Product Details

• Actors: Toshirô Mifune, Yutaka Sada, Tatsuya Nakadai, Takashi Shimura, Keiko Awaji
• Directors: Akira Kurosawa
• Writers: Akira Kurosawa, Anonymous, Eijirô Hisaita, Evan Hunter, Fumio Hayasaka
• Format: Box set, Black & White, Color, NTSC, Widescreen
• Language: Japanese
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 25
• Rated: Unrated
• Studio: Criterion
• DVD Release Date: December 8, 2009
• Run Time: 3072 minutes
• Average Customer Review: 4.6 out of 5 stars  See all reviews (229 customer reviews)
• ASIN: B002NOZUEW
• Amazon Best Sellers Rank: #127,355 in Movies & TV (See Top 100 in Movies & TV)
• Learn more about "AK 100: 25 Films of Akira Kurosawa (The Criterion Collection)" on IMDb

Editorial Reviews

Amazon.com

This semi-comic 1961 film by legendary director Akira Kurosawa (Rashomon, Ran) was inspired by the American Western genre. Kurosawa mainstay Toshirô Mifune (The Seven Samurai) plays a drifting samurai for hire who plays both ends against the middle with two warring factions, surviving on his wits and his ability to outrun his own bad luck. Eventually the samurai seeks to eliminate both sides for his own gain and to define his own sense of honor. Yojimbo is striking for its unorthodox treatment of violence and morality, reserving judgment on the actions of its main character and instead presenting an entertaining tale with humor and much visual excitement. One of the inspirations for the "spaghetti Westerns" of director Sergio Leone and later surfacing as a remake as Last Man Standing with Bruce Willis, this film offers insight into a director who influenced American films even as he was influenced by them. --Robert Lane

Product Description

The creator of such timeless masterpieces as Rashomon, Ikiru, Seven Samurai, Yojimbo, and High and Low, Akira Kurosawa is one of the most influential and beloved filmmakers who ever lived—and for many the greatest artist the medium has known. Now, on the occasion of the centenary of his birth, the Criterion Collection is proud to present this deluxe box set celebrating his astonishing career. Featuring twenty-five of the films he made over the course of his fifty years in movies—from samurai epics to postwar noirs to Shakespeare adaptations—AK 100 is the most complete set of his works ever released in this country, and includes four rare films that have never been available on DVD.

Includes:
Sanshiro Sugata (1943)
Akira Kurosawa’s dazzling debut as a director is about the rivalry between judo and jujitsu, and it concerns the moral education and enlightenment of Sanshiro, played by Susumu Fujita.

The Most Beautiful (1944)
Akira Kurosawa’s patriotic World War II morale booster focuses on a volunteer corps of women working at an optics factory to produce lenses for binoculars and targeting scopes, and was shot on location at the Nippon Kogaku factory in Hiratsuka.

Sanshiro Sugata Part Two (1945)
This sequel to Akira Kurosawa’s first film, which Kurosawa was compelled to make under studio pressure, reunites most of the principal cast members from the original.

The Men Who Tread on the Tiger's Tail (1945)
The story of Kurosawa’s The Men Who Tread on the Tiger’s Tail derives from Noh and Kabuki plays depicting a famous twelfth-century incident in which the lord Yoshitsune and a small group of samurai cross enemy territory disguised as monks and must persuade border guards to let them through.

No Regrets for Our Youth (1946)
In Akira Kurosawa’s first film after the end of World War II, future beloved Ozu regular Setsuko Hara gives an astonishing performance as Yukie, who transforms herself from genteel bourgeois daughter to independent social activist during a tumultuous decade in Japanese history.

One Wonderful Sunday (1947)
This affectionate paean to young love is also a frank examination by Akira Kurosawa of the harsh realities of postwar Japan. During a Sunday trip into war-ravaged Tokyo, Yuzo and Masako look for work and lodging, as well as affordable entertainments to pass the time.

