Aaron Copland: Sextet / Piano Variations / Piano Quartet

Burton Fine (Artist), Max Hobart (Artist), Gilbert Kalish (Artist), Malcolm Lowe (Artist), Harold Wright (Artist), Jules Eskin (Artist), Aaron Copland (Composer), Boston Symphony Chamber Players (Orchestra) | Format: Audio CD

Product Details

• Orchestra: Boston Symphony Chamber Players
• Composer: Aaron Copland
• Audio CD (May 28, 1992)
• Number of Discs: 1
• Label: Elektra/Nonesuch
• ASIN: B000005IYN
• In-Print Editions: MP3 Download
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #331,993 in Music (See Top 100 in Music)

Track Listings

1. Sextet - Allegro Vivace

2. Lento

3. Finale: Precise and Rhythmic.

4. Piano Variations

5. Piano Quartet - Adagio Serio.

6. Allegro Giusto.

7. Non Troppo Lento

Customer Reviews

Most Helpful Customer Reviews

13 of 13 people found the following review helpful:

5.0 out of 5 stars THE Copland Chamber disc to have, August 17, 2000

By 

slightlykooky - See all my reviews

This review is from: Aaron Copland: Sextet / Piano Variations / Piano Quartet (Audio CD)

Aaron Copland (1900-1990) is celebrating the centenary of his birth this year and if you want to treat yourself to his best in chamber music, don't stop, just double-click and pick this one up. His "Piano Variations" from the 1930s are sandwiched between his two chamber masterpieces: the quartet for piano and strings and sextet for clarinet, strings and piano. Gil Kalish gives a powerful reading of the Piano Variations. The Variations became 'in-famous' at Tanglewood when a young Leonard Bernstein used to promote performances of the work. To this day, they still have a bit of 'bite' in them. The other two works recorded on this disc are simply stunning. The BSO players really capture the 'irony' and 'sarcasm' Copland was going for in his Piano Quartet. Although originally his 2nd symphony, Copland 'reduced' it as a sextet for clarinet, piano and strings, when no orchestra could play its 'complex' rhythms. In light of all the 'complex' music in 21st century music, this seems a bit silly, but it is to the listener's benefit that Copland made the reduction and we are left with another chamber masterpiece! (If you are curious about how the original 2nd symphony sounded, check out the Michael Tilson Thomas recording with San Francisco Symphony on BMG/RCA.)