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AN ANTHROPOLOGIST ON MARS
 
 
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AN ANTHROPOLOGIST ON MARS [Import] [Paperback]

OLIVER SACKS (Author)
4.6 out of 5 stars  See all reviews (62 customer reviews)


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Product Details

  • Paperback
  • Publisher: Vintage (1996)
  • Language: English
  • ISBN-10: 0394281519
  • ISBN-13: 978-0394281513
  • Product Dimensions: 7.8 x 5.1 x 0.8 inches
  • Shipping Weight: 11.2 ounces
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (62 customer reviews)
  • Amazon Best Sellers Rank: #2,580,965 in Books (See Top 100 in Books)

More About the Author

Oliver Sacks was born in London and educated in London, Oxford, California, and New York. He is professor of neurology and psychiatry at Columbia University, and Columbia's first University Artist. He is the author of many books, including Awakenings, The Man Who Mistook His Wife for a Hat, and Musicophilia. His newest book, The Mind's Eye, will be published in October, 2010.

 

Customer Reviews

62 Reviews
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Average Customer Review
4.6 out of 5 stars (62 customer reviews)
 
 
 
 
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155 of 159 people found the following review helpful:
5.0 out of 5 stars Extraordinary; a work of genius, February 6, 2005
These are true tales from a clinical neurologist's notebook, but this isn't just any neurologist. Oliver Sacks, author of the justly celebrated, The Man Who Mistook His Wife for a Hat (1986) and Awakenings (1973), which was later made into a movie starring Robert DeNiro and Robin Williams, and other works, is a gifted writer with a fine sense of story and an even finer sense of humanity. He has a style that is both affecting and fascinating, yet studiously objective, a style laced with footnotes and clinical observations, historical comparisons and wisdom. Part of the power of these tales, and of all of Sacks's work, is his ability to be totally engaged and to identify with the subject while part of him is off to the side observing with scientific impartiality. This makes for a compelling read. If you've never read Sacks before, you are in for a very special treat.

These tales are paradoxical because "Defects, disorders, diseases" can bring out "latent powers, developments, evolutions, forms of life, that might never be seen or even be imaginable, in their absence." It is this "'creative' potential, that forms the central theme of this book" (from Sacks's Preface, page xvi).

The first tale, "The Case of the Colorblind Painter" is about a successful artist who worked in color all his life only to became colorblind at age sixty-five, and the effect this had on his life and work. The second, "The Last Hippie" is about an amnesiac man with a frontal lobe tumor that left him stranded in the sixties. Sacks tells this sad, pathetic story with vivid detail, and characteristically ends it with a footnote, a footnote of such warmth and genuine identification that we are moved to tears. (Don't skip the footnotes!)

The third tale, "A Surgeon's Life," is an amazing account of a Canadian surgeon with Tourette's syndrome. It is here that we begin to see the central theme of this book in brilliant illumination. Dr. Carl Bennett, riddled with the bizarre tics characteristic of the disorder, compulsions that cause him to throw things, to touch things again and again in a ritualistic manner, to flail, jump and jerk about, nonetheless became a very successful (and beloved) doctor of surgery. Sacks scrubs up with Dr. Bennett and goes into surgery with him, during which, miraculously, the tics disappear for however long it takes to complete the surgery. Sacks visits him at home and meets his wife and two children, sees the dents in the refrigerator and on the walls, and comes away with a sense of how astounding the human potential to overcome adversity can be.

The fourth tale, "To See and Not See," is about partially restored sight and how it was not a blessing. This sad story illustrates how sight is learned from infancy and is largely a constructive and interpretive function of the brain. This tale also lets us see how the world of the sightless can be rich and fulfilling beyond our imagination.

In the fifth tale, "The Landscape of His Dreams, we meet a gifted artist, Franco Magnani, who from memory alone recreates his home town of Pontito, Italy through his paintings. He has a nearly photographic, three-dimensional memory, but because of a strange illness that befell him when he was thirty-one, he cares only to re-create his Pontito, not the people or events, but the houses, the masonry, the stones, and he does so continually with microscopic and affecting detail.

