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ART/WORK: Everything You Need to Know (and Do) As You Pursue Your Art Career [Paperback]

Heather Darcy Bhandari , Jonathan Melber
4.5 out of 5 stars  See all reviews (37 customer reviews)

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Book Description

March 24, 2009
Find Out What They Didn't Teach You in Art School

The most comprehensive guide of its kind, Art/Work gives artists of every level the tools they need to make it in an art world so competitive one dealer likens it to "The Sopranos, except nobody gets killed." Whether you're an art school grad looking for a gallery, a mid-career artist managing a busy studio, or someone just thinking about becoming a professional artist, this indispensable resource will help you build your career and protect yourself along the way.

Unlike other creative professionals, visual artists don't have agents or managers. You have to do it all yourself, at least until you find gallery representation -- and even then, there are important business and legal issues you need to understand to stay in control of your career and ensure you're being treated fairly. Heather Darcy Bhandari, a gallery director, and Jonathan Melber, an arts lawyer, walk you through these issues so that you can essentially act as your own manager and agent. They show you, for example, how to tackle business basics such as tracking inventory and preparing invoices; how to take legal precautions like registering a copyright and drafting consignment forms; how to use promotional tools like websites and business cards; and how to approach career decisions such as choosing the right venue to show your work.

In addition to drawing on their own experiences, Bhandari and Melber interviewed nearly one hundred curators, dealers, and other arts professionals, in cities across the country, about what they expect from and look for in artists. The authors also talked to a host of artists about their careers and the lessons they've learned navigating the art world. The book is full of their entertaining anecdotes and candid advice.

No matter what kind of artist you are -- or want to be -- this book will help you. Art/Work covers everything you need to know to succeed, saving you from having to learn it all the hard way -- and letting you spend more time making art.


Frequently Bought Together

ART/WORK: Everything You Need to Know (and Do) As You Pursue Your Art Career + The Artist's Guide: How to Make a Living Doing What You Love + I'd Rather Be in the Studio: The Artist's No-Excuse Guide to Self-Promotion
Price for all three: $47.43

Buy the selected items together


Editorial Reviews

Review

"This book is a godsend...it should be required reading in fine arts curricula." -- Santa Fe New Mexican

"I'll bet this powerful little paperback finds a permanent home on the list of best business books for artists.... The contract, invoice and inventory templates alone are worth the cover price." -- The Artist's Magazine

"Together [the authors] make for a powerful combo, offering both extensive knowledge of the gallery system and the ins and outs of art law, for some well-founded tips on how to succeed in the art world...it's the perfect gift for anyone working in a creative field." -- CoolHunting.com

"This book is filled with the kind of nuts-and-bolts business advice every artist needs to read." -- ArtBistro.com

"Bhandari and Melber, both Brown University graduates, have drawn on their own experiences and interviews with 100 curators, dealers, and other arts professionals to offer advice on everything from preparing artwork for shipping to coping with rejection." -- Boston Globe

"Emerging curators, along with established curators who work with living artists, would do well to read it, as would art dealers and workers at nonprofit spaces or organizations.... One unique aspect of the book is the quotes in the margin -- from high-profile artists and well-known professionals who've been around the block. Shamim Momin from the Whitney Museum and Peter Eleey of the Walker Art Center talk about how they meet new artists and visit their studios, and Seattle gallerist James Harris underscores the importance artists' websites have when he looks for new work to show." -- College Art Association News

"...even those who have no interest in the art world may find Art/Work of use. Their instructions on how to pack objects for example, are so thorough, only the most dexterously challenged will find difficulty executing them. What's more, should this book reach the majority of working artists today, the quality of gallery staff life would improve by a level of magnitude..." -- Paddy Johnson for The L Magazine

Product Details

  • Paperback: 304 pages
  • Publisher: Free Press; Original edition (March 24, 2009)
  • Language: English
  • ISBN-10: 1416572333
  • ISBN-13: 978-1416572336
  • Product Dimensions: 9.2 x 7.3 x 0.6 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (37 customer reviews)
  • Amazon Best Sellers Rank: #16,350 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews
56 of 57 people found the following review helpful
Format:Paperback
I'm an emerging artist who's been shooting for the past couple of years. I've done some shows in the non-profit realm, but only in the past few months have I been actively trying to figure out the ins and outs of the gallery scene.

For months now, I've been scrounging for the most basic information: How do for-profit galleries operate? What kind of contractual/financial obligations are required? How do you properly document your work? I've gone to workshops, interviewed artists, and dug through a lot of junk on the internet...

Only to find that everything I needed (and lots more) was in this book.

This is the definitive how-to book on running a fine art business (from the artist's side), specifically in regards to working with galleries. They don't offer any secret formulas for success, but instead dish out best practices for presenting yourself as professionally as possible.

What amazed me most was the depth of subject matter this book covers. It offers everything from sample legal forms to explicit instructions on how to pack your work for shipment. They use a very open and honest writing style throughout. Instead of coming across as preachy or snobbish, the authors sound more like a good friend letting you in on the secrets of the industry.

An interesting device they use throughout is to include relevant quotes from art professionals on almost every spread. These tie in directly with the subject matter of each section and represent the perspectives of artists, curators and gallery owners. It's one thing for the author to say what he or she thinks, but another thing when you get other voices add to the mix.

My only complaint about the book is a very minor one. While the book is striking in its design, I question the use of a bold sans serif for the body text throughout the book. There's enough white space and leading to make it work, but it seems a choice of aesthetics over practicality.

I don't often get this jazzed about books (especially not over a how-to manual). But I've seen firsthand what a lack of comprehensive resources there are for artists trying to figure out the how's and what's of the art world. This book does a magnificent job of filling that void and I'd recommend it to any artist who's trying to get established.
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134 of 169 people found the following review helpful
Format:Paperback
It's all very well to write a book for artists, but if you are working for galleries, you may have a bias.

