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A Man Escaped (1957)

François Leterrier , Charles Le Clainche , Robert Bresson  |  NR |  DVD
4.8 out of 5 stars  See all reviews (32 customer reviews)

Price: $46.28 & FREE Shipping. Details
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Product Details

  • Actors: François Leterrier, Charles Le Clainche, Maurice Beerblock, Roland Monod, Jacques Ertaud
  • Directors: Robert Bresson
  • Writers: Robert Bresson, André Devigny
  • Producers: Alain Poiré, Jean Thuillier
  • Format: Black & White, Subtitled, NTSC
  • Language: French (Dolby Digital 2.0 Mono)
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: New Yorker Video
  • DVD Release Date: May 25, 2004
  • Run Time: 99 minutes
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (32 customer reviews)
  • ASIN: B0001Y4LE6
  • Amazon Best Sellers Rank: #70,156 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "A Man Escaped" on IMDb

Special Features

None.

Editorial Reviews

Amazon.com

"This story is true," reads the opening statement of A Man Escaped. "I give it as it is, without embellishment." Based on the memoir by Andre Devigny, a member of the French Resistance imprisoned and sentenced to death by the Gestapo during the German occupation, Bresson (himself at one time a German POW) transforms Devigny's daring escape into an ascetic film of documentary detail. Kept in a tiny stone cell with a high window and a thick wooden door, the prisoner (renamed Fontaine in the film) makes himself intimate with his world--every surface of his room, every sound reverberating through the hall, and every detail of the prison's layout that he can absorb in brief sojourns from his cell. Bresson magnifies every detail with insistent close-ups and detailed examinations of every step of Fontaine's plan, from constructing and hiding ropes and hooks to painstakingly carving out an exit in the heavy cell door, and provides a sort of Greek chorus of fellow prisoners. This is Bresson's first film to feature a completely nonprofessional cast drilled to master precise movements and deliver lines without dramatic inflection. The effect is a drama where the slightest gesture carries the weight of a confession. Bresson's films are not for everybody, and this austere picture hardly carries the visceral punch of The Great Escape, but it's a drama of profound power, with a gripping climax that's as absorbing and tense as any high-energy action film. --Sean Axmaker

Product Description

This story is true, reads the opening statement of "A Man Escaped". "I give it as it is, without embellishment." Based on the memoir by Andre Devigny, a member of the French Resistance imprisoned and sentenced to death by the Gestapo during the German occupation, Bresson (himself at one time a German POW) transforms Devigny's daring escape into an ascetic film of documentary detail. Kept in a tiny stone cell with a high window and a thick wooden door, the prisoner (renamed Fontaine in the film) makes himself intimate with his world--every surface of his room, every sound reverberating through the hall, and every detail of the prison's layout that he can absorb in brief sojourns from his cell. Bresson magnifies every detail with insistent close-ups and detailed examinations of every step of Fontaine's plan, from constructing and hiding ropes and hooks to painstakingly carving out an exit in the heavy cell door, and provides a sort of Greek chorus of fellow prisoners. This is Bresson's first film to feature a completely nonprofessional cast drilled to master precise movements and deliver lines without dramatic inflection. The effect is a drama where the slightest gesture carries the weight of a confession. Bresson's films are not for everybody, and this austere picture hardly carries the visceral punch of "The Great Escape", but it's a drama of profound power, with a gripping climax that's as absorbing and tense as any high-energy action film. "--Sean Axmaker"

Customer Reviews

Most Helpful Customer Reviews
39 of 41 people found the following review helpful
5.0 out of 5 stars Best film to get started with Bresson May 29, 2005
Format:DVD
This is the first Bresson film I ever saw and it stunned me. Since then, I have seen most of his other films and each one is remarkable, though a few stand out: Diary of a Country Priest, Au Hazard Balthaaar, Pickpocket, L'Argent. Still, this film is unique in that it retains the austere, minimalist and ultimately spiritual style of the others, and at the same time is a gripping thriller.