Drunken Angel (1948)
In this powerful early noir from the great Akira Kurosawa, Toshiro Mifune bursts onto the screen as a volatile, tubercular criminal who strikes up an unlikely relationship with Takashi Shimura’s jaded physician.

Stray Dog (1949)
When a pickpocket steals a rookie detective’s gun on a hot, crowded bus, the cop goes undercover in a desperate attempt to right the wrong. Kurosawa’s thrilling noir probes the squalid world of postwar Japan and the nature of the criminal mind.

Scandal (1950)
A handsome, suave Toshiro Mifune lights up the screen as painter Ichiro, whose circumstantial meeting with a famous singer is twisted by the tabloid press into a torrid affair. Ichiro files a lawsuit against the seedy gossip magazine, but his lawyer, Hiruta (Takashi Shimura), is playing both sides.

Rashomon (1950)
The murder of a man and the rape of his wife in a forest grove—seen from four different perspectives. Akira Kurosawa’s meditation on the nature of “truth” transformed narrative cinema as we know it.

The Idiot (1951)
The Idiot, an adaptation of Fyodor Dostoyevsky’s masterpiece about a wayward, pure soul’s reintegration into society—updated by Kurosawa to capture Japan’s postwar aimlessness—was a victim of studio interference and public indifference. Today, this “folly” looks ever more fascinating.

Ikiru (1952)
An aging bureaucrat with stomach cancer decides to strip the veneer off his existence and find meaning in his final days. Considered by some to be Akira Kurosawa’s greatest achievement, Ikiru offers a multifaceted look at a life through a prism of perspectives.

Seven Samurai (1954)
In Akira Kurosawa’s Seven Samurai (Shichinin no samurai), sixteenth-century villagers hire the eponymous warriors to protect them from invading bandits. This gripping three-hour ride is one of the most beloved movie epics of all time.

I Live in Fear (1955)
I Live in Fear presents Toshiro Mifune as an elderly, stubborn businessman so fearful of a nuclear attack that he resolves to move his reluctant family to South America. Kurosawa depicts a society emerging from the shadows but still terrorized by memories of the past and anxieties for the future.

Throne of Blood (1957)
Akira Kurosawa’s Throne of Blood reimagines Macbeth in feudal Japan. Starring Kurosawa’s longtime collaborator Toshiro Mifune and the legendary Isuzu Yamada as his ruthless wife, the film tells of a valiant warrior’s savage rise to power and his ignominious fall.

The Lower Depths (1957)
Working with his most celebrated actor, Toshiro Mifune, Akira Kurosawa faithfully adapts Maxim Gorky’s classic proletariat play, keeping the original’s focus on the conflict between illusion and reality.

The Hidden Fortress (1958)
A general and a princess must dodge enemy clans while smuggling the royal treasure out of hostile territory with two bumbling, conniving peasants at their sides; it’s a spirited adventure that only Akira Kurosawa could create.

The Bad Sleep Well (1960)
A young executive hunts down his father’s killer in director Akira Kurosawa’s scathing The Bad Sleep Well. Continuing his legendary collaboration with actor Toshiro Mifune, Kurosawa combines elements of Hamlet and American film noir to chilling effect.

Yojimbo (1961)
To rid a terror-stricken village of corruption, wily masterless samurai Sanjuro (Toshiro Mifune) turns a range war between two evil clans to his own advantage in Akira Kurosawa’s visually stunning and darkly comic Yojimbo.

Sanjuro (1962)
In Kurosawa’s sly companion piece to Yojimbo, the jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan’s evil influences, and in the process turns their image of a “proper” samurai on its ear.

High and Low (1963)
Toshiro Mifune is unforgettable as Kingo Gondo, a wealthy industrialist whose family becomes the target of a cold-blooded kidnapper in Akira Kurosawa’s highly influential High and Low, a compelling race-against-time thriller and a penetrating portrait of contemporary Japanese society.

