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A Mighty Wind

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A Mighty Wind + Best in Show + Waiting For Guffman
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Editorial Reviews

Documentary-style Comedy. Christopher Guest follows up his acclaimed ensemble comedies Best in Show and Waiting for Guffman with a docu-comedy about three folk groups from the '60s who reunite for a memorial concert in New York City following the death of a legendary folk manager.

DVD Features:
Audio Commentary

Special Features

  • Nearly a half-hour of additional scenes
  • Live TV broadcast on the entire concert
  • "Vintage" TV appearences on the bands
  • Musical group via biographies

Product Details

  • Actors: Catherine O'Hara, Parker Posey, Michael McKean, Christopher Guest, Jane Lynch
  • Directors: Christopher Guest
  • Format: Multiple Formats, Anamorphic, Closed-captioned, Color, Dolby, Dubbed, NTSC, Subtitled, Widescreen
  • Language: English (Dolby Digital 5.1), French (Dolby Digital 5.1)
  • Subtitles: English, Spanish, French
  • Dubbed: French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: PG-13 (Parental Guidance Suggested)
  • Studio: Warner Home Video
  • DVD Release Date: September 23, 2003
  • Run Time: 91 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (359 customer reviews)
  • ASIN: B0000ALFVD
  • Amazon Best Sellers Rank: #6,947 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "A Mighty Wind" on IMDb

Customer Reviews

This movie is very funny and entertaining.
Mary A Madrid
Christopher Guest and Eugene Levy are terrific both as actors and writers; I loved Waiting For Guffman and Best in Show, and this film is equally great.
If you like folk music, and you can laugh at yourself, then you will love this movie.
Bag Reviewer

