A Night In Tunisia

Art Blakey's Jazz Messengers | Format: MP3 Download

Product Details

• Original Release Date: June 2, 2008
• Label: Mbopdirect - River Records
• Copyright: 2008 River Records
• Total Length: 53:26
• Genres:
• ASIN: B0026Y76SW
• Average Customer Review: 4.6 out of 5 stars  See all reviews (10 customer reviews)

Customer Reviews

Most Helpful Customer Reviews

30 of 31 people found the following review helpful:

5.0 out of 5 stars Another "Night in Tunisia", February 20, 2005

By 

Michael B. Richman (Portland, Maine USA) - See all my reviews
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This review is from: A Night in Tunisia (Audio CD)

The recent batch of Blue Note RVG releases will make many a jazz fan salivate. There are some long neglected titles in this round of reissues, with this one being one of the best, if not the rarest. Of the half-dozen albums this edition of Art Blakey's Jazz Messengers recorded in 1960 and early 1961, this is the finest. "A Night in Tunisia" was recorded over two sessions yielding enough material for this album and "Like Someone in Love" (another candidate for RVG reissue). The latter album is great as well, but there is just something about the sequence of the Tunisia tracks that makes it a masterpiece. "A Night in Tunisia" opens with the fever-pitched rhythmic orgasm that is the title track. And the album doesn't catch its breath until the reflective "Yama." Then things pick back up again with Blakey's gallop-like drumming on the opening of "Kozo's Waltz." Finally, it's hard to believe "When Your Lover Has Gone" was not the last song on the original album because as the concluding piece, it fits like a glove. "A Night in Tunisia" is a classic from start to finish.

16 of 17 people found the following review helpful:

5.0 out of 5 stars Mr. There, March 3, 2006

By 

Michael Hardin (South Duxbury, Vermont United States) - See all my reviews

This review is from: A Night in Tunisia (Audio CD)

I came to this album very early in my jazz listening career (taking baby steps out of the Ken Burns cradle). I bought it right after "Moanin'" because that seemed like the logical thing to do. Let me tell you, this album is a HUGE shock after "Moanin'" if you're not prepared for it. While "Moanin'" was an excursion in groove, swing, and in-the-pocket hard bop, "A Night In Tunisia" is a forward-looking powerhouse that isn't as accessible but just as amazing. The reason for this change can be traced primarily to the passage of two years and the presence of Wayne Shorter who was, is, and always will be ahead of his time. Though he contributed only one tune to this session, "Sincerely Diana," that tune and his others like it moved the Jazz Messengers much closer to the cutting edge of the new harmonic language that would become post-bop. His szxophone playing is also much drier and more angular than his predecessor, Benny Golson. Initially, this was a turn-off to me, as it will be for the casual jazz listener. Wayne Shorter takes time to appreciate but he truly is one of the greatest geniuses jazz has ever known.

As the other reviewers have said, the title track is a long, intense affair that highlights Art Blakey's drive and power on the drums. But it features great playing from all of the group, and Lee Morgan's cadenza near the end with Art cheering him on is one of the great moments of Jazz Messengers history. The other tunes, "So Tired," "Yama," and "Kozo's Waltz," are definitely in the hard-bop vein but they do predict the innovations to come in the following years. Since this album is not as immediately accessible as "Moanin'" and some others, get "Moanin'" first, then get "The Big Beat," also with Shorter present. Then check out "Like Someone in Love," from the same session as this one. If you like all of those albums, then get this one. The level of musicianship is superb and Art Blakey's drumming is superhuman in its drive.

3 of 4 people found the following review helpful:

4.0 out of 5 stars dig those drums, March 18, 2007

By 

Case Quarter (CT USA) - See all my reviews
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This review is from: A Night in Tunisia (Audio CD)

bah! da da da da dish bah...

art blakey made the tune a night in tunisia his own, his solo opening the selection is so spectacular i wanted the drumming to go on. but then i would had missed the straight out tenor playing of wayne shorter, followed by lee morgan.

to call something a waltz outside of european based concert music is risky, the ear wants to make comparisons to hear if what is called a waltz is really a waltz or just someone saying something is a waltz. fortunately, for jazz there's fats waller's jitterbug waltz as the first jazz waltz. lee morgan's koko's waltz is in the tradition of the jazz waltz.

blakey's a night in tunisia is a filler in your jazz collection. you can't claim to like jazz or talk about jazz unless you've at least heard tunisia. and for the ridiculously low price it's being offered, less than eight dollars, at this writing, you really shouldn't pass it up.