Red Beard (1965)
A testament to the goodness of humankind, Akira Kurosawa’s Red Beard chronicles the tumultuous relationship between an arrogant young doctor and a compassionate clinic director (Toshiro Mifune, in his last role for Kurosawa).

Dodes’ka-den (1970)
By turns tragic and transcendent, Akira Kurosawa’s Dodes’ka-den follows the daily lives of a group of people barely scraping by in a slum on the outskirts of Tokyo. Kurosawa’s gloriously shot first color film displays all of his hopes, fears, and artistic passion.

Kagemusha (1980)
In his late, color masterpiece, Akira Kurosawa returns to the samurai film and to a primary theme of his career—the play between illusion and reality. Sumptuously reconstructing the splendor of feudal Japan and the pageantry of war, Kurosawa creates a meditation on the nature of power.

Madadayo (1993)
Kurosawa’s final film is a tribute to Hyakken Uchida (Tatsuo Matsmura), an educator and writer of enormously popular aphoristic stories. Based on Uchida’s writings, the film pieces a narrative together with distinct episodes—anecdotes and parties, ceremonies and celebrations.

Stills from AK 100 (Click for larger image)

Most Helpful Customer Reviews

29 of 30 people found the following review helpful

5.0 out of 5 stars Death in the Dust and the Wind December 6, 2003

By Gary F. Taylor HALL OF FAMETOP 500 REVIEWERVINE™ VOICE

Format:DVD

Although it lacks the scope of THE SEVEN SAMURAI, THRONE OF BLOOD, and other more widely known films by the celebrated Akira Kurosawa, the 1961 YOJIMBO (also known as BODYGUARD) is one of the most important films of the second half of the 20th Century--and a film that was deeply influenced by American film. Even so, YOJIMBO stands on its own merits: it's a magnificent piece of cinema that will fascinate even those who normally turn up their noses at "movies with subtitles."

In theory, the film is based on the 1929 Dashiell Hammett novel RED HARVEST--but transports the basic story to a period in Japan when the Samurai class has fallen on hard times and must seek employment as common body guards. Sanjuro Kuwabatake (brilliantly played by Toshiro Mifune, who appeared in several Kurosawa films) is such a one, a scruffy looking and aging warrior who finds himself caught between warring factions of a Japanese village and responds by playing the two against each other.

One of the film's greatest assets is its visual style. Kurosawa is very clearly influenced by the look of the American western here, and most particularly so, in my opinion, by HIGH NOON. Consequently, YOJIMBO leaps the cultural divide with considerable ease--but Kurosawa uses the images of empty streets and the lone warrior to considerably different effect, presenting him as a dangerous figure who emerges from the dust and the wind to rip wide his foes. But the film does not rely on visual style alone: there is plenty of hard substance here, too. The plot is tightly wound, action-intensive, and laced with a dry and very black humor, and the cast is superlative throughout....

As it borrowed from the American movie western, so did it influence American film in return, most obviously in the form of the popular Clint Eastwood "spaghetti westerns" of the 1970s--where it was essentially remade as A FIST FULL OF DOLLARS. But frankly Clint Eastwood never had it so good: with Kurosawa at the helm and Mifune as the lead, Eastwood's "lone stranger" feels mighty tame in comparison.

The Criterion DVD offers the film in original widescreen and in the best possible condition short of a full digital restoration. As noted elsewhere, there are occasional blips and lines--but honestly the film is so driving that you will barely notice them. The subtitles also seem to be a better translation than I've seen in any other version. YOJIMBO was my introduction to Japanese cinema. I urge you to let it be yours as well.

GFT, Amazon reviewer Read more ›

67 of 76 people found the following review helpful

3.0 out of 5 stars Awesome... but falls short. January 12, 2010

By JediFonger

Format:DVD|Amazon Verified Purchase

Thank you so much Criterion for releasing all of their licensed Akira Kurosawa films in a single boxset! This is one epic collection in every sense of the word!