The chapter "Prodigies," focuses on an autistic artist, Stephen Wiltshire, whom Sacks is determined to befriend and understand. In this tale, and the concluding tale, "An Anthropologist on Mars," Sacks helps us to penetrate the world of the autistic and see it (at least in my interpretation) as an alternate view of reality, a view with its own strengths and weaknesses, a world that is just as true and valid as the "normal" one. Of course severe autism is debilitating in the extreme, and even modest autism can permanently scar and alienate the autistic from society. Yet, perhaps that is society's loss. I even got the sense, in reading these concluding stories about autism, that perhaps theirs is an evolutionary "strategy" trying to emerge, that is, a different way of seeing and dealing with the world that also might work. I would not be shocked to discover some day that the autistic, with their sometimes extraordinary gifts of memory and concentration, are melded more completely and seamlessly into our usual consciousness, and that humankind is the better for it. Incidentally, the last tale about Temple Grandin, who is a professor of animal studies at Colorado State University, is remarkable because it is about an autistic who is completely integrated into the society, yet remains autistic. She is the one who says she sometimes feels, because of her different perspective, like "an anthropologist on Mars" when she views "normal" people. Sacks allows us to see why.

Bottom line: this is an extraordinary book of insight and scholarship about the human condition, written with grace and a deep sense of humanity, not to be missed.
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74 of 74 people found the following review helpful:
5.0 out of 5 stars Should be required reading for neuroscientists/educators!, July 2, 2000
Boy, if I had any say in what they should require as reading for students in neuroscience, I would definitely put this book up there right along with any textbooks. This book, as usual for Dr. Sacks, puts a human face on neurological injury or trauma, so that everyone can understand. Unlike many doctors, Dr. Sacks sees not only the diagnositic testing, but the person inside who has to learn to adapt to their disability to survive. Each of these stories are poignant, and as a Deaf person who underwent a cochlear implant which failed, I found his story about the blind man Virgil, who became sighted (somewhat) and then lost his sight again, hitting very close to home. I actually borrowed this book from the library, but I am planning to buy it at first chance because there are so many intelligent quotes in this book, that I have already used in my own writings and plan to use it in teaching students.

Dr. Sacks is one of the most intelligent medical writers we have today, and I for one am profoundly grateful he decided to write books on neurology. I wish that I had been exposed to his books earlier when I was in medical school for neuroscience. These stories about the people make neurology real and made neurological concepts understandable. It is not the research, the neurophysiology, the diagnostic testing which is so important, though they have their place in medical school: it is the fact that the people who have autism or who undergo strokes can teach us so much about ourselves, and many of them have surmounted huge obstacles to make something of their lives. It is all too easy in medical school, and in education to forget this. If you buy only one book on neuroscience this year, this should be the book. It is magnificent. Karen Sadler, Science education, University of Pittsburgh

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18 of 18 people found the following review helpful:
5.0 out of 5 stars An Awesome Romp Through the Pluriverse., July 27, 2006
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"Anthropologist on Mars" begins with a quote by geneticist J.B.S. Haldane - a quote that so beautifullly sums up the book's aim as to bear repeating:

"The universe is not only queerer than we imagine, but queerer than we can imagine."

Oliver Sacks's seven paradoxical tales aim at showing us just that. We are offered a mere glimpse of the neurological pluriverse and, in so witnessing, become able to appreciate just how 'queer' human nature can be.

Other reviewers have gone into great detail about the outline of each story, so I will leave that to them. What I wish to point out to prospective readers is Sack's ability, through his tales, to make the ordinary things about our brains that we take for granted, appear unique, fragile, and more special than we might have thought.

For instance, we witness two stories dealing with sight. First, we explore the case of a painter who loses ALL sense of color late in life. We also see its opposite - a blind man given sight late in life.

In the first case, we get a real sense of how integral the sense of color is for life. We watch this man describe how the world becomes infinitely duller and less interesting when all one can see is shades of gray. He is driven almost to suicide! In the next tale, we see how astonishingly hard it is to 'learn to see' and all the things the brain must do to achieve this (which becomes all the harder the older one is).

We also meet some folks who are autistic and, as such, lack the social instincts and abstraction that we who have them take for granted. Imagine, if you can, having to learn social rules (such things as body language, vocal inflection, and sense of humor) like one would learn algebra - not instinctually, but intellectually. And imagine being mystified by ideas like romantic love and the beauty of music. Temple Grandin - in the final of Sacks tales - shows us what this is like.

Through all of this, Sacks takes on the role not only of a neurologist and story teller, but of a philosopher. The philosopher takes the ordinary and puts it under a microscope to show us how breath-taking it really is. Just because most of us - the impaired call us neurotypicals - have brains that smoothly operate thus and so, does not mean that we all do. Some, like Virgil, have to work hard at seeing such basic things as 2D represntations of 3D objects. Others, like Temple Grandin, have to work at understanding the idea of sociality.

All in all, this is a stunning book that will make you think and marvel. Dare I say, if you are like me, you will never look at the human brain with quite the same lens as you did before.
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