Most Helpful Customer Reviews

95 of 103 people found the following review helpful By Miles D. Moore VINE VOICE on May 21, 2003
Christopher Guest is the anti-Adam Sandler. Guest writes and directs comedies for people with reasonable attention spans, who can appreciate subtly wacky jokes and skilled performances by an ensemble of real comic actors. While he's always in his movies, he's always one of the ensemble, never in a "Look At Me, I'm a Star!" mode. "A Mighty Wind," which he directed and co-wrote with Eugene Levy, is a worthy addition to Guest's filmography--an affectionately goofy sendup of '60s folk music, set against the backdrop of a memorial concert for a folk music promoter. Guest is a master of the ever-so-slightly-askew, presenting his eccentric characters in talking-head interviews in which they matter-of-factly reveal themselves to be totally bonkers. There are so many delightful performances here that it's hard to mention them all, but one should note Guest himself, Michael McKean and Harry Shearer--aka Spinal Tap--as a semi-successful folk trio, the Folksmen; Eugene Levy and Catherine O'Hara, two of the brightest lights of SCTV, as the star-crossed duo Mitch and Mickey; and such underrated masters of comic acting as Fred Willard and Paul Dooley. One of the best things about this movie is that all of the actors are professional-class singers, and write songs that sound absolutely authentic until you listen closely to the words...Anyway, if you have anything like a well-developed sense of humor, you should find "A Mighty Wind" a source of constant chuckles and frequent belly laughs.
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40 of 42 people found the following review helpful By L. Quido VINE VOICE on January 20, 2004
Format: DVD
Christopher Guest first came to prominence in 1984, as an assistant and star in Rob Reiner's hilarious "This is Spinal Tap".
Guest learned at the hands of the master, and the last 20 years of his career have been spent on mockumentary efforts ("Waiting for Guffman", "Best in Show", and, in 2002, "A Mighty Wind", where he decided to satirize the 60's folk music movement, something he and his fellow Spinal-Tappers had once done as a skit on Saturday Night Live). There are hallmarks in Guest's work. He utilizes a co-writer, the newly popular Eugene Levy (the best part of Steve Martin's recent "Bringing Down the House"), he has a regular cast of character actors that ad-lib their way through zany and satirical situations in all three films, and he conquers the art form of teasing fans and popular culture icons with gentle spoofing, double entendres, hidden meanings, and really great filmmaking.
Although I enjoyed the film in the theater, it really came into its own when I was able to watch the DVD where I could marvel at the details and depths of Guest and Levy's imagination, and the brilliance of their comedy. It's strewn throughout the film, but a lot is captured and hightlighed in the DVD's special features.
The premise of the film is simple:
Irving Steinbloom, aged icon of the 50's and 60's folk music scene, has died in New York. His son, who followed him in managing folk music acts, Jonathon (Bob Balaban)endeavors to create a "PBN" concert in his dad's memory, bringing together three of dad's oldest and most famous acts. We get to see the faded stars in their lives today, deciding to do the show, then practicing, traveling to the Big Apple and enduring some mild hoopla and memories. Finally, we see the big event.
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36 of 38 people found the following review helpful By Charlotte Vale-Allen VINE VOICE on April 16, 2003
Let's hear it for Christopher Guest! This man just goes from strength to strength. A Mighty Wind is the flip side of This is Spinal Tap--a gentle mockumentary about the folk era. With a cast that goes for days and great performances too numerous to document individually, the applause has to go to Eugene Levy (with a Thorazine-like brain effect) who is genuinely touching with his fractured mental synapses as Mitch, and to Catherine O'Hara who is utterly believable and affecting as the Mickey half of Mitch & Mickey. Bob Balaban as the organizer of the folk event is humorless sincerity personified. Ed Begley plays a Swedish-born PBS-type producer who breaks hilariously into Yiddishisms; Jennifer Coolidge is howlingly funny as the brain-sharing publicist; Fred Willard is grotesquely funny as the sleazeball music producer whose every idea is gross and/or stupid. Part of what makes this movie work so well is the terrific musical production values. The original songs are so close to the big folk hits of the 60s that they're actually quite catchy in their kitschy fashion. In true documentary fashion, there are lots of talking heads as the show is put together over a period of two weeks. What is emblematic of all Guest films is the gentle way in which he pokes fun. For those of us who lived through the era when "Blowin' In the Wind" and guitar-accompanied anti-war anthems were very much a part of the social fabric, this movie smiles at the naivety of the time without pulling too hard at the loose strings so that the fabric unravels. It's a good-natured spoof with some hilarious moments. It's fun and funny and even quite sweet.
Highly recommended.
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17 of 17 people found the following review helpful By Robert Morris HALL OF FAMETOP 100 REVIEWERVINE VOICE on October 6, 2003
Format: DVD
When discussing three of the films in which Christopher Guest has been centrally involved thus far (i.e. Waiting for Guffman, Best in Show, and A Mighty Wind), it would be inaccurate to suggest that they follow the same formula. Rather, Guest is guided by an equation which consists of the following: an ensemble company of immensely talented actors, hilarious satirical material presented in a "mockumentary" style, and a multi-dimensional plot which concludes with a Grand Event. He directed the three films and plays a central role in them, as does Eugene Levy with whom Guest also co-authored the screenplay for each. Best in Show remains my personal favorite but A Mighty Wind is nonetheless immensely entertaining even as it (oh so subtly) suggests some serious issues along the way.
Briefly, here is the situation. Jonathan Steinbloom (Bob Balaban) is the son of a legendary producer of folk concerts in the 1950s and 1960s. In loving and respectful memory of his father, Steinbloom decides to produce a reunion concert in New York City's Town Hall which would bring together again Mitch & Mickey (Levy and Catherine O'Hara), The Folkmen (Guest, Michael McKean, and Harry Shearer) and the eight members of The New Main Street Singers. Once married, Mitch Cohen and Mickey Devlin are now divorced; when the film begins, she is now married to Leonard Crabbe (Jim Piddock). All of the performers eventually agree to appear and begin to prepare somewhat apprehensively for the concert. Of course, there are the inevitable tensions and pressures as they do so, exacerbated by the emotional baggage which several (notably Mitch & Mickey) have been dragging along in their lives for so many years. The concert finally begins and then....
Others have their own reasons for admiring this film so much.
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