This bias is actually a Huge problem...

In the art world, when an artist gives a work to a gallery on consignment, the gallery is not putting any cash into the artist's hands...

Traditionally, this meant a ONE THIRD COMMISSION to the gallery if the work sold...

No cash outlay for any commodity on the open market, only gives a fraction of what a retailer might get if they bought the commodity wholesale...

In fact, if a product is bought at a wholesale price, the retailer has tremendous powers to mark up the price- this is how the art market has become such a wild ride...

Now, back to the book...The book talks about 50%...But the authors have not the age or perspective or wisdom in business to understand the ethic of 50%...

50% is the wholesale price of the art work...At a 50% discount to the gallery, the gallery should be BUYING the work outright...

No other product sells for half price unless it has been purchased wholesale...

Those that know art & the art market know that one third was standard. They know that 50% without cash down is exploitative...They know that young artists don't know any of this...

Galleries have been getting away with this scam for the past decade because since 9/11, artists have been desperate to accept any offers, no matter how ridiculous, many idiots actually paying to show...

Is it right to take money from an artist to pay for their own show? No. But people do it.

Is it right to get a half off price from an artist without any cash payment? No, but people do it...

This is a flaw in this book. A fatal flaw.

Do the authors know this is a flaw?

Possibly. But their bias is For the gallery, not for the artist, so they will argue in defense of the practice, saying everyone is doing it.

I do not read books to know what everyone is doing. I read to learn. To be taught.

I am disappointed that the authors do not know the rules. The real rules. Not the ones made up in the past ten years.

If any artists are listening, please know this, ONE THIRD IS THE TRADITIONAL COMMISSION YOU GIVE FOR ON CONSIGNMENT ART WORKS TO A GALLERY....

50% is only if they buy the work from your studio to re-sell...

If they don't give you cash in hand, they don't get 50 percent. That is wholesale.

Once they buy it from you wholesale they can mark it up as they please.

But for Gosh sakes, don't give more than a third to a gallery if they don't buy the work from you...It is highway robbery. Ask an old person, they will set you straight if you don't believe me...

& beware of books for artists written by galleries...(though there were some good parts to this book- the commission thing sort of kills it)...sorry...
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21 of 25 people found the following review helpful
Format:Paperback
Where was Art/Work when I was just starting out? Here's a down-to-earth book that teaches you all the nitty-gritty details you didn't learn in art school.

Art/Work gives artists of every level the tools they need to make it in the highly competitive art world. Whether you're an art school grad looking for a gallery, a mid-career artist managing a busy studio, or someone just thinking about becoming a professional artist, this book will help you build your career and protect yourself along the way.

Heather Darcy Bhandari, a gallery director, and Jonathan Melber, an arts lawyer, walk you through issues directly related to being a visual artist. They show you, for example, how to tackle business basics such as tracking inventory and preparing invoices; how to take legal precautions like registering a copyright and drafting consignment forms; how to use promotional tools like websites and business cards; and how to approach career decisions such as choosing the right venue to show your work. I found the chapter in dealing with galleries most informative, and I've been a practicing artist for almost 30 years.

In addition to drawing on their own experiences, Bhandari and Melber interviewed nearly one hundred curators, dealers, and other arts professionals to talk about what they expect from and look for in artists. The authors also talked to a variety of artists and the lessons they've learned navigating the cutthroat world of art.

No matter what kind of artist you are -- or want to be --No matter what your media, or what stage you are in your career, this book can help you. Art/Work covers everything you need to know to succeed, saving you from having to learn it all the hard way -- and letting you spend more time making art.
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Most Recent Customer Reviews
1.0 out of 5 stars Kindle format is buggy
The .azw3 file does not work with kindle paperwhite. No way to report the error to Amazon, either. Not impressed!
Published 12 days ago by charlieott
5.0 out of 5 stars Helpful
Very helpful in giving advise on how to navigate making art your work. It has a lot of helpful hints and it's easy to read and understand.
Published 1 month ago by sarah
5.0 out of 5 stars If you think it may be too simplistic...
...perhaps it isn't. I confess that I purchased this as a gift for a sibling with a Studio Arts degree, and wondered if the information it contained would be too basic for (and... Read more
Published 1 month ago by AssemblyTimeConstant
5.0 out of 5 stars thorough
At times the advice seemed like common sense, but then I realized that a lot of people might do anything to get noticed so it is good advice. Read more
Published 2 months ago by Morgan Jones
5.0 out of 5 stars An excellent business resource for artists
This book is an excellent resource for any visual artist embarking on a professional practice. This is most everything the BFA's don't provide students concerning the "art" of... Read more
Published 3 months ago by Paula J. Dalton
5.0 out of 5 stars A great resource for artists.
Starting with the title this book contains great info for all artists. Yes, art is work though many do not understand that. Read more
Published 4 months ago by LS
2.0 out of 5 stars terrible book
The fact that this book is written by a lawyer and a gallery owner says it all. A very right wing approach to being an artist... Read more
Published 4 months ago by B Hahn
5.0 out of 5 stars great
i love it. thanks so much. wonderful. thanks. thanks. thanks. thanks. keep it coming. love it for sure. thanks. thanks
Published 4 months ago by Susanne Gigler
5.0 out of 5 stars What you should have learned at the university level
This is great, practical information about the ins and outs of the high-end "art world." (Things you should have learned in art school). Read more
Published 5 months ago by Misty Foster
5.0 out of 5 stars Required Reading
Every beginning artist needs a book like this. My only regret is that none of the material in this book featured in my art course some thirty years ago. Read more
Published 7 months ago by DeeDee
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