly entitled "Lady Windermere's Fan." I felt pretty foolish, I must admit--but I don't entirely blame myself.

Instead of the claustrophobic drawing rooms in 1890's England, "A Good Woman" is fashioned in Italy of the 1930's (an odd choice considering the political climate at the time--which is conveniently never mentioned). The Windermere's are now Americans. And what was once Wilde's comedy of manners has become a rather stilted drama with occasional one-liners that fans of Wilde's works will recognize. I certainly have no problem with re-imagining a classic work, such as this. But "A Good Woman" keeps the storyline of "Lady Windermere's Fan" while jettisoning the elements that make it an effective social commentary. The intimate settings of the play establish a world where gossip is an essential part of daily life, the wicked interactions are all anyone have to occupy their time. By opening things up to the Italian countryside, this seems to be less relevant. It's as if the primary characters are engaged in a different movie from the supporting players who make mockery of them.

"A Good Woman" tells the story of Mrs.
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93 of 103 people found the following review helpful By Linda Pagliuco VINE VOICE on March 25, 2008
Format: DVD
Is there such a thing as a bad movie made in Italy? Probably, but at least the scenery's usually good. I can't imagine A Good Woman working in a setting like New York or London, but I don't have to. It's set in 1930's Amalfi, the perfect background for a story like this one. Professional mistress Mrs. Erlynne flees to Italy when too many wives are on to her at home. On the ship, she notices a newspaper photo of a young couple, and she knows exactly what her next move should be. The young wife is innocent and naive, and all sorts of innuendo and gossip go flying around Amalfi that season.
This is a woman's picture, and Helen Hunt as the adventuress has never looked more beautiful. Her voice, unfortunately, is rather too clipped and less sultry than it need to be, but in the end, she pulls of her role. Scarlett Johanssen is well-suited to her character, and both women turn out to be more than they seem at the end. Beautiful wardrobe, very subtle music, and a fine performance by Tom Wilkinson, as a jaded, expat Brit who has learned a little something about reality and happiness, add to the success of this production.
I'm now off to read the Oscar Wilde original.
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49 of 59 people found the following review helpful By Tsuyoshi on December 31, 2005
The film is titled `A Good Woman,' but it is actually filmed version of Oscar Wilde play `Lady Windermere's Fan.' Wilde's original, which was put on stage in 1892 and became the first `hit' for Wilde, was set in the drawing room of end-of-the-century England, but `A Good Woman' shifted the background to the Amalfi coast (South Italy) in the 1930s. The director is Mike Barker from England (`To Kill a King'), but some of the main characters' roles are played by American actors.

Two women play the central roles in `A Good Woman.' One is Mrs. Erlynne, `a woman of experience' (Helen Hunt, cast against type) a seductive middle-aged woman from New York. Shunned by the aristocratic society, she still hopes to win the love of gentleman - a rich gentleman - and here in Italy, it seems, she has already attracted some of them. One of them is `Tuppy' (delightful Tom Wilkinson), who refuses to listen to the rumor about Erlynne.

The other woman is Lady Windermere, `a woman of innocence' (Scarlett Johansson), who is newly married, and devotes herself to her husband. After arriving at this beautiful Italian resort, however, her husband Lord Windermere (Mark Umbers) seems to have got nervous about something, some secret he knows, which lady's man Lord Darlington (Stephen Campbell Moore) also happen to notice in his checkbook.

The film retains the basic storyline of Wilde's original. There is a twist (as in the original) which might or might not surprise you. All in all the filmed version is successful in maintaining our interest in the story, which gets melodramatic especially in the second half. The changed location is not a bad thing to me (the `stagy' films are not my cup of tea), but the changed times are a different matter.
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10 of 11 people found the following review helpful By Grady Harp HALL OF FAMETOP 100 REVIEWERVINE VOICE on June 15, 2006
Format: DVD
When it comes to playwrights who can manipulate the English language with a flair, endless double entendres, and clever dialogue, few can match Oscar Wilde. In this wholly entertaining and luxurious adaptation of his fine play 'Lady Windemere's Fan' screen writer Howard Himelstein and director Mike Barker have created a bright confection of film that is bubbling with sex, scandal, seduction, secrets, and all manner of romantic subterfuge. It is a winner all around.

Mrs. Erlynne (Helen Hunt) is a lady of desires who has just fled the USA with debtors breathing down her voluptuous décolletage: she has always made her way by courting and conquering married men and their bank accounts. She flees to Amalfi where she encounters the Windemeres - dashing Robert (Mark Umbers) and his gorgeous but somewhat naive wife of one year Meg (Scarlett Johansson). Mrs. Erlynne and Robert share a secret that is mistaken by all to be an affair: Meg the pure is simultaneously being seduced by Lord Darlington (Stephen Campbell Moore). The townsfolk of Amalfi gossip and spy and plan at every occasion to bring light to the goings on of the naughty Mrs. Erlynne - with the exception of a twice divorced older gent Tuppy (Tom Wilkinson) who instead has his eye on Mrs. Erlynne as his perfect new mate. The trail of cookie crumbs is left when Mrs. Erlynne advises Robert to buy his wife a fan - with all the history of seductive uses that holds. That fan travels around the circles and is eventually the means by which the secrets are made clear and the misrepresented scandals are solved.

The setting of Wilde's comedy has been updated very successfully to the 1930s and the costumes and extraordinary views of the insides and vistas of Amalfi are a fine marriage.
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