Most arm-chair critics do not take into account or acknowledge companies like Criterion need to pay royalties for the right to release films! And the royalty often come with an expiration date. An example of this is Kurosawa's 1985 film RAN was released on DVD and was scheduled to be released on Blu-ray only to have the rights expired. It was reverted back to Studio Canal, who eventually decided to release their own Blu-ray/DVD instead (at the time of this writing). Royalties/licenses are primary reasons why the following 5 titles are missing from this collection to make it COMPLETE:

The Quiet Duel
Dersu Uzala
Ran
Dreams
Rhapsody in August

I'm not an industry insider nor do I work for Criterion so I do not know the business decisions those 5 films aren't included in this collection. Remember, Criterion is business first, film purist second. My guess is it is not for the lack of trying to obtain the rights to release those 5 in this boxset. It's possible that either the license/copyright owners want too much money or there might not have been a great film print to begin with and it would take even longer for a set like this to be released! It's not like Criterion is sitting around with nothing to do =P. So, it isn't really Criterion's fault for not including every single film Akira Kurosawa has directed! This boxset is already monumental for the fact that Criterion took the time to do it in the first place! For that, I am grateful!...

Note: Those Who Make Tomorrow (1946) is not included because Kurosawa himself disowned this film because Toho studio forced him to direct it for the sake of union. Google it and you'll find out why. I've seen this film and Kurosawa is correct, it is not even close to being Kurosawa-lite! IMDB lists 31 FULL Length features that Kurosawa has directed, but it should be 30 total.

Now, onto the set itself! Every single film in this set is presented in the usual excellent picture quality and audio presentation Criterion is known for! If you have purchased Criterion products in the past, you already know that they deliver the very BEST technical film presentation than anyone else in the industry. So if you were wondering what if Criterion skimped on quality, I would stop wondering. They did not skimp on anything in this boxset! All grain is preserved and the picture is clear and sharp and audio cleaned up so you can hear everything. Pretty good for 60+ year old film negatives on the early films!

Ok, so there is probably only 1 film that you are wondering how they can squeeze what was once a 2 disc high bitrate release (from the 3 disc edition) down to 1 disc. I'm talking about the Seven Samurai, of course. I have to remind you that Criterion has released that title 3 times (correct me if I'm wrong). The first is the barebone movie only version during the early days of DVDs, it was not even anamorphic I don't think. The second release, Criterion took the video from the first, cleaned it a bit, and added more bonus/extra. There is a progressive improvement, but nothing like the third release (the 3disc edition). This latest edition is the definitive remastering of the film negative that is so sharp and awesome they needed 2 discs (it is an almost 4 hour movie after all). Anyways, back to this set. Did Criterion do Seven Samurai justice by squeezing what was once 2 discs into 1 disc? Absolutely. Why? Improvements in MPEG-2 compression knowledge and technology over the years. MPEG-2 is a VERY mature codec by now. It's been 13+ years since DVDs debuted. Every year or so it has improved more and more, squeezing more quality out of less disk space than previously required. So rest assured everything else is golden here. It's not the *SAME* as the 3 disc, but it also not as poor as the first 2 edition releases. But if you love Seven Samurai like I do, you should already own the 3disc release (or the Blu-Ray ;)

That brings to me to why I gave this 3 stars. Before I purchased this AK 100: 25 Films of Akira Kurosawa boxset, the only Kurosawa Criterion I owned is the 3 disc Seven Samurai DVD because I had been waiting for a boxset like AK 100 to come along! The Seven Samurai is my favorite film of all time and Akira Kurosawa is my favorite director of all time, but I never bought AK movies on DVD because I've been waiting for a "definitive" Criterion collection to complete the collection all at one fell swoop. Unfortunately, Criterion did not release this set with those intentions in mind. This boxset included is only the films themselves and nothing more. Some of the films that were previously released like Hidden Fortress had bonus features. In my dream, I wished that Criterion included *ALL* previous double disc and the entire bonus content releases for ALL the AK films that they have. That would have made this more like $500-700 though. I know that would have been priced way out of my price range!