You might say of this film -- though Bressonian purists might hate me for saying this -- that Bresson uses his anti-Hollywood style to outdo Hollywood style. What I mean is: Bresson is known for revealing only what is absolutely essential, a gesture, an item, two hands engaged in an activity, feet walking. This has the effect of encouraging the viewer to pay attention, but also, because it forces no specific interpretation upon these items, encouraging the viewer to participate in the unfolding of events, and become more than merely a spectator. Hollywood style tends also to eliminate much of what is inessential, but to a much different end: to eliminate moments where the viewer might be distracted and think about something other than the film; the aim is to replace thought with the action on the screen, rather than to stimulate thought. In the case of this film, however, where the subject matter is a prison breakout (standard Hollywood fare) the minimalist style employed by Bresson is able to achieve both a high degree of tension, and a high level of involvement. From the moment the prisoner is in the prison, nothing is shown except what is relevant to the single-minded focus of the prisoner: to escape. In that sense, it is not at the end that the man escapes (as already announced in the title of the film), but from the very beginning he is escaped in the sense that he never accepts the status of imprisonment. The film is able to show this without ever having him discuss the matter with anyone. Remarkable.
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15 of 16 people found the following review helpful
4.0 out of 5 stars A Man Escaped--so did the print December 28, 2005
By Sandy
Format:DVD
This is one of cinema's great achievements, a testament of the combination of elements (subject, visual style, photographic image, movement, sound, background music, character, montage) are perfectly blended into a unique experience. The New Yorker print, however, is the worst copy of this film (16mm, 35mm, television screenings) I have ever seen. This was a copy with a lack of contrast, extra noise on the track, looking like a dub. If only there was a decent attempt to attain anything better would have begun to do the film justice. As it is, enjoy what you're stuck with but know there's something better out there.

Burt Shapiro
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12 of 13 people found the following review helpful
5.0 out of 5 stars Not only escape, but redemption January 12, 2001
By A Customer
Format:VHS Tape
One of the finest films I've ever seen, painted with a spare but rich brush this is truly a masterpiece. The subtitle of this film is "Where the wind listeth" taken from the biblical passage concerning a man being born again. This seems to get lost in some reviews of this gem, but I think it is its underlying theme, redemption and grace.

I've never seen a film that truly kept me so involved and on the edge of my chair. Bresson lets this story tell itself from the beginning as you watch the main character's hands and feel his hesitation and his desperation. A man so fully human and yet touched and guided by an amazing grace that takes him step by step and leaves him free in the truest sense of the word.

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Most Recent Customer Reviews
5.0 out of 5 stars (4.5 Stars) For the Bresson cineaste, "A Man Escaped" is a wonderful...
Robert Bresson, a legendary French filmmaker known for cinematic maserpieces such as "Pickpocket", "Diary of a Country Priest" and his most popular film "Au Hasard Balthazar". Read more
Published 1 month ago by Dennis A. Amith (kndy)
2.0 out of 5 stars Boring beyond belief
I sat down on my big chair in the living room and changed the station from CNBC where I had been watching the stock market. Read more
Published 12 months ago by Dr. James Gardner
5.0 out of 5 stars Escape With Mozart
"A Man Escaped" is the type of movie that needs little dialogue. For it is the tension in carrying out the plan that holds a viewer spellbound. Read more
Published 16 months ago by W. Powell
5.0 out of 5 stars A Man Escaped
This film is about the imprisonment and escape of Robert Bresson during World War II. What makes this film different from many escape films is that it strives to recreate the... Read more
Published 18 months ago by Ron
5.0 out of 5 stars The Secular sublime
`The wind bloweth where it listeth.' God will only save us if we give him a hand, thus says the Resistance fighter who has been condemned to death. Read more
Published on April 25, 2010 by technoguy
5.0 out of 5 stars One of Bresson's best
I only recently watched this film for the first time yesterday. Being a Bresson fan, I can't believe I waited so long. Read more
Published on January 26, 2010 by Alan the Haberdasherer
5.0 out of 5 stars Perfect prison escape movie
The Bottom Line:

The film that really showcases how effective Bresson's minimalist style can be (unlike Pickpocket, but that's another story), A Man Escaped details the... Read more
Published on August 11, 2009 by One-Line Film Reviews
5.0 out of 5 stars A bitty bit of good news
Don't waste $70 + on this DVD, Criterion has announced that they will be releasing this Bresson masterpiece.
Published on February 16, 2009 by Plastic Eggs
5.0 out of 5 stars Bresson at his restrained best
A Man Escaped is one of those films that improves with repeat viewings. Bresson makes a strange choice in omitting the opening chapter of the memoir the film is based on which... Read more
Published on January 18, 2009 by Trevor Willsmer
4.0 out of 5 stars Redundant but well worth seeing
I'm a great admirer of Bresson's films. I appreciate his simplicity, and his refusal to churn out "professional" films that have little substance or artistic merit. Read more
Published on September 2, 2008 by Kerry Walters
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