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A View to a Kill (Special Edition) (1985)

Roger Moore , Christopher Walken , John Glen  |  PG |  DVD
3.8 out of 5 stars  See all reviews (335 customer reviews)

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Product Details

  • Actors: Roger Moore, Christopher Walken, Tanya Roberts, Grace Jones, Patrick Macnee
  • Directors: John Glen
  • Writers: Michael G. Wilson, Ian Fleming, Richard Maibaum
  • Producers: Albert R. Broccoli, Michael G. Wilson, Tom Pevsner
  • Format: Anamorphic, Closed-captioned, Color, Widescreen, NTSC
  • Language: English (Dolby Digital 2.0 Stereo), Spanish (Dolby Digital 2.0 Stereo)
  • Subtitles: Spanish, French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • Rated: PG (Parental Guidance Suggested)
  • Studio: MGM (Video & DVD)
  • DVD Release Date: October 17, 2000
  • Run Time: 131 minutes
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (335 customer reviews)
  • ASIN: B00004W9CD
  • Amazon Best Sellers Rank: #156,673 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "A View to a Kill (Special Edition)" on IMDb

Special Features

  • Audio Commentary featuring Director John Glen and the members of the Cast and Crew
  • Inside A View To A Kill Documentary
  • The Music of James Bond Documentary
  • Deleted Scene
  • Music Video
  • Television Spot

Editorial Reviews

Very good - like new. Ships from TX.

Customer Reviews

Most Helpful Customer Reviews
36 of 39 people found the following review helpful
5.0 out of 5 stars Why Does Everyone Hate This Movie?? February 26, 2002
By A Customer
Format:VHS Tape
Why doesn't anyone like this movie...I love it!
It has a great bond girl in Tanya Roberts(Former Charlies Angel). She can't act, but man is she hot! And Christopher Walken's performance as the bad guy, Zorrin makes up for any bad acting on Tanya Roberts' part. It has tons of action(i love the opening sequence), not to mention the title song by Duran Duran, which is awesome. This is definetly one of Moore's better Bond performances and I think it has a nice comfy seat somewhere in the top 10 Bond films of all time! I Reccomend this movie to bond fans, action fans, and guys who like tanya roberts(and Christopher Walken)
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23 of 25 people found the following review helpful
4.0 out of 5 stars We Miss You, Roger Moore October 27, 2000
Format:VHS Tape
A viewer below mentioned how the scene where Roger Moore carries Tanya Roberts out of City Hall reminded him of a time when heroes were heroes. I could not agree more. "A View to a Kill" is not the best film out there, I admit, but to me, it is more than just a movie. It marks the end of the genre of the classic Hollywood hero. There are heroes today, but those actors also do comedies, dramas, and other types of movies. Roger Moore is the truly the last cinematic hero. Some of his films are not perfect (nobody's are), but his name alone is associated with action and adventure. You see his name in the credits, and you know that you're in for some sort of spectacle. For me, Roger Moore belongs up their with the likes of Errol Flynn and Douglas Fairbanks Jr. Guys like Pierce Brosnan and Nicholas Cage are good, but I know they're acting. Moore was a natural. He was the last actor that you believed WAS the character. They don't make them like that anymore. That's why I love "A View to a Kill." Not so much for its content, but for what it is.
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13 of 14 people found the following review helpful
5.0 out of 5 stars An Endearing Last 007 Film from Roger and Great Extras January 6, 2007
The extras are very good. I like the cut scene in the police station. The music video is outstanding.

A VIEW TO A KILL is Roger Moore's last James Bond film and it is one of his best. It is the pinnacle of Roger Moore's irony and contradiction to the James Bond established by Sean Connery and brought to fruition by George Lazenby. Here Roger Moore gives greater depth to James Bond than we have ever seen making his performance one of the most endearing. Guy Hamilton established this approach with GOLDFINGER and honed it with his excellent THE MAN WITH THE GOLDEN GUN, which was a mixture of action and absurdity at its best.

A VIEW TO A KILL is the most luxurious looking Bond movie. Zorin's magnificent palace and stables are the type of cinematic refinements found in GOLDFINGER, THE MAN WITH THE GOLDEN GUN, MOONRAKER and OCTOPUSSY. Zorin along with Scaramanga, are the best villains of the series. Zorin's a real psycho. May Day, Zorin's right hand, gives a real twisted performance right out of the outrageous 80's.

The opening pre-title sequence is one of the best. Bond is being chased down an ice-covered slope by Russian troops in Siberia to an exciting John Barry score highlighted by the Beach Boys' "California Girls" while he escapes on a ski mobile runner turned ski board. This is an excellent scene full of action and laughs. The Beach Boys' "California Girls" was a stroke of genius. John Barry really knows how to score a Bond movie!

The getaway in a mini sub disguised as an iceberg was another stroke of genius. I was on the edge of my seat. Duran Duran's opening main theme is the best of the series. It was even better than Lulu's THE MAN WITH THE GOLDEN GUN. Maurice Binder's main titles were his best since THE SPY WHO LOVED ME.
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19 of 22 people found the following review helpful
5.0 out of 5 stars My Heart Went Out for Roger in this One January 5, 2007
When I first saw this film on its initial release I didn't know what to make of it. It seemed like it got its inspiration from GOLDFINGER and Ian Fleming's Bond novel MOONRAKER. However, it was like a jumble of everything thrown up in the air and played out in the order in which they landed. Actions just seem to turn on a dime in this film. For example: Bond is being chased down an ice-covered slope by Soviet troops in Siberia all to an exciting John Barry score. This is an excellent scene. A gattling gun mounted on a Soviet helicopter blows the ski mobile right out from under Bond. He picks himself up, grabs the runner from the ski mobile and begins to ski board down the slope this time to the musical accompaniment of the Beach Boys' "California Girls." What happened to John Barry's score? The scene and all its dramatic tension are destroyed, yet it seems to work much better today, 21 years latter.

The film looked a bit sloppy. The stunt doubles are not always matched to Roger Moore very professionally. His hair colour seems to go from brown to straw to red. In one scene when Bond is chasing May Day through Paris in a borrowed taxi, there is one camera shot where you can see that it is definitely not Roger Moore. The fight scene where Bond and Sir Godfrey wrap up some of Zorin's guards in the warehouse has to rank at the bottom of the series. The editing couldn't even salvage it.

However, your heart kind of went out for Roger in this one. He didn't have a good outing in this picture and it being his last Bond film, he perhaps deserved better. There were a few memorable scenes that do make this film a good one. After Bond is chased into the woods on horseback and is captured, Bond tells Zorin that there will be retaliation if they kill him.
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