Which makes me wonder who this set is target. I know one of the audiences they want to bring in are people who have never purchased any AK films. It would seem like I am their target... yet I am disappointed because they didn't include all the PREVIOUSLY released bonus/extras! Before I got this, I assumed that this boxset would include EVERYTHING, my 3 disc Seven Samurai, all of the Criterion AK movies that have been released and previously unreleased material with even MORE bonus material. Instead I'm left with JUST THE FILMS themselves, which isn't bad at all! They are excellent films! It's just I feel cheated now because I'm expected to be brought upto speed w/the rest of the AK collectors (over the years) who have purchased the single disc editions for the bonus/extras. Instead, I'm left with the impression that Criterion is basically saying: "you should have been buying those AK Criterion releases all along, we were never going to include the bonus/extras in a boxset you silly goose!"

Those that have been collecting every single AK releases by Criterion will not buy this set. They will probably wait for the eventual Essentials/Eclipse package that will include the ones that they are missing (the early films especially). Or they can wait for the individual releases.

Hope this review is helpful for those who either don't have any AK films or have some or have all of them so far. Read more ›

24 of 25 people found the following review helpful

5.0 out of 5 stars good films,but a poor release February 25, 2010

By Michael Schulze

Format:DVD|Amazon Verified Purchase

As there is so much written about this Box I want to share my opinion on it too !
First of all you already know that these DVDs are plain film,no extras!For a price around 300 dollars that's absolutely unacceptable,even though the films themself are pure masterpieces!
So my 5 Star-Rating only concerns the films,but not this poor release.
But even if the films don't contain any bonusmaterial,why are they also don't feature optional soundtrack-versions like a few of the individual Criterion-Releases have?
For instance the individual Release of "Rashomon" (Spine No. 138)also contains an optional english dubbed soundtrack.
The individual Criterion-releases of "The Hidden Fortress" (Spine No.116) , "Yojimbo" (Spine No.52) and "Sanjuro" (Spine No.53) also contain an optional 3.0 Soundtrack,while the releases in this box are only monaural. The individual release of "Throne of Blood" (Spine No. 190) contains 2 different subtitles to choose. One from japanese film translator Linda Hoaglund,the other from Donald Richie.The DVD in this box only features the Donald-Richie-Subtitles.
And of course the film "Dodes'ka-den".....While in 1995 released on Criterion-Laserdisc (LD 291)with a 1,66/1 format,the later DVD-Release was cut to a 1,33/1 format (The individual release (Spine No. 465) as well as the DVD in this box)!
And don't let anyone fool you by telling you how good the quality of the picture and sound are.The 4 early films that are released here for the first time ("Sanjiro Sugata part 1 and part 2","The Most Beautiful" and "Those who Tread on the Tigers Tail")have a poor picture and sound quality.In fact even someone who's able understanding the japanese language can't watch the films "Sanjiro Sugata Part 1 and 2" without subtitles....The soundtrack is to poor to understand the whole film.
The 5 films that have already been released as Eclipse Series 7 ,Postwar Kurosawa("No Regrets for Our Youth","One Wonderful Sunday","Scandal","The Idiot" and "I live in Fear") have a better picture and sound then those four films mentioned before,but still not the ultimate.I got better releases of some of these five films from other countries in my collection.

But the other 15 films that are also individually available from Criterion do have a brilliant picture and sound !!!

At last one really positive thing is that this collection contains the 3-hour japanese cut of the film "Kagemusha",not the 2 and a half hour international cut that's avalable all over the world.
Sad Thing is that "The Quiet Duel","Dersu Uzala","Ran" and "Dreams" are not included in this box(I Love those films !).
As some other reviews already stated,the missing of "Rhapsody in August" is Ok.(I don't like That film!)
But those 5 films are individually available.
"Ran" as Criterion-Collection Double-DVD Spine No.316.But if you want the Criterion-DVD then you must be fast ,it's already OOP (Out Of Print). Read more ›